fri 20/09/2024

tv

Michael Johnson: Survival of the Fastest, C4

Veronica Lee

What a dicey subject for debate Michael Johnson opened here, one that has scuppered the career of academics and social commentators alike, and which will have made many of his audience feeling deeply troubled. Johnson, now 44,  competed at three Olympic Games between 1992 and 2000, won four Olympic gold medals at 200 metres and 400 metres, and still holds the world record for the latter.

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Storyville: Hitler, Stalin, and Mr Jones, BBC Four

Tom Birchenough

The Storyville documentary strand must rank as one of the special glories of British television. As its opening titles unfold in different languages, we can only celebrate programmes that still give time to international stories, told in their own time, and allowing an eclectic, sometimes oblique view on their subjects. Hitler, Stalin and Mr Jones, a film by George Carey (pictured below), serves as a rallying cry to endorse exactly that.

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Blackout, BBC One

Jasper Rees

A drama featuring mayoral politics and an unsolved death. Hm. What’s the Danish for déjà vu? By the end of episode one of Blackout, you were wondering when Sara Lund was going to strut into the town hall in her Faroe Isles pullie and attitudinal denim, stare at people very hard and seem ever so gradually to lose the plot. Not that there’s much plot to lose in Blackout.

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The South Bank Show: Nicola Benedetti, Sky Arts 1/ The Good Guys, Sky 1

Adam Sweeting

There are worse assignments than making a film about Nicola Benedetti, and the glamorous 25-year-old violinist had clearly entranced Lord Bragg. Mind you, you'd struggle to find much to dislike about her. She's funny and articulate and has a billion-watt smile, while being an utterly dedicated musician whose playing mixes technical command with potent emotional expressivess.

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The Hollow Crown: Richard II, BBC Two

Matt Wolf

There was some pretty serious hair on view in the BBC's new film of Richard II, a play better-known for its luxuriant verse, and well there might be, given that the adaptation came to us courtesy that most fulsomely-maned of theatre directors, Rupert Goold.

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Line of Duty, BBC Two

Adam Sweeting

Those quaint old TV shows in which we were invited to support and admire the police unreservedly have long been overtaken by real-life events. Now evolution has brought us to Line of Duty, a series that presents the police as a failing bureaucracy hamstrung by paperwork and political correctness.

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Veep, Sky Atlantic

graeme Thomson

Post-Dubya, post-Palin, (very) post-Yes We Can, the US sitcom appears finally to have arrived at the same point its more cynically inclined British equivalent reached decades ago. In a political age defined by dishonour and doublespeak, it seems the most effective means of responding to all that mendacious incompetence is to dropkick depressing reality into the realm of the absurd.

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Julius Caesar, BBC Four/Match of the Day Live, BBC One

Jasper Rees

“Let slip the dogs of war.” Somewhere in the bowels of Kiev’s Olympic Stadium, a football coach will have said something along these lines around the half seven mark. Meanwhile, over on the clever-clever channel, an alternative meeting between England and Italy took place.

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David Bowie and the Story of Ziggy Stardust, BBC Four

howard Male

Given that Ziggy Stardust was a figment of David Bowie’s imagination it seems fitting that, for all intents and purposes, Bowie himself now appears to be a figment of our imagination. What’s he up to these days? Is he still living in New York with his beautiful Earthling wife and daughter?

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Simon Schama's Shakespeare, BBC Two

william Ward

With every new series, as he edges closer and closer to Dimbleby-ian National Treasure status, Simon Schama’s archly mannered drawl becomes more and more pronounced, his camp asides more central to his on screen persona. He is getting awful grand. And he now apparently “owns” our greatest dramaturge. Way to go.

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