thu 19/06/2025

New Music Reviews

BBC Proms: Ensemble Modern, Steve Reich

Peter Culshaw

One thing became clearer to me last night – just how much Steve Reich has borrowed from world music in his compositions – we had the flamenco-tinged ClappingElectric Counterpoint, using Central African guitar lines, and Music for 18 Musicians, a mix of West African rhythms, Indonesian gamelan and other elements.

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Neon Indian, Electrowerkz

Kieron Tyler Neon Indian: show cancelled due to the riots

Obviously, minds are on more important, more urgent matters and this is a tiny facet of the effect of what is going on. Was looking forward to this tonight, and was going to review it. But it - like no doubt other shows and events of all types around the country – has been cancelled. The label’s statement: “We are really sorry to say that due to the insane and unique events this evening we’re pulling the Neon Indian show. Really sorry. Stay in and stay safe.”...

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Iron Maiden, O2 Arena

ASH Smyth

Some bloke called Jack mailed to say that he did indeed have two tickets to Iron Maiden (baby), and for the Friday ‘n’all. So I called shotgun, threw on my cleanest “I ♥ Justin Bieber” T-shirt,* and pitched along to Docklands to hang out with the other teenage dirtbags – only to discover that they are, on average, actually about 40 years old. A lot of them in chinos.

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Mahala Rai Banda and The Trans-Siberian March Band, Rich Mix

howard Male Mahala Rai Banda: long may they keep the bar staff happy wherever they play

Variety, as they say, is the spice of life. So it’s something to both celebrate and ruminate upon, that on Tuesday night I was reviewing a gig at which the guitar was undisputed king, whereas last night I was standing before an 11-piece band that didn’t include a single guitar. But the Romanian big band Mahala Rai Banda produce such a brassily dense sound that it’s hard to...

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The Killer B’s, The Blues Kitchen

howard Male The Killer B’s do their best to revive Dr Feelgood anti-chic

The Killer B’s have been heralded as a kind of alternative supergroup (their line-up consisting of ex-members of The Screaming Blue Messiahs, Chicken Legs Weaver and The Men They Couldn’t Hang) so my expectations last night were high. But a poor sound system, in conjunction with the band’s desire to play much too loud for that poor sound system, ended up making it very hard to judge whether I was hearing the future of rock’n’roll or just another pub rock band.

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WOMAD III, Charlton Park

Peter Culshaw

WOMAD is in its 29th year, and ticket sales have gone up 29 per cent, we are told, with over 35,000 sold. World music, always rather beyond fashion, is thriving, at least in this live festival incarnation in Wiltshire. One criticism, according to The Independent among others (made by trendy middle-class people in a fit of self-loathing, generally), was that there were too many Cath Kidston tents and it has become too bourgeois.

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WOMAD II: Baaba Maal

sue Steward Baaba Maal: an immediately recognisable vocal style derived from sub-Saharan tradition

Ten o'clock at night and the WOMAD air felt as hot as Dakar preparing for Baaba Maal. Sadly, given this year's hugely expanded audience, it was hard to see the stage unless you know how to glide to the...

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WOMAD I: Ballaké Sissoko & Vincent Ségal, Aziz Sahmaoui & the University of Gnawa

mark Kidel Vincent Ségal and Ballaké Sissoko: neither of them plays to the gallery

Late on Friday night at WOMAD, on the more intimate Charlie Gillett Stage in Charlton Park, there was an unusual cross-cultural treat. Ballaké Sissoko is one of Mali’s most accomplished kora players: not as well known as his Bamako next-door neighbour Toumani Diabaté and more firmly rooted in Manding musical tradition, but undoubtedly in the same class. Vincent Ségal...

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Cambridge Folk Festival, Cherry Hinton Hall

Matilda Battersby

It was the invasion of the collapsible chairs at this year’s Co-operative Cambridge Folk Festival. From above it appeared that an army of extremely well-equipped picnickers was staking its claim on the quarter of a mile surrounding the main stage using only fold-up chairs, checked blankets and pints of cider, occasionally lobbing colourful balloon missiles into the air. To call it civilised would be an understatement.

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Portishead, Alexandra Palace

Matilda Battersby

Few bands maintain their early fanbase for 20 years by barely changing their sound, their dress sense, haircuts even, and yet manage to mature like Gouda cheese, gaining depth of flavour and punch over time. But Portishead have.

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