tv
The Village, Series 2 Finale, BBC OneMonday, 15 September 2014
You may have had to search for his name in the closing credits of this final episode of series two of The Village, but all plaudits were due to its composer Adrian Corker, who gave us a great score which majored in atonality. The acting here remained top class, and the landscapes were still unsurpassable (more on which later), but for conveying a sense of unease in the air, it was the music that brought the atmosphere home. Read more...
|
British Art at War: Bomberg, Sickert and Nash, BBC FourSunday, 14 September 2014
At the end of this absorbing documentary about the art – and life – of Paul Nash we visited his tombstone in a Buckinghamshire churchyard, accompanying writer and presenter Andrew Graham-Dixon as he laid sunflowers on the grave. He reminded us that Nash saw the sunflower as a symbol for the soul, turning to the sun; indeed one of his last paintings was “Solstice of the Sunflower”. Read more... |
Boardwalk Empire, Series 5, Sky AtlanticSaturday, 13 September 2014
Fans of this dense and rewarding odyssey of Prohibition and American gangsterism are doubtless still reeling from the news that its fifth series will be the last, despite the riotous applause which greeted series four. This unwelcome state of affairs perhaps accounted for the vaguely dissociated and dream-like quality of this season opener, which was as much concerned with filling in some of Nucky Thompson's early history as with driving the plot forward into the 1930s. Read more... |
Tyrant, FoxSaturday, 13 September 2014
Created by Gideon Raff, mastermind of Homeland and its Israeli forerunner Prisoners of War, and produced by Howard Gordon (who worked on Homeland and 24), Tyrant parades its roots on its sleeve. Its mix of action thriller and family drama, all souped up by a stiff dose of combustibly unstable Middle East politics, adds up to a slick entertainment formula, but do such deadly and complex issues deserve to be handled quite so glibly? Read more... |
All Creatures Great and Stuffed, Channel 4Thursday, 11 September 2014
“Changing perceptions” is the byline that Mitsubishi gives to its sponsorship of Channel 4’s documentary slot. Animal-lovers, a constituency that surely makes up a sizable part of evening viewers, will certainly have come away from Matt Rudge’s bizarrely entertaining film All Creatures Great and Stuffed with their perceptions changed. Read more... |
Don't Stop the Music, C4 / The Motorway: Life in the Fast Lane, BBC TwoWednesday, 10 September 2014
The act of learning music, in a choir or an orchestra, rounds out a young person. What are the benefits again? All together now: improved social skills, concentration, discipline, self-esteem, numeracy, behaviour, confidence. Music makes you better. Society at large would benefit from investing in music education. It sort of beggars belief that this argument still has to be made. Read more... |
In the Club, Series Finale, BBC OneWednesday, 10 September 2014
By the time that In the Club reached its final episode, fans of Kay Mellor’s pregnancy-pals drama were probably ready for a happy-ever-after. Across six eventful hours we had seen car crashes, assaults, social workers, a bank robbery and Jill Halfpenny giving birth in a car park. Read more... |
The Rules of Abstraction with Matthew Collings, BBC FourTuesday, 09 September 2014
Artist and critic Matthew Collings purported to set out the rules of abstraction through taking the viewer on a very bumpy ride through 20th century painting, with a nod to Cézanne to get us started. Read more... |
Constable: A Country Rebel, BBC FourSunday, 07 September 2014
Presenter Alastair Sooke looked alarmingly fit, careering round the British countryside and the streets of Paris on his bicycle, talking all the while (and never out of breath) as he described the artistic trajectory of John Constable. Read more... |
A Season at the Juilliard School, Sky Arts 2Sunday, 07 September 2014
“You feel like you’re walking into Fame, the movie,“ says one of three third-year drama students towards the beginning of this six-part documentary. That’s what we might have hoped of what, at least in the first episode, turns out to be a mere infomercial for New York’s prestigious academy of performing arts. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Great Gatsby, London Coliseum review - lavish and lively...
In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby...
Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...
“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...
The Accountant 2 review - belated return of Ben Affleck...
It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a...
The Inseparables, Finborough Theatre review - uneven portrai...
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...
The Ugly Stepsister review - gleeful Grimm revamp
Although both of the Brothers Grimm died around 1860, they still insist on getting dozens of film and TV credits in each decade of our...
Album: Self Esteem - A Complicated Woman
Given that Prioritise Pleasure was Rebecca Lucy Taylor’s (RLT) Back to Black, and that there’s been a lengthy...
Flintoff, Disney+ review - tumultuous life and times of the...
Documentaries about sports stars are now a dime a dozen, but you can only be as good as your subject matter. We know Andrew Flintoff (usually...
Personal Values, Hampstead Theatre review - deep grief that...
“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up...
Album: Jenny Hval - Iris Silver Mist
Had I read the contextual blurb about Jenny Hval's latest album first, I might have assumed it was a perfume company collaboration. The album is...