mon 28/04/2025

Film Features

Opinion: Why film stars should never play film stars

Ronald Bergan

News that Nicole Kidman is to play Grace Kelly in a movie called Grace of Monaco convinces me that it is foredoomed. This time Kidman won’t have any prosthetics to help her resemble Grace Kelly, such as the long nose she wore as Virginia Woolf in The Hours (2002). Nor would it be possible, as attractive and talented as Kidman is, to replicate Kelly’s ineffable quality and patrician beauty.

Read more...

Vincente Minnelli: Celebrating Mr Hollywood

Ronald Bergan

For most film buffs, the name of director Vincente Minnelli immediately recalls the quintessence of the MGM musical of the 1940s and 1950s - a world of fantasy, brilliant colours, stylish décor and costumes in which Fred Astaire, Judy Garland, Gene Kelly and Leslie Caron dance and sing. The name also evokes steamy dramas and civilised comedies such as Some Came Running and Father of the Bride.

Read more...

BFI Southbank Preview: Made in Britain

Emma Simmonds

If you’re game for a galling statistic, here’s one that’s guaranteed to stun: at present, only 14 per cent of British films released in the UK are directed by women. If that seems oddly as well as infuriatingly low, it’s probably because so many of the brightest and boldest British film-makers of recent years, from Lynne Ramsay to Lucy Walker, are women – women who it seems are exceptions as well as being exceptional.

Read more...

The Devils: A Masterpiece Resurrected

Kieron Tyler

“The film is a series of very curious, strange and macabre unbelievable incidents,” said director Ken Russell of The Devils in 1971. "The point of the film really is the sinner who becomes a saint." The tribulations surrounding its release, still fresh in Russell's mind, could easily have been described as curious and strange too. The long-overdue arrival on DVD of his career landmark is important. The Devils is one of the most astonishing and powerful British films.

Read more...

Opinion: Comedy should be taken more seriously

Norma Burke

The first ever work of literary theory was Aristotle's Poetics, which was written on two separate papyruses - one on tragedy and the other on comedy. However, at some point the second was lost and along with it our most ancient understanding of the comedy genre.

Read more...

Peter Cook Season, British Film Institute

Bruce Dessau

The death of Peter Cook on 9 January 1995 was my JFK moment. I'll never forget what I was doing when I heard the news. I was driving from London to Granada Studios in Manchester to interview comedian Caroline Aherne. At the time she was married to the New Order bass guitarist Peter Hook, so when the radio announced that Peter Cook was dead my ears did a double take.

Read more...

Oscars 2012: Meryl wins election in a landslide for the silent age

Matt Wolf

Maybe it was host Billy Crystal at far from peak form. Or a surfeit of cringe-making shtick by too many presenters, including the distaff principals of Bridesmaids. Or the desperation that clung to the multiple on-air tributes to an art form whose very being was celebrated in the evening’s two major winners, Hugo and The Artist.

Read more...

Oscars 2012: Who Will, Who Should, Who Won't

theartsdesk

Every year before the Academy Awards speeches are tacitly composed, flowing gowns and priceless necklaces booked and no doubt small blameless animals slaughtered in the Roman style for good luck.

Read more...

Oscars 2012: Meryl and Woody - Gongs and Noms

theartsdesk

They have been racking up the Oscar nominations since 1978, and this year they were back.

Read more...

theASHtray: Homeland, Kings of Leon, and we need to talk about Aïda

ASH Smyth

So Homeland is here, and mid-ranking-CIA-operative Claire Danes is chasing Marine-Sergeant-and-possible-al-Qaeda-double-agent Damian Lewis all over the shop (but really only in their heads, so far), and neither of them is getting anywhere fast, so Claire goes home for a kip and sticks on some relaxing music, and would you Adam ‘n’ Eve it? – another bloody jazz nerd!

Read more...

theartsdesk in Berlin: The 62nd Berlinale

james Woodall

In a major festival upset last night, the Taviani brothers Paolo and Vittorio won the 2012 Berlinale’s best-film award, the Golden Bear. Their film, Cesare deve morire (Caesar Must Die), defies categories. Set in Rome’s Rebibbia maximum security jail, this extraordinary hour and a quarter charts the making by inmates of a production of Shakespeare’s Julius Caesar.

Read more...

theASHtray: Whitney, bin men, and the NPG's 'incautious' acquisitions

ASH Smyth

Right, out with it: who else had their Valentine’s dinner-out ruined by 36 consecutive requests for Whitney Houston? Not even the entire back-catalogue, either: just “(And I-ee-I-ee-) I…”, over and over.

Read more...

Interview: Director Pawel Pawlikowski

Nick Hasted

Pawel Pawlikowski was named BAFTA’s Most Promising Newcomer for his feature debut Last Resort (2000), then the follow-up, 2004’s My Summer of Love, won Outstanding British Film of the Year. But neither felt obviously British, reflecting border-zone existences in a sometimes beautiful, sometimes horrific country.

Read more...

theartsdesk in Papa Westray: Art at the End of the World

Amy Liptrot

In the same way that some chase the thrills of extreme sport, extreme art fans can now take the challenge of visiting this small art festival, which is uncompromising in terms of location, climate and content. Orkney as a whole has natural beauty, a rich history and a thriving cultural life, with a disproportionate number of artists compared to the size of the population.

Read more...

theASHtray: Janáček, Carnage, and Seth MacFarlane v George Clooney

ASH Smyth

Mea culpa. I take it all back. Christoph Waltz can act, and like a dream. You know, that dream you have where Tarantino's favourite pantomime Nazi demonstrates his apparently incurable fixation on apple-based desserts, and then Kate Winslet yakks all over his shoes. 

Read more...

Crooked Houses: Homes from Hell

Emma Simmonds

This Friday sees the release of James Watkins’ bloodcurdling adaptation of The Woman in Black, produced by the recently resurrected Hammer Films, who have risen like one of their macabre creations to torment us once more.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...

I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...

Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...

Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...

Mahler 8, LPO, Gardner, RFH review - lights on high

Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the epic setting of Goethe’...

Album: Car Seat Headrest - The Scholars

Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have created rock...

Music Reissues Weekly: The Hamburg Repertoire

The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...

Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...

“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...

Ben and Imo, Orange Tree Theatre review - vibrant, strongly...

Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David Hemmings (Kevin...

Stelios review - Athenian rhapsody in blues

The English title of a new film about the legendary singer-guitarist Stelios Kazantzidis, who popularised rebetiko, which is often called “the...