thu 14/08/2025

New Music Reviews

Music Reissues Weekly: Trevor Beales - Fireside Stories

Kieron Tyler

When Trevor Beales’s band Havana Lake released their only album in 1977, it was on a label which also issued records by The Ryman Country Band, The Saddleworth Male Voice Choir, The Slaithwaite Brass Band, The Thurlstone Bell Orchestra and a version of Sixties beat band The Merseybeats. Look was the offshoot of West Yorkshire studio September Sound Studios – anyone booked there could have a record pressed as part of the deal.

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Justin Adams & Mohamed Errebbaa, The Jam Jar, Bristol review - the African roots of rock'n'roll

mark Kidel

Justin Adams has been exploring music that produces trance or near-trance states for a number of years. Along with being Robert Plant’s lead guitarist for a long while, he has followed his own path, seeking out what he had dubbed the secret heart of rock’n’roll.

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Park Jiha, Stone Nest, K-Music - timeless evocative East-West soundscapes

Peter Culshaw

Even those with the most tangential connection to pop music will be aware that K-Pop is all conquering, and the likes of BTS and BlackPink are on some metrics the most successful of recent acts anywhere. But at the same time, there is also a growing awareness that there is a burgeoning Korean indie and art music scene, the flames of which have been fanned by what has become one of London’s most interesting and enterprising annual festivals, K-Music.

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Album: Stormzy - This Is What I Mean

Barney Harsent

“All of this music, it’s nothing to do with the listener,” Stormzy announced to Louis Theroux in a recent TV interview. “All I can do is feel what I feel and document that, and whatever that is, that’s what it’s going to be.”

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Mary Gauthier, Union Chapel review - a living room concert in all but name

Liz Thomson

Mary Gauthier’s first tour in more than three years landed at London’s Union Chapel on Saturday, concluding with another sold-out gig. The venue is perfect for unplugged acts – intimate, architecturally pleasing and acoustically spot on. But cold, on this windswept November night.

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Music Reissues Weekly: Love - Expressions Tell Everything

Kieron Tyler

Any reminder of the greatness of Love is welcome, and Expressions Tell Everything does this in fine style. A box set, it contains eight picture-sleeve seven-inch singles, a book and a couple of postcards. It’s very stylish.

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Wet Leg, O2 Forum Kentish Town review - eclectic glee from an emerging band

India Lewis

Arriving to the second night of two shows in the same venue, you would expect it to be a little quieter. But Wet Leg’s second outing at the O2 in Kentish Town was anything but – their burgeoning reputation (they are supporting Harry Styles next year) ensuring an excellent and enthusiastic turnout.

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Hewitt, Hallé, Schuldt, Bridgewater Hall, Manchester review - lightening the gloom

Robert Beale

If there was a certain doom-laden dimension to Clemens Schuldt’s Bridgewater Hall programme with the Hallé ( … Requiem … Mozart in D minor … Strauss describing Death and …), it was easily lightened by the conductor’s own approach and personality.

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Working Men's Club, Chalk, Brighton review - untrammelled, noisy and grim-faced

Thomas H Green

The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this.

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Nu Civilisation Orchestra & ESKA: 'Hejira' and 'Mingus', Poole Lighthouse review - redistributing the future

joe Muggs

I had high hopes for this show. After all, Eska Mtungwazi is pretty much the only singer on earth I’d go out of my way to hear sing Joni Mitchell songs.

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