mon 30/01/2023

Theatre Features

Refugees and referendums: Ramin Gray on staging Aeschylus's The Suppliant Women

Ramin Gray

I’m sitting in a rehearsal room in Manchester preparing an Actors Touring Company’s new version of Aeschylus’ The Suppliant Women, listening to a group of young women raise their voices in praise of “untameable Artemis”. She’s the goddess of virginity among many other things. In this play she’s pitted against Aphrodite, the goddess of union, love and sex. The competing claims are complex: retaining one’s virginity implies choice, control, autonomy.

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The private life of Stefan Zweig in England

Jasper Rees

On 23 February 1942 at half past four in the afternoon in a secluded Brazilian hilltown called Petrópolis about an hour from Rio, a maid and her husband pushed at the bedroom door of a modest rented house. Despite the late hour, the tenants had not yet stirred. The door swung open to reveal, lying on the bed, a young woman in a cotton dress rolled over on her side, an older supine man wearing a jaunty moustache and a punctilious tie. The woman’s body was still warm.

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Interview: Claire Foy, Netflix queen

Jasper Rees

It was a good night for British thespians at the 2016 Golden Globes. The stars of The Night Manager – Tom Hiddleston, Hugh Laurie and Olivia Colman – all visited the podium to collect awards.

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theartsdesk in Cape Town: Summer of nostalgia

Boyd Tonkin

Just 22 years old, South Africa’s national “Day of Reconciliation” on 16 December has shuffled into its perplexed young adulthood. Although commemorative events abound, few people seem to know how to strike the right note for this (just) pre-Christmas holiday. It symbolically occupies a date dear both to Afrikaners - victory over the Zulu kingdom at the Battle of Blood River in 1838 - and to their erstwhile victims.

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Seasons of love: Rent 20 years on

Jasper Rees

On January 25 1996, after Rent's final dress rehearsal at the off-off-Broadway New York Theater Workshop, its composer Jonathan Larson went home to his scuzzy loft round the corner, switched on the electric kettle and, before the water had boiled, keeled over with an aortic aneurism. Later that night his roommate found his body on the floor of the kitchen.

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'Hamlet’s actors are kings of infinite space'

Kelly Hunter

“I could be bounded in a nutshell and count myself a king of infinite space, Were it not that I have bad dreams…” 2016, with all its protectionist voting, has been the year I’ve taken my production of Hamlet – with just six actors, a sofa and a drum-kit – around Europe.

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'What would it feel like to watch women sew?'

EV Crowe

It’s a strange time to be alive. Has it always felt like this? When else was there a time when so much felt to be at stake, and the ground moved beneath our feet with the continuous emergence of technologies that affect our everyday lives and our very being, where we know little of our interior selves and yet publish so much about our lives to strangers? We are the chosen generation, we are the people who will be witness to the most radical change in society the world has ever seen!

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'I am dismayed by the tone of the debate'

Heather Neill

There is nothing more depressing than seeing people you like and admire lining up on opposing sides. Emma Rice’s parting from the Globe has resulted in some unedifying comment, often based more on prejudice than fact. I see value in the arguments of both “sides” but am dismayed at the tone of the debate.

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Howard Davies: An Appreciation

Matt Wolf

Howard Davies, the theatre director who has died at the too-early age of 71, may not have achieved the renown of many of his colleagues. He didn’t direct blockbuster musicals, rarely ventured into TV and film, and didn’t possess the signature style that gets you noticed – and wins awards – early on.

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Half a century of the Roundhouse

Marcus Davey

We've got a lot to celebrate in 2016: 50 years since the Roundhouse became an arts centre and 10 years of transforming young lives through creativity. In celebration of this momentous year we embarked on a journey of discovery to uncover the stories from train-enthusiast accounts of our humble beginnings to real-life high-wire love stories, from week-long raves in the 1990s to politically-charged spoken word in the 2000s.

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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