Opera Reviews
Rinaldo, Glyndebourne Festival review - teenage dreamsFriday, 09 August 2019
If you’d started senior school when this production premiered, you’d be finished by now and out in the world of work or at university, your first year days a distant memory. A lot’s changed since the curtain first came up on this version in 2011, and nearly a decade on, and in the wake of #metoo, Robert Carsen’s high school-set production feels more than a little out of date. Read more...
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The Gondoliers, National Gilbert & Sullivan Opera Company review - charm where it mattersMonday, 29 July 2019
Once more, gondolieri! Gilbert and Sullivan's The Gondoliers leaps into life to the sound of a saltarello: a blaze of Mediterranean sunshine and good natured exuberance that sweeps you some 20 minutes into Act One on the same unbroken surge of sparkling dance and ensemble song. Read more... |
L'Arlesiana, Opera Holland Park review - at last, a rare Italian gemFriday, 26 July 2019
So many second-rate Italian operas with good bits have been served up by Opera Holland Park and glitzier UK companies; despite best intentions and fine execution, none of the works by Mascagni, Zandonai, Alfano, Leoni, Ponchielli or Giordano has really flown. Read more... |
War and Peace, Welsh National Opera, Royal Opera House - bold epic weakened by loosely-directed characterisationsWednesday, 24 July 2019
On the UK's biggest day of shame, it was some relief to tap in to the fury of the Russian people at a much greater national degradation (Napoleon's invasion in 1812, Hitler's in 1941). Read more... |
Il Segreto di Susanna/Iolanta, Opera Holland Park review - superb singing, mixed stagingTuesday, 23 July 2019
Secrets, and the voluptuous, sensory pleasures they conceal, may unite Wolf-Ferrari’s Il segreto di Susanna and Tchaikovsky’s Iolanta, but far more divides two works that make awkward bedfellows in Opera Holland Park’s latest double-bill. Read more... |
Die Zauberflöte, Glyndebourne Festival review – high jinks in the Grand Mozart HotelFriday, 19 July 2019
Die Zauberflöte rarely attracts the plain cooks of the operatic world. Mozart’s farewell opera chucks so many highly-spiced ingredients into its outlandish pot – pantomime and parable, burlesque and ritual – that many productions opt for one show-off recipe that promises to unify all its flavours into a single, spectacular dish.... Read more... |
Pavarotti review - enjoyable but superficial survey of a superstarFriday, 19 July 2019
One of the most memorable moments in Ron Howard’s documentary about Luciano Pavarotti is one of its earliest scenes. It’s a chunk of amateur video shot when Pavarotti visited the Teatro Amazonas in Manaus, a splendid Belle Epoque structure in the midst of the Amazonian jungle. Read more... |
Don Giovanni, Longborough Festival Opera review - Mozart in the urinalMonday, 15 July 2019
One of the features of the converted barn that forms the theatre at Longborough is a trio of statues that tops the front pediment of the building: Wagner, flanked by Verdi on the right and Mozart on the left. No one could question Wagner: Longborough has done him proud. Read more... |
Eugene Onegin/Georgiana, Buxton Festival review - poetry and pantomimeThursday, 11 July 2019
It’s the saddest music in the world: the quiet heartbeat and falling melody with which Tchaikovsky opens his opera Eugene Onegin. Imagine a whole society, a whole lifetime of solitude, longing and disillusion, evoked in a single bass note and a few bars of tearstained violin. And then imagine it sustained over three acts. Read more... |
La Fille du Régiment, Royal Opera review - enjoyable but questionable revivalTuesday, 09 July 2019
On paper, this might seem like a revival too far, a production clearly intended as a vehicle for world-class singers being tacked on the end of the Covent Garden season, and without any big names in sight. But it turns out that Laurent Pelly’s staging, now in its fourth London return, has enough charm and substance to justify an outing with lesser names. Read more... |
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