tv
The Midwich Cuckoos, Sky Max review - the 1957 sci-fi classic is given a contemporary spinFriday, 03 June 2022
If your memory of the 1957 John Wyndham novel about an alien invasion of an English village by chilling children with blonde pageboy hair is still pin-sharp, probably best to back-burner it before you watch Sky’s new adaptation of The Midwich Cuckoos. Read more...
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Pistol, Disney+ review - Punk history repeats itself as farceTuesday, 31 May 2022
The fact that John Lydon has complained so long and so loudly about director Danny Boyle’s TV drama about the Sex Pistols has only served to pump up interest in the project. Read more... |
Prehistoric Planet, Apple TV+ review - David Attenborough presents life on earth, 66 million years agoThursday, 26 May 2022
With Jurassic World: Dominion due in June, which will mark the end of the “Jurassic” movie franchise, here’s Apple TV’s alternative, science-based history of dinosaurs and their world. It’s produced by Jon Favreau, a key player in the Marvel Cinematic Universe, and narrated by David Attenborough in his trademark “Whispering Dave” style. Read more... |
Das Boot, Series 3, Sky Atlantic review - submarine warfare finds new horizonsWednesday, 25 May 2022
The challenge for the makers of Das Boot is to keep finding new ways to move the show forwards and outwards without losing touch with its foundations in World War Two submarine warfare. Read more... |
The Essex Serpent, Apple TV+ review - tradition and superstition versus the march of progressTuesday, 17 May 2022
Sarah Perry’s 2016 bestseller The Essex Serpent has been described as “a novel of ideas”, which almost sounds like a warning to anybody wanting to televise it. Happily, director Clio Barnard and screenwriter Anna Symon picked up the gauntlet, and have wrought a kind of contemplative television in which the story’s historical and philosophical preoccupations are expressed through landscape and imagery as much as dialogue and action. Read more... |
Ozark, Series 4 Part 2, Netflix review - crumbling consciences and a last standMonday, 16 May 2022
As the final slew of episodes in the last series of Ozark begins, Marty and Wendy Byrde, ever more the Macbeths of Osage Beach, are “in blood stepp’d in so far” that we don’t much care about their fate. Read more... |
The Staircase, NOW review - addictive dramatisation of real-life murder investigationFriday, 13 May 2022
The real-life case of Michael Peterson and the death of his wife Kathleen in 2001 has generated a steady stream of TV documentaries, though this new series from HBO Max (showing on NOW) is the first time anybody has actually dramatised the story. With Colin Firth as Michael and Toni Collette as Kathleen, it’s a compelling mix of conspiracy theory, forensic detective thriller and legal drama, bristling with false trails and tantalising clues. Read more... |
DI Ray, ITV review - Parminder Nagra battles killer gangs and cultural stereotypesSunday, 08 May 2022
Somehow or other, fictional representations of the police have become an off-the-cuff index of changing times and evolving values. Dixon of Dock Green’s cops were stern father figures who knew right from wrong and considered it their duty to give villains a clip round the ear. Read more... |
Chivalry, Channel 4 review - Steve Coogan and Sarah Solemani's sharp Hollywood satireFriday, 29 April 2022
It was inevitable that someone would soon tackle the question of how does Hollywood start behaving in the post-MeToo world, but few would have put money on a comedy drama starring Steve Coogan, the creator of Alan Partridge. But here it is, a whip-smart satire he co-wrote with Sarah Solemani, who also stars as Bobby, the indie filmmaker who is the polar opposite of his old-school (for which read, attracted only to women half his age) film producer Cameron. Read more... |
Ten Percent, Amazon Prime review - a hit and miss British makeover of the French comedy 'Call My Agent'Thursday, 28 April 2022
When the English-language version of Dix Pour Cent (aka Call My Agent!) was announced, my cafe au lait went down the wrong way. The French TV comedy about machinations at a top-flight Parisian talent agency is a miraculous mix of insouciant charm, an hommage to France’s beloved cinema history and a lot of naughty fun, with just a hint of sadness at its core. Read more... |
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