sun 09/08/2020

Theatre Features

What Graeae did next

Jenny Sealey

As an 11-year-old, I used to love writing my address as My Bedroom, 50 Ridsdale Rd, Sherwood Rise, Nottingham, England, Great Britain, The World, The Universe. 

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Listed: Top 10 Children's Theatre Shows

Isabella Gallagher

If you are seeking to keep small children entertained this Easter, there's no need to sit around gorging on chocolate with so many egg-citing cultural experiences on offer throughout the UK. This week's edition of Listed suggests a range of choices, some in London, some touring, in theatres and beyond. Choose from sing-a-long characters and historical adventures, kooky eco-warriors and Shakespearean puppetry shows.

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Barry is ready for her close-up

Bridget Keehan

The idea for Day to Go – the show takes its name from a bus ticket – sprang from my own bus journeys around Barry and from a desire to make a piece of theatre specific and relevant to the town.

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Listed: Celebrating Dylan Thomas

Jasper Rees

It won’t have escaped the attention of anyone with an ear for poetry that Dylan Thomas turns 100 this year. He was born in a suburban house on a hill overlooking Swansea Bay a few months after the outbreak of war, and by his early 20s had been hailed a significant poetic voice by TS Eliot. By 39 he was dead, hastened to his grave by a lethal combination of alcohol, pneumonia and New York doctors.

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Dangerous Acts: filming Belarus Free Theatre

Madeleine Sackler

For the members of the Belarus Free Theatre, there are many risks to doing something that we might all take for granted: telling stories about our lives. These risks include censorship, blacklisting, imprisonment, and worse. But when the authorities forbid critical examinations of such topics as sexual orientation, alcoholism, suicide and politics, the Free Theatre responds by injecting these taboos into underground performances.

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theartsdesk in Sydney: Beyond the Cringe

alexandra Coghlan

I hadn’t heard the term “cultural cringe” until I went to live in Australia. Holiday encounters had been so full of sunshine, art, water and music that it hadn’t occurred to me to doubt the cultural confidence and energy of the nation that gave us Patrick White and Peter Carey, Baz Luhrmann and Brett Whiteley, Joan Sutherland and Robert Hughes. But once I did, the phrase was everywhere.

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I Found My Horn: Afterlife of a Book

Jasper Rees

When a book is published, there are broadly speaking three alternative fates which lie in wait. It goes global, it sinks without trace, or it sells modestly and steadily to the readership for whom it was intended. There is, however, another potential option, which is that it catches a thermal and veers off in an unforeseen direction.

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Final curtain for the Library Theatre

philip Radcliffe

We are witnessing the end of an era in the long history of Manchester’s theatreland: the disappearance, after more than 60 years, of the treasured Library Theatre. Coming full circle, it is ending as it began, with a production of The Seagull.

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On An August Bank Holiday for a Lark

Deborah McAndrew

Shall I let you into a secret? Barrie Rutter isn’t always right. I’ve enjoyed a creative and rewarding professional relationship and personal friendship with Barrie for almost 20 years now, and I think I can say that without fear of him falling out with me. He isn’t always right – but he often is, and one of the things he’s right about is that a tragedy isn’t a tragedy until it’s a tragedy.

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theartsdesk in Sydney: Upside Down Under

Christopher Beanland

Sydney has a nervous tic. People think Australians are brash and bolshy but that's not true. There's a deep sense of ingrained anxiety here. That anxiety comes from being at the edge of the world, a long way from Europe and in an unfamiliar and unrelenting land. It has been expressed through the art of Australia for 200 years. Today the country and its biggest city are both more confident, so the anxiety expresses itself in subtler ways.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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