thu 17/07/2025

tv

The Legacy, Sky Arts 1

Jasper Rees

It’s a dark and Danish so of course there is a body. But it’s not that sort of body. The Legacy parts company from what we know of most Nordic television drama. It’s neither a fetid charnel house in which the cops are as freaky as the killers. Nor is it a place of sunshine, smiles and proportional representation.

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Posh People: Inside Tatler, BBC Two

Fisun Güner

It won’t come as much of a surprise to find that the staff at Tatler are a bit on the posh side – who’d have thought? – but I honestly doubt they’re that much posher than, say, those at The Times, or The Guardian, or that other esteemed people’s champion, the New Statesman. As for the “posh to common” ratio on theartsdesk – without doing an exact head count, I’m not sure we radically break the mould, either.

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Confessions of a Copper, Channel 4

Adam Sweeting

This will have brought a nostalgic tear to the eye of fans of The Sweeney (the TV show, not the Ray Winstone movie) or GF Newman's still-shocking 1978 series Law and Order. The producers had rounded up seven retired policepersons and got them to spill some of the beans about what policing was like in the Sixties and Seventies.

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Imagine... Anselm Kiefer, BBC One

Florence Hallett

Anselm Kiefer reminds me a bit of someone I once worked for. Totally unpredictable, and possessed of a formidable intelligence and creativity, his mental leaps can be bewilderingly hard to follow, leading occasionally to truly breathtaking results, but crashing and burning just as often.

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24 Hours in Police Custody, Channel 4

Jasper Rees

“Your law is too soft. Make it more strict.” An Albanian illegal immigrant suspected of handling stolen goods was unimpressed by the courtesy extended to him by Bedfordshire Police. Too many pleases and thank yous, he complained. In Tirana the rozzers probably don’t ask you if you have any food allergies.

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Rosemary's Baby, Lifetime

Fisun Güner

Polish director Agnieszka Holland is best known for two Holocaust films, both based on remarkable true stories: the 1990 Europa Europa and the 2011 release In Darkness. Here she tackles horror of the supernatural kind.

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Dancing Cheek to Cheek, BBC Four

Hanna Weibye

I am picturing a scene in BBC4’s highly fortified underground headquarters, a conversation between its mastermind-in-chief and a hapless minion. “What do we do well, Stanley?” “History documentaries, boss.”  “And what do people, according to the immutable proofs furnished by viewing figures, actually like?” “Ballroom dancing programmes, boss. Costume dramas. And unashamedly populist, good-looking young historians.”  “Correct, Stanley.

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The Fall, BBC Two / Babylon, Channel 4

Adam Sweeting

The first series of this creepy Belfast-set crime thriller generated a mixture of critical enthusiasm and revulsion for its voyeuristic scenes of the sadistic murder of women. This season two opener [****] didn't give us any more of the latter, but successfully re-established the show's atmosphere of claustrophobic menace. It also probed further into the psychological battle between Gillian Anderson's DS Stella Gibson and Jamie Dornan's low-key but intensely deranged killer, Paul Spector.

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Puppy Love, BBC Four

Veronica Lee

Joanna Scanlan and Vicki Pepperdine are two-thirds of the talented team (Jo Brand was the other) who brought us the excellent Getting On, now probably lost to UK screens after three series but which will appear in an American format next year.

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Downton Abbey, Series 5 Finale, ITV

Jasper Rees

On and on the stately galleon sails. The fifth wodge of Downton Abbey has been light on utter knuckle-gnawing preposterousness. Plots conjured up at random from thin air have been in slightly shorter supply than usual. The very worst you can say of it is that Lord Fellowes is no Agatha Christie. The poor old blighted Bateses have now been subject to a matching pair of cack-handed murder mysteries.

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