New Music Reviews
Tunng, The LexingtonWednesday, 10 July 2013
When Tunng started out in 2005, they were a peculiar proposition. Treading a fine line between Heath Robinson ramshackle and meticulous high-tech, ancient and hyper-modern, bone percussion and glitchy electronic sparkles, they certainly deserved the then-popular term “folktronica”. Though their melodies were unerringly catchy, their lyrics were so out-there, their lineup so unorthodox and their sound so psychedelic it was never likely they'd be more than a cult act. Read more... |
Abida Parveen, Bridgewater Hall, ManchesterTuesday, 09 July 2013
It was wonderful watching and listening to Abida Parveen through the sculptural arms of a girl sitting a few rows in front. As Abida began, with a rich, clarinet-like voice, the woman raised her arms as if to bathe in or caress the sound, elegantly turning and twisting her fingers and hands to the music. Read more... |
Reissue CDs Weekly: Public Image Ltd, Tom Robinson Band, Michael Chapman, Bobby WhitlockSunday, 07 July 2013
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theartsdesk at Glastonbury Festival 2013Thursday, 04 July 2013
The smell is like a squidgy hash spliff marinated in hickory-smoked barbecue sauce. There’s an additional top note of tangy, excited human musk and a hint of vinegary organic waste. By the weekend’s end this Parfum de Glaston will have infused everything, from unworn clothes to the tent to even skin and hair. It will take days to shift, permeating the pores as completely as this temporary city of madness sandblasts the mind. But let’s not get carried away before we’ve begun. Read more... |
The Flamin’ Groovies, ScalaWednesday, 03 July 2013
“Off we jolly well go.” With that, The Flamin’ Groovies’s Chris Wilson announced the arrival of “Shake Some Action”, the band’s classic evocation of rock ‘n’ roll swagger. In 2013, 40 years after it was first recorded, it's still magnificent, a headlong rush of chiming, descending chords and soaring vocals. “If you don't dig what I say, then I will go away,” sang Wilson. And without a mass audience, The Flamin’ Groovies had gone away. Wilson left in 1981 and the band fizzled out in 1992. Read more... |
Blondie, Usher Hall, EdinburghWednesday, 03 July 2013
Blondie are one of a handful of bands capable of producing a set list which renders rational critical argument all but obsolete. If they play the hits and they play them straight and true, there’s not really much to complain about. Last night in Edinburgh the six-piece line-up (half original members, half relative newbies) played (most of) the hits, and well, but let’s break it down to specifics. Read more... |
Bruce Springsteen & the E Street Band, Hard Rock Calling, Olympic ParkMonday, 01 July 2013
"Queen Elizabeth Olympic Park" is a wonderfully grand name for the venue for this summer's Hard Rock Calling festival, but the reality doesn't quite match up. Rather than basking in the glory (and shiny new stadium architecture) of Mo and Jessica's triumphs from last summer, music fans found themselves a few hundred yards away on a drab swathe of stony wasteland, temporarily covered with artificial grass. Read more... |
theartsdesk at the Glasgow Jazz FestivalMonday, 01 July 2013
“It was a bit leary,” Georgie Fame recalls of a 1960 visit to Glasgow. “They had these cast-iron ash-trays at the Empire...” Teddy boys offended by Fame’s starry effect on the local girls led to these being skimmed at the band, bisecting a cymbal, he explains almost fondly, of the night police with dogs were needed to ensure that he at least left the city intact. Read more... |
Reissue CDs Weekly: Giorgio Moroder, The Teardrop ExplodesSunday, 30 June 2013
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Lucinda Williams, Queen's Hall, EdinburghMonday, 24 June 2013
Lucinda Williams’s current tour might be billed as “intimate”, but anyone who has seen her perform before will know that intimacy tends to come with the ticket. It is true, however, that this pared-down format, in which she performs drummerless and accompanied – splendidly – by Doug Pettibone and David Sutton on guitars, pedal steel, bass and harmonies, brings the audience even closer to her extraordinary voice and unflinching words. Read more... |
Public Image Ltd: Public Image – First Issue
Giorgio Moroder: Schlagermoroder Volume 1 1966-1975 / On the Groove Train Volume 1 1975-1993 / On the Groove Train Volume 2 1974-1985 / Son of my FatherPages
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