tue 26/08/2025

Film Features

Crooked Houses: Homes from Hell

Emma Simmonds

This Friday sees the release of James Watkins’ bloodcurdling adaptation of The Woman in Black, produced by the recently resurrected Hammer Films, who have risen like one of their macabre creations to torment us once more.

Read more...

theASHtray: Beyoncé, 'Bond', and Eddie Redmayne's lips

ASH Smyth

So, Birdsong is over, and for all the arts-crit ink spilled upon it I am still none the wiser vis-à-vis my three main points of concern. First: it is a truth universally acknowledged (I asked around) that the most memorable episode in the Faulks novel was the one about the blowjob. This scene was not so much absent from the TV version as, er... cunningly re-gendered. Why?!

Read more...

theartsdesk in Paris: The Oldest Film Star of All

Ronald Bergan

The news that work is to begin in February on a major renovation of the 122-year-old Eiffel Tower reminds us that no other monument in the world, including the Statue of Liberty, the Houses of Parliament or the Coliseum, conjures up a city with such immediacy, and none with so much romance. According to Roland Barthes, “the Eiffel Tower is nothing but a place to visit.

Read more...

Opinion: do we really need more classic novels adapted?

Jasper Rees

Wanted: classic novel, preferably 19th-century but 18th will do, or early 20th. Anything reeking of period before television acceptable, though preferably not too working class. English if poss. Barnaby Rudge need not apply.

Read more...

New Year Brantub - Free Tickets Competition

theartsdesk

Competition alert! Start 2012 with a surprise arts trip. On theartsdesk we love crossing the borders - "Surprise me," was the edict of the great impresario of theatre, music, art and dance, Serge Diaghilev, and it's one we hold to here, because we believe in the pleasure of surprises. So please enter our competition, and a pair of tickets to one of the splendid events listed below could be coming your way, but you will take pot luck with which one you win, and who knows?

Read more...

2011: A Far Cry from Ramsay Street

Hilary Whitney

This is probably cheating - because it was released in 1980 - but one of the cultural highlights of my year was the opportunity to revisit the film Bad Timing, which was screened as part of director Nicolas Roeg’s retrospective at the BFI in March.

Read more...

theartsdesk Christmas Quiz

Ismene Brown

You're going to test your stomach and sweet temper to the maximum today - test your brain and memory too with our monster quiz about the arts covered by theartsdesk in 2011. Every artform is represented here in 12 dozen questions. Settle down between courses, films and presents and see how many you and your near and dear can do.

Read more...

theartsdesk Christmas Quiz - Answers

theartsdesk

Here are the answers to our monster Christmas arts quiz of 12 dozen questions on the year past, as seen by theartsdesk writers. There are clues in all the questions in the main quiz page. If you don't want to know the answers just yet till you've grappled with them, close this page now.

Read more...

Christmas on theartsdesk: Brainteasers, Bran Tub, and the Best of 2011

theartsdesk

Any day now most of us will be hunkering down and for the most part drawing a curtain about the world outside. Before that happens, we’d like to tell you about theartsdesk’s plans for Christmas and the New Year.

Read more...

DVDs for Christmas: Film and TV

theartsdesk

Over the year we have reviewed many a new film and television drama in theartsdesk's Disc of the Day slot. As our series of DVD recommendations comes round to the movies, we have chosen to concentrate not on individual titles but box sets. For completists we suggest everything from Harry Potter to Ken Loach, The Avengers to Tarkovsky. If you want more Chaplin or Eisenstein in your life, here, too, is a good place to start.

Read more...

theartsdesk in Berlin: The European Film Awards 2011

Nick Hasted

Melancholia and The King’s Speech were the big winners at the European Film Awards in Berlin last night. Last year, Roman Polanski accepted The Ghost’s numerous awards in Tallinn by Skype, self-exiled by his deeds (and the fear of being clapped in irons by the US if he travelled). It was Lars von Trier’s words which kept him away as Melancholia won Best Film.

Read more...

theartsdesk at the 2011 London Film Festival

theartsdesk

It may not have quite the glam tackiness of Cannes in May, nor the pizzazz of Venice in September, nor the chin-stroking seriousness of the Berlinale in February, but each October the BFI London Film Festival takes its own place on the European film festival circuit. theartsdesk has been attending the 55th festival in quadruplicate.

Read more...

The music man who kept them dogies rollin'

Ismene Brown

On Thursday the London Symphony Orchestra plays a night of epic movie music by the man who gave America’s cowboy heroes their most stirring tunes. Dimitri Tiomkin was one of Hollywood’s film-score giants, John Wayne’s choice as composer for The Alamo, Wayne’s magnum opus, and Tiomkin's was the music that urged Gary Cooper and Clint Eastwood to ride out in iconic glory in landmark adventures such as High Noon or Rawhide.

Read more...

Interview: Tintin, The Reluctant Movie Star

Jasper Rees

A reporter can be certain of two things: death, and the ephemerality of journalism. Written yesterday, published today, an article will usually be forgotten by tomorrow. The one exception who proves the rule hasn't been heard of in years, but his image adorns T-shirts and watchfaces, dangles from keyrings and greets people on birthday cards. Yes, the only guarantee of wholesale and everlasting fame is in merchandise, and it is a fate not reserved for many of us in the profession.

Read more...

West Side Story 50 Years On: The Movie

Matt Wolf

When West Side Story won 10 Academy Awards, that was back in a Hollywood era during which movie musicals regularly garnered such acclaim.

Read more...

Opinion: Why can't the British make urban movies?

Sam Price

A spectre is haunting Britain - the spectre of a film called Big Fat Gypsy Gangster. Poised for release in just over a week’s time, this Ricky Grover vanity project is described generously as “Monty Python meets Snatch”, chronicling the life and times of Bulla, apparently “Britain’s hardest man”, as he roams over London with a shotgun, blowing the heads off his...

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...