Theatre Features
First Person: Writing about the transgender experienceTuesday, 27 October 2015
My play Rotterdam opens this week at Theatre503 (I’m getting the plug in early). It’s about two women who are in a relationship and how that relationship changes when one reveals that he has always identified as male. Their names are Alice and Adrian, and I first had the idea for them five years ago. Read more... |
An Open Book: David LanSaturday, 17 October 2015
This year’s Olivier Awards saw the Young Vic trounce its South Bank neighbours, with Ivo van Hove’s revolutionary A View from the Bridge leading 11 nominations and four wins; the production opens on Broadway next week. It reflects an extraordinary period during which the theatre, originally an offshoot of the National, has grown to become one of Britain’s major creative powerhouses – all under the aegis of South African-born David Lan, artistic director since 2000. Read more... |
The restoration of Nell GwynnTuesday, 22 September 2015
I never thought I’d be a writer. Writers are people with something to say, big ideas, agendas. I was a director, through and through. I love working with actors, playing with music and text, thinking in three dimensions. The solitary confinement of a writer’s life filled me with dread. Read more... |
First Person: Playing JaneTuesday, 15 September 2015
I am writing this in the sun after many days on the trot spent from morning until 11 at night in Jane Eyre’s wonderful new home at the National Theatre. During previews we work every day, refining, changing, have a quick dinner break and then perform a preview performance. It’s the culmination of over two years of living with this story, since Sally Cookson first contacted me in late spring 2013 to discuss her plan to turn this extraordinary book into a piece of theatre. Read more... |
First Person: Dear LupinWednesday, 29 July 2015
When I got the call enquiring whether I’d like to adapt The Sunday Times Humour Book of the Year Dear Lupin for the stage, the first thing I did was to thank my lucky stars. Dear Lupin: Letters to a Wayward Son is a collection of real letters, written over 40 years, by racing correspondent Roger Mortimer to his wayward son Charlie (christened “Lupin” after Mr Pooter’s disreputable son in Diary of a Nobody). Read more... |
Extract: The Time Traveller’s Guide to British TheatreThursday, 23 July 2015
Theatre is one of the glories of British culture, a melting pot of creativity and innovation. Beginning with the coronation of Elizabeth I and ending with the televised crowning of the current Queen Elizabeth, our The Time Traveller’s Guide to British Theatre tells the compelling story of the movers and shakers, the buildings, the playwrights, the plays and the audiences that make British theatre what it is today. Read more... |
Positive: Introducing a comedy about HIV/AIDSMonday, 29 June 2015
Of all the art forms, theatre has been most attentive to the story of HIV/AIDS. Leading the way in America there was Larry Kramer’s The Normal Heart (1985) and Tony Kushner’s Angels in America (1991). In the UK the most resonant exploration of the virus’s devastating impact was Kevin Elyot’s My Night with Reg (1994). Read more... |
Keeping up with the JonesesThursday, 25 June 2015
Gruff Rhys has called it the Great Welsh Media Gang-Bang. This year everyone who is anyone (who can get funding) has hopped on a plane for Argentina to follow in the footsteps of the 150 Welsh men, women and children who emigrated to Patagonia 150 years ago – broadcasters, musicians, politicians, journalists, comedians. Read more... |
Arise, Sir Van, Sir Lenny and Sir Kevin. Dame who?Saturday, 13 June 2015
If the honours system is used to award deserving individuals, its other job is to provide an aspirational marker for the country as a whole. This, it tells us twice a year, is who we want to be: inclusive, non-sexist, colour-blind. From the look of the awards dished out in the arts for the Queen’s birthday honours list, in the summer of 2015 it looks very much as if we want to be a society which favours male privilege. Don’t hold the front page. Read more... |
'You must accept that muscle is machinery'Wednesday, 29 April 2015
Basketball doesn’t often stray onto the arts pages. Cinema pays the occasional visit. White Men Can’t Jump starred Wesley Snipes and Woody Harrelson as a pair of slamdunking hustlers. Hoop Dreams followed two inner-city college kids in Chicago as they tried to turn pro. The hero of Almodovar’s Live Flesh was a wheelchair-bound basketball player embodied by Javier Bardem. But what about theatre? Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
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