thu 12/12/2024

tv

Uprising, BBC One review - powerful documentary about the New Cross fire

Saskia Baron

Earlier this year, Steve McQueen addressed the forgotten history of black British people through the Small Axe dramas he made for the BBC. Now McQueen has turned to documentary for Uprising.

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Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

Adam Sweeting

Baptiste (BBC One) has two powerful weapons in its armoury, in the shape of its stars – Tchéky Karyo as the titular French ‘tec, and Fiona Shaw as the central character in this second series.

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Lie With Me, Channel 5 review - abuse and betrayal in the Melbourne suburbs

Adam Sweeting

A joint production between Channel 5 and Australia’s Network 10, the four-part mystery Lie With Me didn’t do itself many favours by kicking off with its least persuasive episode.

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Carlos Ghosn: The Last Flight - Storyville, BBC Four review - the tycoon who fell to earth

Adam Sweeting

The extraordinary story of motor industry executive Carlos Ghosn is a heady combination of power, money, corruption and international politics, with a Mission: Impossible-style ending that carries it over the finishing tape in dramatic style. It might be considered a cautionary tale, except that Ghosn’s experiences and personality were so unique that a repeat performance could never happen.

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Sex/Life, Netflix review - Mills & Boon for the YouPorn era?

Adam Sweeting

Has Netflix succeeded in reshaping Mills & Boon for the YouPorn era?

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Ghislaine Maxwell: Epstein's Shadow, Sky Documentaries review - the iniquitous fall of the tycoon's daughter

Adam Sweeting

Last year, Netflix released Jeffrey Epstein: Filthy Rich, a four-part documentary about the notorious financier and convicted sex offender.

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Framing Britney Spears, Sky Documentaries review - the rollercoaster ride of the former teen icon

Adam Sweeting

She became one of the most successful pop stars in history, but Britney Spears has also become a paradigm of the horrors and pitfalls of life in the white heat of showbusiness.

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Physical, Apple TV+ review - too much pain, not enough gain

Adam Sweeting

It’s not easy to sum up Physical in a pithy soundbite, though “quasi-political misanthropic comedy” might be vaguely in the right ballpark.

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BBC Cardiff Singer of the World 2021 Final, BBC Four review – an embarrassment of vocal riches

David Nice

A massive musical hope for the future is what we all need right now, after 14 stop/semi-start months and a threatened decimation of the concert and opera scene, the danger of which isn't over yet.

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Loki, Disney+ review - the God of Mischief gets his own TV series

Adam Sweeting

After appearing in six of Marvel’s Avengers movies, Tom Hiddleston’s Loki (the God of Mischief) gets his own TV series.

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Lord of the Rings: The War of the Rohirrim review - a mi...
Lauded by Auden, detested by Edmund Wilson, the Tolkien sagas have divided many from childhood onwards: for kids, they’re not quite pulpy enough...
Jesus & Mary Chain, O2 Institute, Birmingham – Reid Brot...

The Jesus and Mary Chain may have been around for some 40 years (albeit on and off), but the Reid brothers clearly have no intention of setting up...

Album: Ajukaja & Mart Avi - Death of Music

Death of Music was created in Estonia. Despite the English lyrics, directness is absent. Take the title track. “Drop the music” exhorts...

The Producers, Menier Chocolate Factory review - liberating...

There is something deliciously perfect about the timing of The Producers’ arrival at the Menier Chocolate Factory. In these...

La rondine, LSO, Pappano, Barbican review - sumptuous orches...

There are no battlement leaps or murderous vows, no pistols or daggers, not so much as a slight cough disturbs the serene plot of La rondine...

A Midsummer Night's Dream, RSC, Barbican review - visua...

Hermia is a headbutting punk with a tartan fetish, Oberon looks like Adam Ant and Lysander appears to have stumbled out of a Madness video. Yet...

L’étoile, RNCM, Manchester review - lavish and cheerful absu...

Emmanuel Chabrier’s L’étoile is not exactly a French farce, but it comes from a post-Offenbach era (1877 saw its premiere) when cheerful...

Album: Ben Folds - Sleigher

The Christmas album is an American phenomenon that doesn’t...

Black Doves, Netflix review - Keira Knightley and Ben Whisha...

It’s rare to spot Keira Knightley in a TV series, and it’s no doubt a sign of changing times that she’s starring in this six-part spies-and-guns...