wed 09/07/2025

tv

Canterbury Cathedral, BBC Two

Florence Hallett

Attracting over one million visitors each year, Canterbury Cathedral is one of the most popular tourist destinations in the country. With its picturesque location and very nice, very white staff, the cathedral offers an easy metaphor for the version of England that Ukip supporters apparently hanker after, the narrator Saskia Reeves describing it as “England in stone”.

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The Lost Honour of Christopher Jefferies, ITV

Jasper Rees

Four years ago Christopher Jefferies was the victim of a concerted attack by the British press. His tenant Joanna Yeates had been murdered and, lacking any other leads, police arrested her landlord. While he was still being questioned, the newspapers sniffed around Jefferies’s patch of Bristol and, armed with a juicy quotation or two, chose collectively to forget all about the principle of innocent until proven otherwise.

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Bear’s Wild Weekend with Ben Stiller, Channel 4

Matthew Wright

It’s only a few years since TV companies wouldn’t let Bear Grylls talk to anything more important than small, edible fauna. So he’s done well to progress so quickly to genuine A-Listers like Ben Stiller and Stephen Fry. By most objective criteria, talking isn’t something Grylls does terribly well, relying on a mashup of puns, clichés and semi-scripted pep talks, like a PE teacher at parents’ evening.

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Brian Pern: A Life in Rock, BBC Two

Barney Harsent

BBC4’s The Life of Rock with Brian Pern introduced us to the former frontman of Thotch and creator of world music. With a promotion to BBC2 for Brian Pern: A Life in Rock, it seems that Pern, the comic creation of The Fast Show’s Simon Day and Rhys Thomas, has switched from object to subject.

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Karajan's Magic and Myth, BBC Four

Adam Sweeting

There have been legendary conductors, and then there was Herbert von Karajan. He was a colossus of post-World War Two classical music, equipped with fearsome technical mastery allied to a vaguely supernatural gift for extracting exquisite sounds from orchestras. But that wasn't all. An expert skier with a passion for high-performance cars and flying his own jet, he was as charismatic as a movie star or sporting idol.

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The Story of Funk: One Nation Under a Groove, BBC Four

Barney Harsent

There is a tradition in oral storytelling of individual embellishments and flourishes, of one tale taking many forms – the more it is told, the finer the detail. Characters are added and the narrative extended. In this way, stories stand up to near endless repetition for they always have something new to offer us, there is always something new to learn.

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Imagine... Colm Tóibín: His Mother's Son, BBC One

Tom Birchenough

Watching this edition of Imagine… on Colm Tóibín, it was impossible not to be reminded of Graham Greene’s dictum about childhood being the bank balance of the writer. The key event in Tóibín’s childhood came at the age of eight, when his father’s serious illness saw Colm and his brother sent away to live with an aunt, and a sense of acute abandonment set in that saw him develop a stutter.

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Britain's Bloodiest Dynasty, Channel 5

Marina Vaizey

Dan Jones has turned up to narrate the dramatised story of the Plantagenets in history lite mode, perhaps aimed at capturing a young audience. In Plantagenet country, as shown on TV, we witness a medieval version of soap opera family sagas where all hinges on an overbearing father, a conniving queen, murder, and general mayhem.

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The Legacy, Sky Arts 1

Jasper Rees

It’s a dark and Danish so of course there is a body. But it’s not that sort of body. The Legacy parts company from what we know of most Nordic television drama. It’s neither a fetid charnel house in which the cops are as freaky as the killers. Nor is it a place of sunshine, smiles and proportional representation.

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Posh People: Inside Tatler, BBC Two

Fisun Güner

It won’t come as much of a surprise to find that the staff at Tatler are a bit on the posh side – who’d have thought? – but I honestly doubt they’re that much posher than, say, those at The Times, or The Guardian, or that other esteemed people’s champion, the New Statesman. As for the “posh to common” ratio on theartsdesk – without doing an exact head count, I’m not sure we radically break the mould, either.

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