Theatre Features
David Schneider Makes Stalin LaughMonday, 23 June 2014
When Dostoyevsky was asked why he wrote Crime and Punishment he famously replied, “To further my career and get shortlisted for book prizes.” He didn’t, of course. I made that up. But what artist/writer/actor creates a piece of art/writing/acting without at least a bit of shallow consideration for their career? (What?! Read more... |
Extracts: John Tusa - Pain in the ArtsMonday, 16 June 2014
In the midst of ferment as the arts world faces fast-shrinking public subsidy, Sir John Tusa, former managing director of the BBC World Service and the Barbican Arts Centre, publishes this week a brisk new book that urges arts and politicians to reject the emotive clichés and lazy token battles and focus on what matters. In Pain in the Arts, Tusa urges that both sides take personal responsibility for an essential part of human life. Read more... |
Brighton Festival Final Weekend - with the FamilyMonday, 26 May 2014
Sitting outside Mrs Fitzherbert’s, the pub named after George IV’s notorious mistress, nursing a pilsner top and a packet of peanuts on a sunny Saturday afternoon, the world is a benevolent place with the Brighton Festival (and Fringe) at the heart of the fun. Read more... |
RE:naissance: Festival under the influenceTuesday, 29 April 2014
Shakespeare's ubiquitous “planetary influence” is well-documented. As Stephen Marche points out in How Shakespeare Changed Everything, not much from our sex lives to the assassination of Lincoln remains untouched. And, of course, there's the language. You may think that what you are reading has more rhyme than reason, be madness (though there is method in it) or amount to nothing more than a wild goose chase. Read more... |
A Will of My OwnWednesday, 23 April 2014
I hardly knew anything about Shakespeare as a schoolboy and it was only when attending my first acting classes, when we sallow and uncouth students were required to do a speech each week to be tested on, that I had my first awakenings. At the very first I found the dense text too complex and remote for my taste, but persevered, swallowed the language in great chunks and then heaved it out. But from the outset I felt that something had bit. Read more... |
A 21st-century Three SistersThursday, 17 April 2014
About a week after my modern adaptation of The Seagull closed in 2012 at Southwark Playhouse the director Russell Bolam texted me, "Same again?" So it’s now in 2014 that at (the new) Southwark Playhouse we’ve got our modern take on Chekhov’s Three Sisters, which has just opened. Read more... |
theartsdesk in Sydney: Strictly Ballroom's backWednesday, 16 April 2014
"Everyone is beautiful when they dance,” oozes the ballroom MC in the midst of a competition that reveals just how un-beautiful terpsichorean people can be when seriously challenged by other dancers, or by anyone radical enough to try to dance to a different tune. Yes, Strictly Ballroom the 1992 film has become Strictly Ballroom the Musical – premiered in Sydney last weekend with Kylie Minogue in attendance – as it was always destined to be. Read more... |
What Graeae did nextSunday, 13 April 2014
As an 11-year-old, I used to love writing my address as My Bedroom, 50 Ridsdale Rd, Sherwood Rise, Nottingham, England, Great Britain, The World, The Universe. Read more... |
Listed: Top 10 Children's Theatre ShowsSaturday, 12 April 2014
If you are seeking to keep small children entertained this Easter, there's no need to sit around gorging on chocolate with so many egg-citing cultural experiences on offer throughout the UK. This week's edition of Listed suggests a range of choices, some in London, some touring, in theatres and beyond. Choose from sing-a-long characters and historical adventures, kooky eco-warriors and Shakespearean puppetry shows. Read more... |
Barry is ready for her close-upWednesday, 02 April 2014
The idea for Day to Go – the show takes its name from a bus ticket – sprang from my own bus journeys around Barry and from a desire to make a piece of theatre specific and relevant to the town. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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