New Music Reviews
Praxis Makes Perfect, National Theatre WalesFriday, 24 May 2013
Almost before the dust has settled on their globe-spanning collaboration with New National Theatre Tokyo, National Theatre Wales embarks on a very different, if no less ambitious, partnership with the mercurial synth pop duo Neon Neon. Read more... |
Steve Earle, Royal Festival HallThursday, 23 May 2013
Steve Earle is country music's great polymath - short story writer, playwright, novelist, activist, actor, oh yes, and singer and songwriter of some of the most acutely intelligent and literate songs in contemporary country. He's adept at evoking the human cost of American history, American politics and the lay of the promised land, and on his latest album, The Low Highway, the first song takes a long, slow panning shot of the body politic. It’s not in great condition. Read more... |
Lubomyr Melnyk, Village UndergroundTuesday, 21 May 2013
Imagine the rising and falling piano cadences of Gershwin’s Rhapsody in Blue. Then plug the gaps between each note with any of those which may have been encountered on the path to the next. Once that’s done, ensure that the playing is constant with each note bleeding into the next. Mesh the result with a similar composition played at the same time and you have some idea of how Lubomyr Melnyk’s “Windmills”, his final piece last night, sounds. Read more... |
Reissue CDs Weekly: Scott WalkerSunday, 19 May 2013
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CD: Jamie Cullum - MomentumSunday, 19 May 2013
Jamie Cullum's sixth studio album is about as good a pop record as you'll hear all year. Newly signed to Island Records, the singer-songwriter has seemingly raided ideas from the entire history of pop music, such that low-fi vintage synth lines and jazzy piano breaks rub shoulders with heart-on-sleeve soul belters and subtle electronica. The kind of stylistic pluralism that directly reflects Cullum's own musical loves, in other words. Read more... |
Rock ‘n’ Roll Britannia, BBC FourSaturday, 18 May 2013
From being “a strange facsimile of the original” to generating the “first British record made by people who are 100 per cent convinced that they are doing the right thing”, Rock ‘n’ Roll Britannia breezily mapped the protracted birth of a British rock scene which could take America on at its own game. As Cliff Richard put it, what was created was “different enough to become European. Read more... |
Tomorrow's World, ICAThursday, 16 May 2013
The ICA was the perfect location for the UK debut of hotly tipped new duo Tomorrow’s World, consisting of Air’s Jean-Benoit Dunckel and English synth-rockers New Young Pony Club’s ivory tickler Lou Hayter. The venue added a prestigious edge to what promised to be an auspicious occasion. A scant crowd suggested this was more of a test run than a full-blown debut, but they needn’t have worried about the reaction. Their music spoke for itself. Read more... |
Beware of Mr BakerTuesday, 14 May 2013
For those familiar with Ginger Baker’s virtuosic musicianship, but not with his life, the biggest revelation of the warts-and-all documentary Beware of Mr Baker may be that next to drumming, playing polo was the great time-keeper’s obsession. One might expect a jet-setting country gent like Bryan Ferry to mount up for a chukka or two before teatime, but the wild man of Cream and Blind Faith, late of Lewisham? Does Topper Headon play bowls? Read more... |
The Jim Jones Revue, The Sebright ArmsMonday, 13 May 2013
The final concert of The Jim Jones Revue’s four-night stand at Bethnal Green boozer The Sebright Arms found the box-like basement venue packed with men – and a few women – who would recall a time when watching short-haired rock bands in this type of space was the cutting edge of British music culture. These days going to see a rock band on a Saturday night is possibly as quaint as attending a scooter rally. Read more... |
Eska/Spiro, The Foundling MuseumSunday, 12 May 2013
There have been memorable nights at the Foundling Museum recently, with Alasdair Roberts delivering a superb solo show in April, while on Friday the Nest Collective hosted a double bill of Zimbabwean-born singer Eska and Bristol’s masters of English folk minimalism, Spiro. |
Scott Walker: The Collection 1967-1970Pages
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