New Music Reviews
Imperial Wax, Dead Wax, Birmingham review - ex-Fall guys whip up a stormMonday, 04 October 2021
As Sam Curran leant into his microphone for the first time this evening, he announced “If you want any ear plugs, there’s some free on our merch desk”. Most of us were way too cool for that though and stayed where we were. It was a decision that some will have later regretted as we spent the rest of the evening with screaming ear drums. Read more...
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Album: Efterklang - WindflowersMonday, 04 October 2021
Although Windflowers showcases Efterklang at their most direct, its sixth track “Living Other Lives” is its most instant, most straightforward composition. Read more... |
Reissue CDs Weekly: Van der Graaf Generator - The Charisma Years 1970-1978Sunday, 03 October 2021
“There should be some kind of spirit there which is outside whoever is in the band. The spirit of the band, wanting still to play songs, real songs, wanting to play complicated music to a certain extent. Fairly dense arrangements, also difficult pieces of music, not to be difficult but just because that’s a challenge. To do all that and then also play with a degree of anarchy, chaos, and fire and spirit. That’s the spirit of Van der Graaf.” Read more... |
Kero Kero Bonito, Heaven review - euphoric bubblegumTuesday, 28 September 2021
Here comes the bride. True to Kero Kero Bonito’s unique musical and visual style, a chaotic but masterfully executed fusion of Japanese kawaii culture, kaleiodoscopic synth and indie rock, the audience at Heaven were greeted by lead singer Sarah Midori Perry entering in a wedding dress complete with bridesmaid, while instrumentalists Gus Lobban and Jamie Bulled both played the part of disaffected ushers behind their synth decks. Read more... |
Reissue CDs Weekly: Spiritualized - Ladies and Gentleman We Are Floating in Space; Super Furry Animals - Rings Around the WorldSunday, 26 September 2021
Looking for answers to what qualifies an album for a makeover and its attendant return to record shop racks can cause heads to spin. Multiple variables are at play but, still, it merits pondering. Market factors come into consideration, including the prices fetched by original pressings, even if the album isn’t obscure. Read more... |
Ben Howard, Royal Festival Hall review - authentic and reassuringTuesday, 21 September 2021
Ben Howard is a man of very few words, unless of course, there’s a guitar accompanying them. Read more... |
theartsdesk on Vinyl 66: Etta James, BABii, George Harrison, Helloween, Cat Stevens, Gnod and moreMonday, 20 September 2021
As the summer folds away on itself, theartsdesk on Vinyl returns. Beset by backlogs at pressing plants and delayed by COVID, it's finally here, jammed to the gunwales with commentary on a grand cross section of the finest music on plastic. Dive in! VINYL OF THE MONTH God Damn Raw Coward (One Little Independent) Read more... |
Reissue CDs Weekly: Help Yourself - Passing Through, The Complete Studio RecordingsSunday, 19 September 2021
“Reaffirmation” is the sound of a San Francisco ballroom in 1968. The 12-minute long track opens mysteriously with what might be a Mellotron on the flute setting. A bubbling bass guitar arrives, along with jazzy piano. At 02.50, the tempo picks up and the guitar, which until then has delicately picked its way through the arrangement, begins to soar. There’s a vaguely funky section and, just over half-way in, a dive into an almost free-form spiralling section. Read more... |
Duran Duran, O2 Institute, Birmingham review – an intimate gig for the local megastarsThursday, 16 September 2021
Incredibly it’s now 40 years since the release of Duran Duran’s debut album. To mark this event, the remaining members of the band’s classic line-up decided to return to Birmingham. Not to the NIA or any similar-sized venue, but for a couple of intimate gigs at the city’s O2 Institute. Read more... |
Album: The Eivind Aarset 4-Tet - Phantasmagoria, or A Different Kind of JourneyThursday, 16 September 2021
Phantasmagoria, or A Different Kind of Journey instantly sets its controls for an excursion into the interstellar void between gaseous and solid objects. Opening cut “Intoxication” begins with lightly pulsing bass and a keyboard texture. Shimmering guitar floats over the top. Though more sparse and lacking vocals, it’s as if Pink Floyd’s “Us and Them” were performed by an earlier model of the band which had focussed on reducing performative grandeur as much as possible. Read more... |
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