tue 23/09/2025

Film Features

theartsdesk in Kinshasa: The Making of Benda Bilili!

Andy Morgan

Benda Bilili! is in some ways very Hollywood – the story of a dream of stardom which comes true despite incredible odds. On the other hand, the subject matter of a group of homeless paraplegic musicians in a band called Staff Benda Bilili (which means something like “looking beyond appearances”) in one of the most dangerous cities in the world – Kinshasa – is hardly Tinsel Town.

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Oscars 2011: The King's Speech sweeps the 83rd Academy Awards (eventually)

Matt Wolf

The King’s Speech survived a faltering start at the 83rd annual Academy Awards – think of it as an Oscar-night stammer – to emerge victorious with four trophies, three of them in the last 30 minutes of the (seemingly endless) ceremony. But long after this cinematic Cinderella’s final domination of the gong-giving season just gone is forgotten, 2011 will be remembered as the year that the Oscars dropped the F-bomb.

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Opinion: Awards - aren't you sick of them?

Ismene Brown

Sorry if I haven’t seen you since New Year, darling, but I've been non-stop. Last night it was the whatsonstage.com awards, I’m in LA next weekend for the Oscars of course, and I ruined my Jimmy Choos at the Globes - such a riot! I had to pop into a couple of dull old Critics Circle awards, but there's only wine, lovey, and at least Melvyn's South Bank do gives you a decent dinner. Was so hungover I had to positively skulk at the National Television Awards the next night.

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theartsdesk in Berlin: The 61st Berlinale

james Woodall

Another 400 films, another rush for seats, another biting wind from Vladivostock: the 61st Berlin Film Festival - the Berlinale - has packed ’em in in the centre of town at Potsdamer Platz (mainly) over the last 10 days and hoped to light up the inevitably gloomy middle of February, and almost succeeded. But boy were there some tedious competition films this year.

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Opinion: 3D is as revolutionary as the talkie

alexandra Coghlan

Tainted by its origins and association with the pulp cinema of the 1950s (classics like Bwana Devil, It Came from Outer Space and House of Wax were pioneers of stereoscopic technology), 3D cinema has remained the province of entertainment cinema, a novelty no art-house auteur would touch.

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Interview: Film Director Beeban Kidron

Hilary Whitney 'People do not have proper witness to their lives and I am really interested so I start asking them questions'

It’s a fairly safe bet that when director Beeban Kidron made her first film, the documentary Carry Greenham Home (1983), she never envisaged that 20 years later she’d be directing a whopping great blockbuster about a Chardonnay-swigging young woman’s desperate quest to get a ring on her finger - Bridget Jones: The Edge of Reason (2004). But then Kidron’s career trajectory has never been predictable.

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2010: A Film Odyssey

Anne Billson My new role model, Dr Ronald Chevalier: Bestselling author, plagiarist and Gentleman Bronco

2010 will go down as the year I fell out of love with Johnny Depp. And not just because of his cringe-making Mad Hatter in Alice in Wonderland, an over-produced farrago which reduced Lewis Carroll's dark Victorian whimsy to a dull computer gamelike chase-rescue-showdown scenario. The Deppster sealed the Double Whammy of Dreadfulness with his uncanny impression of naff comedian Rob Schneider in The Tourist, a would-be rom-com thriller that somehow sacrificed the...

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The 10 Best Christmas Movies

Graham Fuller

A nostalgified panacea of pine, tinsel, and tintinnabulation? Or a black hole of loneliness, bitterness and melancholy? Films about Christmas, wholly or partially, have straddled both polarities over the years, producing a surprising number of classics.

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theartsdesk's Christmas Presents Guide

theartsdesk

With the lightning speed of online delivery, there is still masses of time to select the best and most enjoyable presents for Christmas, thanks to the taste and wisdom of theartsdesk's pack of writers.

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theartsdesk in Tallinn: 23rd European Film Awards

Nick Hasted Ghost at the party: Roman Polanski, director of Best Film 'The Ghost', looks on at the European Film Awards

Roman Polanski’s The Ghost won five of the seven European Film Awards it was nominated for last night. It was a display of the sort of sentimental herd mentality familiar from the Oscars which the European Film Academy’s voters like to feel they are better than. Polanski himself loomed from the big screen via Skype, kept from the ceremony in Estonia’s capital by the US arrest warrant which was surely the reason for the Academy’s largesse. The director looked down on the...

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The Seckerson Tapes: Composer Dario Marianelli

Edward Seckerson Composer Dario Marianelli wields his Oscar for his score to the film 'Atonement'

Dario Marianelli won an Oscar and a Golden Globe for his score for the movie Atonement, and his return to the theatre after a long absence as composer for the Young Vic's new production of Tennessee Williams's first big Broadway success, The Glass Menagerie, is hotly anticipated. In the rehearsal room he talks about the intricate process that marries music to drama, be it on celluloid or stage. He talks about what fires his imagination and how, for instance, a typewriter...

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theartsdesk at the 2010 London Film Festival

Nick Hasted

Danny Boyle closed 2010’s London Film Festival, as he did 2008’s, and picked up a British Film Institute Fellowship to boot. His 127 Hours had at least one person I know covering her head with her coat during its already infamous auto-amputation-by-penknife scene, though it falls far short of Boyle’s previous triumph with Slumdog Millionaire.

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The Seckerson Tapes: Conductor John Wilson

Edward Seckerson

John Wilson and the orchestra which bears his name created an absolute sensation at the 2009 Proms with their celebration of 75 years of MGM musicals. A total of 3.5 million people watched the broadcast live; countless more all over the world will relive the experience on DVD. Wilson has made a speciality of restoring and recreating great movie scores and presenting them in all their very particular glory in concert halls up and down the UK.

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On Making The First Movie

Mark Cousins 'I had to decide how to capture the kids and the village and the screenings in images'

A documentary film I made recently, The First Movie, won the Prix Italia. Wim Wenders sent an email which said, “I loved it.” When I showed it at the prestigious Telluride Film Festival last month, nearly 1000 people turned up to see it, and many were in tears. How did all this happen? I’m not sure that I know. But, looking back, I can see a chain of decisions...

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Tony Curtis Liked It Hot, 1925-2010

Graham Fuller 'I finessed myself': Tony Curtis as a young man

Tony Curtis, who has died in Las Vegas at the age of 85, made an improbable leap from Bronx street kid - the erstwhile Bernie Schwarz, who was always getting beaten up - to Hollywood icon in the 1950s and early Sixties. That he was able to do so is a testament to his determination to be an actor on the G I Bill, Universal’s willingness to put raw hunks of beef like him and Rock Hudson (a fellow Navy man) under contract, and Bernie’s own belief in his facile charm.

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theartsdesk in Cambridge: 30th Cambridge Film Festival

james Woodall

Cambridge is in pre-term cocktail mood, almost. Its Film Festival slips in after Locarno and Venice, and as Toronto ends, and before Rome (increasingly important) and London (internationally a struggler) start. It tilts in the same direction as the aforementioned, with fully fledged art movies, provocative documentaries and work from a dozen language groups or so, though it's very small and many people might not know it exists.

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