Film Features
theartsdesk in Durrës: Albania after Norman WisdomSunday, 04 September 2011
Once upon a time - and for a very long time, at that, under its hard-line Marxist leader, Enva Hoxha - world cinema was represented in Albania by Norman Wisdom. Today, 26 years after Hoxha's death and 21 years after the fall of Communism there, Durrës, the country's second largest city, has just hosted an international film festival whose guests included Francis Ford Coppola... Read more... |
theartsdesk at the 68th Venice Film Festival: Clooney, Polanski, MadonnaFriday, 02 September 2011
I wonder if it’s possible for a film festival to kick off with a bigger bang. For your first three competition films to be directed by one of the world’s biggest movie stars, one of its most celebrated (and controversial) auteurs and arguably the world’s most famous woman, is no mean feat. And two of these films are pretty damn good. Read more... |
Violence in the Streets: On making The InterruptersWednesday, 10 August 2011
Twenty-four years ago, I found myself hanging out virtually every day in the Henry Horner Homes, a Chicago housing project on the city's hardscrabble West Side. I had begun to immerse myself in the lives of two young brothers, Lafeyette and Pharoah Rivers, in an effort to understand what it means to be growing up poor in the world's wealthiest nation. Mother Teresa had visited this neighbourhood just a few years earlier, and what so struck her was not the poverty of the pocketbook - she had... Read more... |
theartsdesk in Locarno: Swiss rules, Swiss rainSunday, 07 August 2011
Think what you will about Switzerland and the Swiss – calm, ordered country, treasured environment, cautious, democratically precise people – but look behind the scenes and things can seem quite scary. Vol spécial (Special Flight), by Swiss-French-speaking Fernand Melgar, is one of the most intense documentaries I have ever seen. Depicting asylum seekers in a detention centre, it is a vibrant portrait of human (entirely male) endeavour warping into despair under an unkind but, as... Read more... |
theartsdesk at the Sarajevo Film FestivalMonday, 01 August 2011
There is an interesting tension at the Sarajevo Film Festival which, though this was my first time, I suspect exists as a matter of course. And this is a tension between the spirit of the people I meet here – ebullient, good-humoured and indefatigable (they really know how to party) – and the films themselves, which suggest a country and a region still reeling from the turmoil of its recent past. It’s a strange experience, then, poised between light and gloom. Read more... |
theartsdesk in Odessa: Monty Python on the Black SeaSunday, 31 July 2011
Odessa must be one of Central Europe’s more distinctive cities, characterised by a profoundly cosmopolitan ethnic mix over more than two centuries. It was one of the most international cities in the Tsarist empire, while in Soviet times it honed that identity, based not least on the size of its Jewish population, and the brand of humour – accompanied by an almost distinct language – that resulted. Read more... |
French Cancan: Jean Renoir in the Moulin RougeSaturday, 30 July 2011
When Jean Renoir returned to France at the end of 1953 after 13 years of exile, he felt as if he were beginning his career from scratch. His Hollywood films were not highly regarded, and neither The River (1951) nor The Golden Coach (1953), shot in India and Italy respectively, were successful enough to redeem his international standing among reviewers or at the box office. The critical consensus declared that he was an artist in decline. Read more... |
theartsdesk in Los Angeles: The Film Festival Without StarsSunday, 03 July 2011
In its second year under creative director David Ansen and in its new home at the LA Live complex, the Los Angeles Film Festival seems to have recovered from the slightly rocky start of its downtown debut last year. While one or two of the several hundred volunteers still seemed to be in it for the free T-shirt, most were clearly film enthusiasts... Read more... |
Interview: Film Director Nicolas RoegThursday, 23 June 2011
There is something rather bloody-minded and heroic about Nicolas Roeg’s films with their fractured narratives, macabre imagery and extremes of sex and violence which place him, along with film-makers such as Ken Russell and Roger Corman, within a very particular but thrilling seam of dark English Romanticism. Read more... |
Interview: Film Director Ron PeckTuesday, 07 June 2011
The identity of British independent film, and its future directions, has always been a matter of some contention – and with the ongoing transfer of authority on funding issues from the now-defunct UK Film Council to the British Film Institute, it’s a question that isn’t going to go away. For Ron Peck, whose most recent film Cross-Channel has been... Read more... |
theartsdesk in Western Sahara: The World's Most Remote Film FestivalSunday, 22 May 2011
During the 1960s, when decolonisation movements were sweeping the world, it was joked that, after achieving independence, a country had to do three things: design a flag, launch an airline and found a film festival. Western Sahara has a flag but no airline and, despite a 35-year struggle, has yet to achieve independence. The closest Western Sahara comes to its own film festival is the Sahara International Film Festival (known as FiSahara), the world's most remote film festival, whose... Read more... |
The Battleship Potemkin Comes Out of the ClosetSaturday, 23 April 2011
When Sergei Eisenstein's film The Battleship Potemkin was first shown in Moscow in December 1925, just in time to commemorate the 1905 Revolution, the film played to half-empty theatres, because audiences, then as now, preferred the products from Hollywood. Box-office figures were exaggerated by the authorities to demonstrate to the rest of the world that there was a large Soviet audience for Soviet films. Read more... |
Director Lucien Castaing-Taylor on the Making of SweetgrassSaturday, 23 April 2011
I grew up in Liverpool, but my grandmother was from the Lake District - Wordsworth country, and about as rural and remote as could be. We used to stay with her on weekends, and I still remember the sense of freedom as we escaped the post-industrial detritus of Merseyside and Lancashire, and approached her cottage in this Arcadian paradise. But my bucolic fantasy was of course the projection of an urban child, who knew next to nothing about what it was like to actually inhabit this landscape... Read more... |
Celebrating Angela Scoular, 1945-2011Wednesday, 20 April 2011
In Clive Donner’s 1968 Here We Go Round the Mulberry Bush, which was released on DVD earlier this year, Barry Evans plays Jamie, a Stevenage sixth-former whose rush to lose his virginity leads him into a series of muted misadventures with girls. They are played by the likes of Adrienne Posta, Judy Geeson, Sheila White and Vanessa Howard. Jamie is randy but sweet, scarcely a rake, and Donner’s jocular film transcends its Swinging Sixties sex comedy label by getting under the skin...
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theartsdesk in Kinshasa: The Making of Benda Bilili!Sunday, 13 March 2011
Benda Bilili! is in some ways very Hollywood – the story of a dream of stardom which comes true despite incredible odds. On the other hand, the subject matter of a group of homeless paraplegic musicians in a band called Staff Benda Bilili (which means something like “looking beyond appearances”) in one of the most dangerous cities in the world – Kinshasa – is hardly Tinsel Town. Read more... |
Oscars 2011: The King's Speech sweeps the 83rd Academy Awards (eventually)Monday, 28 February 2011
The King’s Speech survived a faltering start at the 83rd annual Academy Awards – think of it as an Oscar-night stammer – to emerge victorious with four trophies, three of them in the last 30 minutes of the (seemingly endless) ceremony. But long after this cinematic Cinderella’s final domination of the gong-giving season just gone is forgotten, 2011 will be remembered as the year that the Oscars dropped the F-bomb. Read more... |
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