Classical Reviews
Myaskovsky Dialogues, Yekaterinburg online review - revival and revelationWednesday, 10 March 2021
The reputation of Nikolai Myaskovsky has long been cast into shadow by the more exportable extroversion of his contemporaries Prokofiev and Shostakovich. Read more...
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Levit, Berlin Philharmoniker, Paavo Järvi, Digital Concert Hall review - optimal light and darkTuesday, 09 March 2021
It seems right that (arguably) the greatest orchestra in the world has (unarguably) the best livestreaming and archive service. Read more... |
Pushkin House Music Festival online review - Russian around BloomsburyMonday, 08 March 2021
Sergey Prokofiev died on 5 March 1953, on the same day as Stalin. Perhaps that uncomfortable coincidence makes March the perfect time for a festival of Russian music. Pushkin House, the Russian cultural centre based in a Georgian villa in Bloomsbury, is holding one right now. Read more... |
Two LSO concerts on Marquee TV review - vibrant triptychesFriday, 05 March 2021
In amongst the heavy-hearted duty of supporting orchestras by watching their concert streamings – not something I’d do by choice – there are two real joys here. One is the discovery of Austrian composer Franz Schreker’s Chamber Symphony of 1916. Read more... |
Gillam, Manchester Camerata, Kuusisto, Stoller Hall online review - calm and exhilarationMonday, 01 March 2021
Manchester Camerata’s performance with Jess Gillam at Chetham’s School of Music was filmed in private on 9 January (and the sound was broadcast on BBC Radio 3 on the 19th), but to see it in its full visual glory we had to wait until a one-off... Read more... |
Urioste, Aurora Orchestra, Kings Place online review - superb musicianship in compelling close-upSaturday, 27 February 2021
The clever programming of the “Unwrapped” series has been transformational for the reputation of Kings Place. Ever since the Bach series in 2013 these year-long sequences of concerts and other events have succeeded in silencing the crustier commentators, and in putting the London arts venue properly on the map. Read more... |
Sean Shibe, Wigmore Hall online review - persuasive and poignantWednesday, 24 February 2021
Returning to the Wigmore Hall for another socially distanced concert, Edinburgh-born guitarist Sean Shibe brought a programme of moving, often melancholy music, apt for these still locked-down times. He opened with a trio of works by John Dowland written originally for lute. Read more... |
Hughes, Manchester Collective, Lakeside Arts online review - creating the occasionMonday, 22 February 2021
There’s an atmosphere of tender restraint through most of the programme created by Ruby Hughes and Manchester Collective for Lakeside Arts at the University of Nottingham. It was streamed live yesterday afternoon, and, as is the way with most performances just now, was in an empty hall, with its slightly strange "empty" acoustic affecting the spoken word as the artists introduced their music. Read more... |
Coote, Blackshaw, Fiennes, Wigmore Hall online review – lonely hearts club bandSunday, 21 February 2021
Why, in Lieder singing above all, should an outpouring of deep feeling so frighten critics? Alice Coote’s unabashed emotionalism as a recitalist can sometimes bring out the worst in the stiff-upper-lip brigade, as reactions to her high-impact Winterreise (last given at the Wigmore prior to the current lockdown) revealed. Read more... |
Budapest Festival Orchestra, Fischer online review - Mahler movements for the fishSaturday, 20 February 2021
In verses from the folk anthology Des Knaben Wunderhorn (The Youth's Magic Horn) set by Mahler as a song, later adapted for the scherzo of his Second Symphony, St Anthony of Padua sermonizes on repentance to the fish, who all listen politely and then carry on behaving as they did before. Read more... |
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