Opera Reviews
Le nozze di Figaro, Garsington Opera, OperaVision review - natural comedy, musical sublimityMonday, 30 March 2020
Only the birds will be singing at country opera houses around the UK this summer. Glyndebourne seems over-optimistic in declaring that it might be able to launch in July; other companies with shorter seasons have made the regretful but right decisions to call it a year. Read more... |
The Marriage of Figaro, English National Opera review - energised attitudes, lower-level humanismMonday, 16 March 2020
So Susanna and Figaro got married on Saturday, just before the entire Almaviva household and its home, the London Coliseum, went into quarantine. Read more... |
Susanna, Royal Opera/London Handel Festival review - fitful shiningsThursday, 12 March 2020
That virtue can be fascinating and prayers to a just God dramatic have been proved in riveting productions of two late Handel oratorios, Theodora and Jephtha. Read more... |
Fidelio, Royal Opera review - fitfully vivid singing in a dramatic voidMonday, 02 March 2020
Emblazoned on a drop-curtain in front of a mirror-image of the auditorium, the three great tenets of the French revolution seem to be mocking us right at the start, above all the second of them: equality, really, given the make-up of the Royal Opera stalls? Read more... |
Cosi fan tutte, English Touring Opera review - a blissful, uncomplicated delightMonday, 02 March 2020
Cosi fan tutte is, as the opera’s subtitle clearly tells us, “A School for Lovers”. But too often these days it can feel like a school for the audience. Joyless productions lecture us sternly on the battle of the sexes – on chauvinism, feminism, cynicism and sex – until we’re battered into fashionable discomfort. A happy ending? Read more... |
Nixon in China, Scottish Opera - musical chatter, poetic banalitySaturday, 29 February 2020
Scotland was at the cutting edge of culture in 1988, when the Edinburgh International Festival hosted the UK premiere of Nixon in China in the Houston Grand Opera production at the cavernous Playhouse. Read more... |
Denis and Katya, Music Theatre Wales / Uproar, Rafferty review - disturbing the untroubled monotony of South Wales musicSaturday, 29 February 2020
Once upon a time writing an opera was first and foremost a question of choosing a good story. Read more... |
Luisa Miller, English National Opera review - Verdi in translation makes a stylish comebackThursday, 13 February 2020
Those who booed the production team last night - there was nothing but generous cheering for singers, conductor and orchestra - might reflect that this was at least regietheater, that singular brand of not-all-bad director's opera in Germany, with discipline and purpose close enough to its subject. Read more... |
Les vêpres siciliennes, Welsh National Opera review - spectacular, silly, but some great musicSunday, 09 February 2020
It’s not hard to see why The Sicilian Vespers has struggled since its surprisingly successful opening run at the Paris Opéra in 1855. Verdi had composed it reluctantly, despised the librettist, Eugène Scribe, who he regarded as a well-named cynical scribbler, and tried unsuccessfully to get a release from his contract. Read more... |
Alice's Adventures Under Ground, Royal Opera review - a blast for children of all agesWednesday, 05 February 2020
"About as much fun as you can have with your clothes on," promised a member of the two Royal Opera casts teamworking their way through multiple roles and costume changes for what in effect is Alice's Adventures Under Ground and Through the Looking Glass in under an hour. Read more... |
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