Theatre Reviews
Olivier Awards 2013: Many Shows Called, Few ChosenMonday, 29 April 2013
The Oliviers consider more than twice the number of productions for their annual awards compared to Broadway's Tonys. But you could be forgiven for thinking otherwise following Sunday night's 37th annual shindig, which divvied up the kudos among notably few recipients, The Curious Incident of the Dog in the Night-Time leading the pack with seven awards - on a par with Matilda this time last year. Read more...
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The Weir, Donmar WarehouseFriday, 26 April 2013
Conor McPherson’s 1997 play has become a modern classic, and it's not difficult to see why. It's a glorious evening of storytelling that allows the cast to display their wares, as the conversation between characters who have known each other all their lives flows and ebbs as they reminisce, josh and cajole each other with both affection and darker, underlying feelings. Read more... |
Tir Sir Gâr, Carmarthenshire County MuseumThursday, 25 April 2013
The play is the thing, to quote one famous bereaved theatrical son, and in this new collaboration between Theatr Genedlaethol Cymru, artist Marc Rees and playwright Roger Williams, it is most definitely the thing. Read more... |
Othello, National TheatreWednesday, 24 April 2013
It’s apt that a drama set among soldiers should be presented with military precision; but corruption, cruelty and perversion can lurk amid the human innards of the machine of war, and in Nicholas Hytner’s well-oiled, impeccably paced production of Shakespeare’s tragedy, the chainlink and concrete of an army base house scenes of cruel humiliation. Read more... |
Orpheus, Battersea Arts CentreTuesday, 23 April 2013
Orpheus, set in an imaginary Paris in the 1930s, delivers an unashamedly escapist and a quite delightful evening's entertainment. The Orpheus myth is often a pretext for fantasy or fun. Maybe the original, tragic tale is just too unremittingly dark and poignant. Read more... |
The Breadwinner, Orange Tree TheatreSunday, 21 April 2013
Although overwhelmingly remembered now as a novelist, Somerset Maugham was best known during his lifetime as a playwright. “England’s Dramatist”, as the newspapers christened him, produced more than 20 plays spanning the length of his career, outdoing contemporaries Shaw and Rattigan for popular and critical success. But his was not an enduring fame, and with his work now strikingly absent from the theatrical repertoire, any revival must inevitably face the suspicious question: why? Read more... |
The Life of Stuff, Theatre503Saturday, 20 April 2013
A severed toe, a shotgun, copious blood, vomit and snot, and a live snake. Sprinkle them liberally with Shake’n’Vac masquerading as cocaine, douse in booze, piss and petrol, set the whole lot alight and you have something of the loud, lurid volatility of this drama by the Scots writer Simon Donald. Read more... |
The South Bank Show: Tim Minchin, Sky Arts 1Friday, 19 April 2013
The new South Bank Show has glided into its second season with a seemingly effortless profile of multi-hyphenate Tim Minchin. In case we’ve forgotten what exactly we admire him for these days – so varied has been his decade-long career been, through satire, rock, musical comedy, stage performance, to co-creator of the RSC transfer-spectacular Matilda that's now storming Broadway – then this was a good reminder. Read more... |
Doktor Glas, Wyndham’s TheatreFriday, 19 April 2013
Scandi thrillers have a lot to answer for. Ever since the small-screen success of the Swedish Wallander series, based on the books by Henning Mankell, there has been a host of other must-sees — including the brilliant Borgen — plus British imitations such as Kenneth Branagh’s Wallander. Not to mention various outings of The Killing and its local progeny such as Broadchurch. Read more... |
#aiww: The Arrest of Ai Weiwei, Hampstead TheatreThursday, 18 April 2013
During rehearsals of his new play, Howard Brenton and the company had a sudden realisation: they were willing partners in "the vast Ai Weiwei project". The Chinese dissident artist, a constant critic of his country's human rights policies, was arrested on his way to Hong Kong in 2011 because his travel would "damage state security" and detained for 81 days. Now he requested that this story be told in a play to be based on interviews he had given to the journalist Barnaby Martin. Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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