New Music Reviews
Music Reissues Weekly: In the Light of Time - UK Post-Rock and Leftfield Pop 1992-1998Sunday, 17 September 2023
“In the Light of Time” was the second track on Side One of April 1995’s Further, the third album by Bristol’s Flying Saucer Attack. At the time, Further felt like a hyper-vaporous take on shoegazing infused with touches of British folk. Attitudinally and temporally, Slowdive’s February 1995 third album Pygmalion wasn’t too far. Read more... |
Tirzah, The Colour Factory review - dry ice and bedroom beatsSaturday, 16 September 2023
Less than ten days after (surprise) releasing her new album, trip9love…???, Tirzah took to a small stage in Hackney Wick to play it through (in order), wreathed enigmatically in dry ice.
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Music Reissues Weekly: David Westlake - D87Sunday, 10 September 2023
Becoming reacquainted with what was originally titled Westlake in 1987 is a pleasure. Yes, at his own measured pace, David Westlake has issued great albums since then and his Eighties and Nineties band The Servants have been the subject of various archive releases. It is not as though he has vanished. But any reminder of his flair as a songwriter is welcome. Read more... |
theartsdesk on Vinyl 79: Primal Scream, Girl Ray, Mort Garson, Barbie, Nina Simone, Dengue Fever and moreThursday, 07 September 2023
VINYL OF THE MONTH African Head Charge A Trip to Bolgatanga (On-U Sound) Read more... |
Hardanger Musikkfest 2023 review - fertility, folk music and the supernatural unite along Norway’s fjordsThursday, 07 September 2023
The cows are scattered across the mountains. Without scrambling up the slopes, the only way to summon them is to call. Unni Løvlid is beckoning them. Instead of standing outdoors she is in the medieval Ullensvang Church, in the Norwegian village of Lofthus. She uses the interior of a grand piano to get the necessary resonance, the echo which distant animals would hear. Read more... |
Supersonic Festival 2023, Birmingham review - musical eccentrics battle the odds and come out on topWednesday, 06 September 2023
You’ve got to feel for Lisa Meyer and the team behind Birmingham’s magnificent Supersonic Festival. Just as the live music scene gets to a point where the Covid pandemic is no longer a malign influence on dancing and having fun in a room full of like-minded people, the UK is hit by a two-day rail strike that coincides with this annual shindig of the musically wild and wonderful. On top of that, our loathsome Home Secretary refused to grant a visa for Day One’s headline act, MC Yalla. Read more... |
Music Reissues Weekly: March of the Flower Children - The American Sounds of 1967Sunday, 03 September 2023
“March of the Flower Children” was a June 1967 B-side by Los Angeles psych-punks The Seeds. The track was extracted from their third album Future, a peculiar dive into psychedelia which was as tense as it was turned on. While the song’s lyrics referenced a “field of flowers,” a “painted castle” and a sky “painted golden yellow” the mood was jittery, unstable. Read more... |
Medicine Festival review - the new New Age gathers in leafy BerkshireWednesday, 30 August 2023
Fia is a Swedish singer with a crystalline voice and a ear for a great melody - her singalong choruses are not typical for a festival Friday night headliner, like getting the audience to join in with “Sit with your pain/ cradle it close/ and when you’re ready/ Let it go.” This had a hypnotic effect on the audience, more mass therapy than a having a good time. Read more... |
Music Reissues Weekly: Keith Levene and The ClashSunday, 27 August 2023
Forty-seven years ago this week, a new band called The Clash were seen by a paying audience in London for the first time. On Sunday 29 August 1976 they played Islington’s Screen on the Green cinema, billed between Manchester’s Buzzcocks – their earliest London show – and rising luminaries Sex Pistols. Doors opened at midnight. The anniversary needs marking. Read more... |
Album: Slowdive - Everything is AliveSaturday, 26 August 2023
Everything is Alive opens with all that could be wanted from a Slowdive album. “Shanty” is just-under six minutes of out-of-focus, shimmering aural fog in which guitars throb and drums are a distant pulse. An acid-house-type heartbeat is offset against a harpsichord-like refrain recalling Broadcast. Lines drift in about a burning candle and the arrival of night. It all seems to be about the passing of time. Read more... |
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