sun 12/01/2025

Classical Reviews

Sean Shibe, Wigmore Hall review - a bewitching hour

David Nice

Last time I was in a Wigmore audience for a Sean Shibe recital, his electric-guitar second half had many regulars fleeing the hall (he later said that the amplification had been meddled with – it was too loud, though the work in question, Georges Lentz’s Ingwe, was always going to be a stunner).

Read more...

LSO, Rattle, Barbican review - songs and dances in a room with an audience

David Nice

It began with a sense of wonder, not just from the Barbican's socially distanced audience but also from the stage, at “that sound you make with your hands”, as Simon Rattle put it in what he said was a novelty speech before a performance.

Read more...

Royal Northern Sinfonia, Sage Gateshead online review – a grab bag of players’ favourites

Bernard Hughes

The Royal Northern Sinfonia handed its players artistic control of the programme for this livestream from the Sage, Gateshead and if the result lacked coherence it certainly had the variety and diversity missing from the Wigmore Hall Nash Ensemble recital I reviewed last month.

Read more...

Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrow

Peter Quantrill

The drunkard in spring; the lonely man in autumn; the long goodbye. Mahler’s last song-cycle often seems to embody solitude; a resigned, earthly counterpart to the transcendent rapture of his previous work, the Eighth Symphony, as a superstitious talisman to ward off the finality of a Ninth.

Read more...

Ryedale Spring Festival online review - sowing the seeds of live music

Miranda Heggie

Marking its 40th anniversary, this year’s Ryedale Festival kicked off with an online-only spring series ahead of the main festival later this summer. With any luck, by then, the festival’s rural Yorkshire venues will be filled with people once more, but for now audiences can experience beautiful music made in beautiful places wherever they are at home. 

Read more...

Europe Day Concert, St John's Smith Square online review – celebrating in style

Jessica Duchen

We may not be in the EU any more, but geographically and culturally we can celebrate being part of Europe as much as we jolly well like.

Read more...

Coote, Philharmonia, Gardiner, Southbank Centre online review - English masterworks

Bernard Hughes

This Philharmonia concert from the Royal Festival Hall comprised three masterworks of English music, following a (welcome) trend that has emerged in COVID-era streamed concerts in digging out a couple of smaller-scale, less often programmed pieces to put alongside a sure-fire hit.

Read more...

BBC Young Musician 2020 Finale, BBC Four review - poise versus extraterrestrial ecstasy

David Nice

“You have to be careful you’re not judging the piece,” cautioned a pearl-necklaced Nicholas Daniel, great oboist and winner of the 1980 BBC Young Musician (of the Year, as it then was).

Read more...

Booth, Nash Ensemble, Wigmore Hall online review - contemporary music programme lacks diversity

Bernard Hughes

Wigmore Hall does not dish up a great deal of contemporary music, preferring a menu of mainstream chamber music.

Read more...

Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vessel

Boyd Tonkin

Some lockdown-era recital programmes have doled out miserly short measures, as performers gallop through a brief, rushed hour (or less) of music as if afraid to tax the online patience of their disembodied audience.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Second Act review – absurdist meta comedy about stardom

Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...

Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedr...

Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as...

Album: Lambrini Girls - Who Let the Dogs Out

Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist...

Maria review - Pablo Larraín's haunting portrait of an...

As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...

Titanique, Criterion Theatre review - musical parody sinks d...

This Celine Dion jukebox musical has been a big hit in New York, but...

Album: Franz Ferdinand - The Human Fear

Travel back in time to the mid 2000s and you would be hard pressed to escape "Take Me Out" by Franz Ferdinand on the air waves. On the radio,...

Babygirl review - would-be steamy drama that only flirts wit...

Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...

It's Raining Men review - frothy French comedy avoids d...

Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...