Theatre Reviews
Romeo and Juliet, Shakespeare's Globe review - 'too much brouhaha'Friday, 28 April 2017
“Everything in extremity”. That announcement that the Capulet party is about to begin could just as well serve to describe Daniel Kramer’s Romeo and Juliet as a whole. Opening the Globe's new season, it will provoke reactions as conflicting as the play’s warring families. Read more... |
City of Glass, Lyric Hammersmith review - ‘thrilling and enthralling Paul Auster adaptation’Thursday, 27 April 2017
Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and Things was a big hit at the National Theatre, winning awards and transferring to the West End. Read more... |
Obsession, Barbican review - Jude Law on serious form in Ivo van Hove's latestWednesday, 26 April 2017
There is a distinctive look, feel, even sound to a stage production directed by Ivo van Hove, which is becoming rather familiar to London theatregoers after two cult hits, A View From the Bridge and Hedda Gabler. Read more... |
Nuclear War, Royal Court review - ‘deeply felt and haunting’Saturday, 22 April 2017
Text can sometimes be a prison. At its best, post-war British theatre is a writer’s theatre, with the great pensmiths – from Samuel Beckett, John Osborne and Harold Pinter to Caryl Churchill, Martin Crimp and Sarah Kane – carving out visions of everyday humanity in all our agonies and glee. Read more... |
The Philanthropist, Trafalgar Studios review - 'Simon Callow's direction is underpowered'Friday, 21 April 2017
Christopher Hampton's witty comedy, first performed in 1970, ingeniously inverts Molière's The Misanthrope, centring as it does on a man whose compulsive amiability manages to upset just about everyone. Read more... |
Whisper House, The Other Palace review - 'a delicately calibrated human story struggling to be heard'Thursday, 20 April 2017
It used to be said that the devil had all the best music. But the devil seems to have lost his touch in this ghost-story rock musical from Duncan Sheik, composer of the stage version of American Psycho and the award-laden Spring Awakening. If the plot seems familiar, it’s because it is – in essence, anyway. An isolated location. Childhood innocence in peril. Read more... |
Guards at the Taj, Bush Theatre review - ‘powerful but ethically troubling’Thursday, 13 April 2017
The Bush is back! After a whole year of darkness, the West London new writing venue has reopened its doors following a £4.3million remodelling and refurb, a project close to the heart of its artistic director Madani Younis. Read more... |
Carousel, London Coliseum review - 'Katherine Jenkins is game, Boe out-acted by wig'Wednesday, 12 April 2017
“Then I’ll kiss her so she’ll know.” At the sound of his ringing voice, the girls part to reveal him standing there, a hapless monument of rumpled charm. The audience relaxes in pleasure as an easeful actor joyfully shows what you can do with a command of textual detail, physicality and, above all, character. The trouble is, the excellent Gavin Spokes is playing not one of the leads but the supporting role of Mr Snow. Read more... |
The Winter's Tale, Barbican review - Cheek by Jowl's latest wavers in toneMonday, 10 April 2017
This is a well-travelled Winter’s Tale. Declan Donnellan has long been a director who's as much at home abroad as he is in the UK, and with co-production support here coming pronouncedly from Europe (there's American backing, too), Cheek by Jowl have made it abundantly clear where they stand on the issue of the day. Read more... |
The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates'Thursday, 06 April 2017
Asked in an interview if there remained any taboos in the theatre, Edward Albee answered, “Yes. I don’t think you should be allowed to bore an intelligent, responsive, sober audience”. Read more... |
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Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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