thu 22/05/2025

tv

Chloe, BBC One review - good start, weak finish

Adam Sweeting

Suddenly bogus-identity stories are all the rage. Netflix has been scoring big with Inventing Anna, the story of fake heiress Anna Delvey, as well as the The Tinder Swindler, a cautionary tale about a high-rolling conman who scams money from women he meets online.

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Inventing Anna, Netflix review - fake heiress saga outstays its welcome

Adam Sweeting

Con artists in film or TV need to be clever, charming, mysterious or at least entertaining (for instance Leo DiCaprio in Catch Me If You Can or Michelle Dockery in the much-underrated Good Behaviour). Bafflingly, Anna Delvey, the notorious fake heiress whose story has been fictionalised by Shonda Rhimes’s Shondaland company in Inventing Anna (Netflix), is none of these things.

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This Is Going To Hurt, BBC One review - hospital drama with a realistic difference

David Nice

Painful more often than funny, this is not This Is Going To Hurt, the laugh-one-moment-rage-the-next book by obstetrician turned comedian Adam Kay. He’s written the script so essential truths remain. But the on-screen Adam Kay, national treasure Ben Whishaw – how happy Kay must have been about that – does relatively few lines to camera and what was essentially a diary has been shaped into a seven-part drama.

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Pam & Tommy, Disney+ review - the infamous sex tape that went global

Adam Sweeting

The transformation of Lily James, demure star of Yesterday, Cinderella and The Guernsey Literary and Potato Peel Pie Society, into smokin’ beach babe Pamela Anderson is the most memorable thing about Disney+'s uneven eight-part drama.

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The Teacher, Channel 5 review - inappropriate behaviour in the school environment

Adam Sweeting

Having had her own problems with alcohol and anxiety, Sheridan Smith no doubt felt some kinship with Jenna Garvey, the central character she plays in The Teacher. Evidently a talented educator who inspires loyalty and enthusiasm in her pupils, Jenna is also partial to a hectic night’s clubbing fuelled by reckless quantities of drink.

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Ozark, Series 4 Part 1, Netflix review - the Macbeths of the southern lakes in even deeper waters

David Nice

They’re back, the Lord and Lady Macbeth of the Ozark District, otherwise sleek-seeming middle class Chicagoans Marty and Wendy Byrde. And thanks to the super-subtle performances of Jason Bateman and Laura Linney, we hate them more than ever – except when they’re up against worse.

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Final Account: Storyville, BBC Four review - confessions of the last survivors of the Nazi era

Saskia Baron

Do we need another documentary about Nazi Germany? Yes, when it is as cogent and subtle as Luke Holland’s Final Account. Made over eight years while the veteran film-maker was battling with the cancer that killed him in 2020, it’s a tapestry of interviews with the ageing generation who lived under Hitler, a last chance to put them on camera.

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The Responder, BBC One review - the loneliness of the long-distance copper

Adam Sweeting

Cops on the box… don’t we just love ‘em? From Jimmy Perez and Ted Hastings to Inspector Reid from Ripper Street and Stella Gibson from The Fall the list is endless, but obviously we need more. The copper seems to have become the battered Everyperson we can dump all our fear, loathing and anxiety onto.

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Rules of the Game, BBC One review - feminist workplace drama topples into farce

Adam Sweeting

The BBC have billed this as a “four-part thriller about sexual politics in the modern workplace”, which is slightly misleading because it looks as though it’s taking place in about 1983.

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Witch Hunt, All 4 review - dark deeds and dirty money

Adam Sweeting

When business and politics collide, the result may very well be corruption. Such is the case in this taut, streamlined thriller from Norway, one of many gems from the Walter Presents stable.

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