Theatre Reviews
The Rise and Fall of Little Voice, VaudevilleTuesday, 20 October 2009
It’s a big ask for any performer to take on a role that was written specially for another actor, but Diana Vickers’ supporters from her appearances in last year’s X Factor on ITV will be pleased to learn that she acquits herself very well indeed. She is Little Voice in Terry Johnson’s pleasing revival of Jim Cartwright’s The Rise and Fall of Little Voice, which began life in the National’s Cottesloe Theatre in 1992 with Jane Horrocks in the title role. Read more... |
Annie Get Your Gun, Young VicSaturday, 17 October 2009
What, you mean you didn't know that Annie Oakley, the American sharpshooter whose career hit its stride in the 1880s, was honoured by Winston Churchill but had no use for Adolf Hitler? Then you've been spending too little time in the ever-eccentric world of the maverick director Richard Jones, whose Young Vic revival of Annie Get Your Gun, the 1946 Broadway musical classic, is about as anti-Broadway as a staging can get. Read more... |
Endgame, Duchess TheatreFriday, 16 October 2009
Beckett is less forbidding now than he might have seemed when he was alive, and certainly when his work was first performed. Over the last two decades, crueller and darker plays than his have been written, though none have matched his lyric ingenuity and his pained, sometimes devastating irony remains unsurpassed. Can Endgame, the bleak successor to Waiting for Godot and perhaps the oddest dramatic masterpiece of the 20th century, still hurt us? Read more... |
Comedians, Lyric HammersmithThursday, 15 October 2009
What are the politics of comedy? The great thing about Trevor Griffiths's 1975 classic, Comedians, which opened last night in a solid revival directed by Sean Holmes, is that this subject is debated with grace as well as humour. As six apprentice comedians attend a night class run by the veteran stand-up Eddie Waters, they find that their hunger for stardom clashes with his desire to use comedy to make a difference, to change society. Read more... |
Life is a Dream, Donmar WarehouseWednesday, 14 October 2009
A play featuring false imprisonment, family members losing and re-finding each other, fathers and sons, forgiveness and reconciliation: it sounds like late Shakespeare. Read more... |
The Power of Yes, National TheatreTuesday, 06 October 2009
David Hare is one of the giants of contemporary British theatre. His skill is to be the Balzacian social secretary who records the mood of the day. So his recent work has examined the state of the nation in a poetic rather than a literal way, and the result has usually been emotionally powerful and resonant. Read more... |
Orphans, Soho TheatreFriday, 02 October 2009
Theatre is the art of storytelling, and the best stories are those that constantly change their shape. In Dennis Kelly's storming new play, Orphans, which wowed critics and audiences when it opened in Edinburgh in August, the narrative morphs and flips like a bad conscience. And for good reason. Long before the final climax, you just know that something isn't right. Read more... |
Prick Up Your Ears, Comedy TheatreThursday, 01 October 2009
Playwright Joe Orton's untimely death has often threatened to eclipse his life. On 9 August 1967, he was murdered by his lover, Kenneth Halliwell, who then committed suicide. Although Orton had completed the first draft of his masterpiece, What the Butler Saw, he'd never got around to writing a play called Prick Up Your Ears, whose naughty, innuendo-heavy title had been suggested by Halliwell. But the title lived on. First as John Lahr's 1978 biography, then as Stephen... Read more... |
Inherit the Wind, Old VicThursday, 01 October 2009
As anyone who has ever had the misfortune to sit through a real court case knows, they can be deadly dull; but by golly when playwrights get their hands on them they usually become riveting. And so it proves here in Trevor Nunn’s pacy, funny and moving production of Jerome Lawrence and Robert E Lee’s 1955 play. Read more... |
Breakfast At Tiffany's, Theatre Royal, HaymarketTuesday, 29 September 2009You might imagine a cultural artefact on the topic of make overs, albeit primarily of the self, to be handled with particular care and attention when it is itself made over, as the Truman Capote novella Breakfast at Tiffany's has now been on the West End. Alas, Sean Mathias's second successive Haymarket production is an object lesson in how not to tamper with the pre-existing goods. Joseph Cross's leading man, William Parsons, sends us into the interval, his jaw dropped open in... Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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