Theatre Reviews
Guys and Dolls, Phoenix TheatreFriday, 15 April 2016
It’s all change once more for Gordon Greenberg’s slick, protean revival, which began life at Chichester back in 2014, as three new leads join the show’s transfer from the Savoy to the Phoenix. If not a revelatory version of this 1950 masterwork, it’s certainly proved its staying power, and should continue ticking along nicely (nicely) both here and in its parallel touring production. Read more... |
In the Bar of a Tokyo Hotel, Charing Cross TheatreThursday, 14 April 2016
Was Tennessee Williams breaking rules, or breaking apart when he wrote this 1969 play? A bit of both, probably, and the two main characters of the rarely performed In the Bar of a Tokyo Hotel face the same choices. Read more... |
Boy, Almeida TheatreWednesday, 13 April 2016
Contemporary London life in all its forbidding, faceless swirl makes for a visually busy evening at Boy, the Leo Butler play that finally isn't as fully arresting as one keeps wanting it to be. Read more... |
The Brink, Orange Tree TheatreTuesday, 12 April 2016
Generation Y are worriers. There’s certainly plenty to fuel that angst, from mounting debts, employment uncertainty and the ever-worsening housing crisis to international conflict and terrorism – as explored by a slew of recent articles (and the occasional “How anxious are you, doomed millennial?” quiz). Read more... |
The Caretaker, Old VicThursday, 07 April 2016
It’s raining. Well, of course – it’s April in London. But it’s also pouring down on the Old Vic stage, hammering an already battered slate roof. When it lifts to reveal the semi-derelict attic, site of Harold Pinter’s groundbreaking 1960 play, the rain stays in your mind: an outside world that can be merciless towards the weak. And in Matthew Warchus’s revival, the trapped trio are very much victims – of one another, of society, and of their own failings. Read more... |
X, Royal Court TheatreWednesday, 06 April 2016
In 2014, Pomona stormed the Orange Tree, turning the previously staid venue into a place of both lauded theatre revolution and disgruntled walkouts. Could Alistair McDowall repeat the feat at the more progressive Royal Court? Read more... |
Sunset Boulevard, London ColiseumTuesday, 05 April 2016
Could the fascination of Glenn Close's Norma Desmond transcend the frequent bathos of Lloyd Webber? Would they have sorted out the miking which wrecked last year's first choice of semi-ENO musical, the infinitely superior Sweeney Todd? Yes, to varying degrees. Read more... |
How the Other Half Loves, Theatre Royal HaymarketMonday, 04 April 2016
Alan Ayckbourn's How the Other Half Loves – first performed in 1969, in the round at the Library Theatre in Scarborough – was only his second play. Already, though, it has a few Ayckbourn tropes – warring couples and interconnecting sets – and concerns infidelity and the lies that couples tell each other (and themselves) to keep marriages alive. Read more... |
Les Blancs, National TheatreFriday, 01 April 2016
Lorraine Hansberry’s career as a playwright proved tragically short. A Raisin in the Sun is by some distance her best-known work, a key piece about the African American post-war experience. But she thought Les Blancs (The Whites) was potentially her most important play, although it remained unfinished at her death in 1965, aged only 34; it was assembled from drafts by her ex-husband and executor Robert Nemiroff, finally reaching Broadway in 1970. Read more... |
Long Day's Journey Into Night, Bristol Old VicThursday, 31 March 2016
Lesley Manville’s performance as Mary, the tortured morphine addict, wife and mother in Eugene O’Neill’s dark masterpiece Long Day’s Journey Into Night, directed by Richard Eyre, is breathtaking, from the moment she first steps on stage until her last sombre soliloquy. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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