wed 20/08/2025

New Music Reviews

Music Reissues Weekly: Dave Brubeck Quartet - Debut In The Netherlands 1958

Kieron Tyler

For Dave Brubeck, his Quartet’s first concert in the Netherlands was memorable. Getting to Amsterdam’s Concertgebouw for the 26 February 1958 booking was difficult, possibly unfeasible. The band were travelling from Berlin, and arrived at the show a half-hour after they were meant to be on stage.

Read more...

Jockstrap, Heaven review - ecstasy in underground bass

India Lewis

Jockstrap’s crowd, in the vaults of Heaven, was always going to be beautiful and effortlessly cool. Ushered in by a ticket-check clerk sporting love bites, the dreamy sounds of the warm-up act, Pablo, filled the underground space.

Read more...

Marina Allen, Cafe Oto Review - east London substitutes for 1970s Los Angeles

Kieron Tyler

When Marina Allen’s second album Centrifics came out last autumn, the Los Angeles singer-songwriter said her voice was the only instrument on the record. She writes on guitar and piano but beyond what she sang, everything else was played by collaborators. Seeing her live might reveal how she saw the songs away from their studio setting – maybe getting close to how they were originally conceived.

Read more...

Carly Rae Jepsen, Brighton Dome review - iridescent disco hooks to get you dancing

Katie Colombus

If I’m honest, venturing out into a misty Brighton night with my Tweens for their first proper gig (we won’t count Olly Murs – they were children then) felt somewhat trepidatious.

Read more...

Transatlantic Sessions, Southbank Centre - an evening of stellar music-making

Liz Thomson

It all ended in great style, the 20th edition of The Transatlantic Sessions which closed out its tour at London’s Southbank Centre on Saturday. The line-up of musicians is, of course, an embarras de richesse: a house band led by Aly Bain, master fiddler and Scottish icon, and Jerry Douglas, dobro and steel guitar maestro, a Nashville legend whose mantelpiece bears the weight of 14 Grammys.

Read more...

Music Reissues Weekly: Modern Eon - Fiction Tales

Kieron Tyler

The most commercially and consistently successful band on DinDisc was Orchestral Manoeuvres in the Dark. Martha and the Muffins also made a mark. Label mates The Monochrome Set were cool, distinctive but not so chart friendly. The Revillos were less reserved, as was New Wave of British Heavy Metal outfit Dedringer. The patronage of Heaven 17 brought dance troupe Hot Gossip to the label.

Read more...

Album: Amber Arcades - Barefoot On Diamond Road

Kieron Tyler

In this context, what’s named “diamond road” is a metaphor for staying on course rather than, as the lyrics of the song “Diamond Road” put it, letting yourself go or sprawling all over the floor. Follow this route and life won’t be a mess.

Read more...

Eliza Carthy and The Restitution, Barbican review - folk at its finest

India Lewis

Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians, laughter, familial connections and celebrations. 

Read more...

Music Reissues Weekly: The Senders - All Killer No Filler

Kieron Tyler

The New York Dolls, The Ramones, Suicide, Television, Blondie, The Dictators, The Heartbreakers, The Shirts, Richard Hell and the Voidoids. From 1974 onwards, New York buzzed with bands. There were also Tuff Darts, The Fast, Pure Hell, Von Lmo and others who didn’t quite grab the brass ring. Out of towners like The Dead Boys, Pere Ubu, Devo and The Real Kids jostled for attention too.

Read more...

Northern Winter Beat 2023 review - Panda Bear, Sonic Boom and Širom amongst the highlights in Denmark’s north

Kieron Tyler

It’s the sound of the sun. Panda Bear – born Noah Lennox – is singing in a voice with the purity and warmth of Brian Wilson. Beside him, Sonic Boom – Pete Kember – has more of a growl, a timbre which might make announcements in a railway station. The contrast works well. Sweet and slightly sour.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Edinburgh Fringe 2025 reviews: The Ode Islands / Delusions a...

The Ode Islands, Pleasance at EICC ...

Album: Eve Adams - American Dust

A sticker on the cover of American Dust is says it’s “an ode to the beauty of the American Southwest,” specifically the High Desert area...

BBC Proms: A Mass of Life, BBCSO, Elder review - a subtle gu...

For Delius – then a young man, visiting Norway in the late 1880s to walk in its mountains – his first encounter with Nietzsche’s Thus Spake...

Blu-ray: Who Wants to Kill Jessie?

"Crazy comedy" was a recognised subgenre in post-war Czech...

BBC Proms: Le Concert Spirituel, Niquet review - super-sized...

There’s a Proms paradox that’s familiar to Early Music fans....

Gibby Haynes, O2 Academy 2, Birmingham review - ex-Butthole...

Gibby Haynes is the wild-eyed crazy man who used to front the Butthole Surfers back in the 1980s and 1990s. At the time, there was none weirder or...

Edinburgh Fringe 2025 reviews - Cat Cohen / Lachlan Werner /...

Cat Cohen, Pleasance Courtyard ...

Album: Adrian Sherwood - The Collapse of Everything

UK dub maestro and producer, Adrian Sherwood is hardly what...