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Brendan O'Carroll: My Family At War, BBC Two

Matthew Wright Thursday, 17 March 2016

It’s another military centenary, and another conundrum for broadcasters – how to tell a sombre story in an engaging way. The 1916 Dublin Easter Rising is an iconic event, but if we’re honest, not one many viewers will know in detail. The televisual warhorses for this kind of reminiscence – black-and-white portrait photos, sombre brass bands, and many talking heads atop camphor-scented tweed – are respectful but just a little bit dull.

Happy Valley, Series 2 Finale, BBC One

Jasper Rees Wednesday, 16 March 2016

There was an eye-popping moment of high-risk bravura at the climax of Happy Valley. Murderous detective John Wadsworth (Kevin Doyle) had finally been cornered on a railway bridge and was all for leaping off. Sergeant Catherine Cawood (Sarah Lancashire), wheezing hard from the chase, tried to talk him away from the edge but hadn’t done the relevant training. Wadsworth had, however, with a 100 percent success rate to prove it.

Art of Scandinavia, BBC Four

Marina Vaizey Tuesday, 15 March 2016

Through the snowy wastes we crunched. The winter scenery was overwhelmingly beautiful and almost devoid of any human habitation: gorgeous mountains in the distance, the black waters of the fjords gleaming, the winter sun shining through the pale blue sky. And lo, here was Andrew Graham-Dixon, in woollen hat and furred windbreaker, to introduce us to centuries of Norwegian art.

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The People v OJ Simpson: American Crime Story, BBC Two

Veronica Lee Tuesday, 15 March 2016

Halfway through its 10-week run, The People v OJ Simpson: American Crime Story appears to be running in real time as it slowly, painstakingly tells the story of how one of the US's biggest sports stars was accused of the murders of his ex-wife Nicole Brown and her friend Ronald Goldman in 1994.

Trapped, Series Finale, BBC Four

Mark Sanderson Sunday, 13 March 2016

A Nordic noir that began in a blazing fish factory was bound to have lots of red herrings. Trapped, however, did not cheat and eventually revealed not only who set the fire but who was the father of Maggi, the ginger cutie waiting ever so patiently for his gift of a red fire engine.

Virtuoso Violinists at the BBC, BBC Four

Marina Vaizey Saturday, 12 March 2016

Virtuoso Violinists was an hour of unalloyed informative pleasure that toured televised highlights of great violinists playing great music. Its painless excursion into the western classical canon reminded us why the BBC is the NHS of culture, and we delighted here in a guide who proved as accomplished a presenter as she is a performer of genius.

Dunblane: Our Story, BBC Two

Veronica Lee Thursday, 10 March 2016

For anyone living in the UK at the time, the Dunblane massacre on 13 March 1996 was an event so seared into their minds that they can remember exactly where they were when the shocking news came through.

The Prosecutors: Real Crime and Punishment, BBC Four

Jasper Rees Wednesday, 09 March 2016

Murder is entertainment, which is why crime and the legal process are on television every night. But where drama and documentary focus on criminals and the police who catch them – and the barristers who cross-examine them in court – vanishingly little attention is paid to the worker bees of the legal process. That's partly because the Crown Prosecution Service is a shy organisation.

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George Martin (1926-2016), record producer and 'fifth Beatle'

james Woodall Wednesday, 09 March 2016

For many pop-pickers, the presiding image of the Queen’s Golden Jubilee will be Brian May (he – yes, of course – of Queen) grinding out the national anthem on the roof of Buckingham Palace. For me, there was a much more meaningful moment later the same evening when Paul McCartney, Her Majesty and a tall grey-haired man gathered on the party stage, rubbing shoulders and so magically recreating a little trope of our recent cultural history.

Doctor Thorne, ITV

Adam Sweeting Monday, 07 March 2016

As the camera lingered lovingly over landscaped gardens and ravishing English countryside with a stately home parked squarely in the back of the frame, one could hardly avoid slipping into a Downtonesque reverie. Even more so when the assembled posh personages arrayed prettily on the greensward began to discuss marriage and inheritance, triggering echoes of the fabled Downton "entail".