thu 22/05/2025

tv

The Flight Attendant, Sky One review - first-class entertainment

Markie Robson-Scott

“I get to see all these beautiful places and look passengers right in the eye and say the word trash.” Meet Cassie Bowden (the excellent Kaley Cuoco), flight attendant on Imperial Atlantic Airways. In firm denial about her alcohol problem, she knocks back myriads of vodka miniatures onboard, parties hard in cities the world over, has one-night stands after black-out benders (“Thank you for the effort.

Read more...

Line of Duty, Series 6, BBC One review - fasten your seatbelts, it's back

Adam Sweeting

Jed Mercurio’s tangly police corruption thriller Line of Duty has become one of the jewels in the BBC’s drama crown, and this sixth (and possibly last) series has finally arrived on BBC One after a steadily growing crescendo of pre-publicity. Can it live up to the hype?

Read more...

My Father and Me, BBC Two review - Nick Broomfield's moving voyage around his family

Tom Birchenough

Nick Broomfield made his first film 50 years ago, and his career over those five decades (and some three dozen works) has been as distinctive, and distinguished as that of any British documentary maker.

Read more...

Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

Adam Sweeting

The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified when they successfully staged a 17-race championship between July and December.

Read more...

The One, Netflix review - the downside of scientific matchmaking

Adam Sweeting

Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book.

Read more...

Grace, ITV review - sun, sea and skulduggery in sunny Brighton

Adam Sweeting

We last saw John Simm on ITV in 2018’s Hong Kong-based murder mystery Strangers, a product from the Jack and Harry Williams script factory which wasted its exotic backdrops with a plot which mooched about in a dispirited fashion before dozing off entirely.

Read more...

Unforgotten, Series 4, ITV review - is the familiar formula wearing thin?

Adam Sweeting

There comes a time when every successful formula can do with an overhaul, and that particular bell may be tolling for Unforgotten (ITV).

Read more...

Deutschland 89, Channel 4 review - the Wall comes down, what next?

Tom Birchenough

Joerg and Anna Winger’s gripping drama of East Germany, a loose portrait set over the final decade of that country’s existence, has reached its culmination, and this first episode of Deutschland 89 landed us right in the unpredictable maelstrom of history.

Read more...

The Terror, BBC Two review - nightmare in the Arctic wastes

Adam Sweeting

Admittedly, Antarctic explorer Captain Scott was at the other end of the earth from the protagonists of The Terror (BBC Two), but they would surely have concurred with his anguished observation: “Great God! This is an awful place.” Based on Dan Simmons’s novel, The Terror is a fictionalised account of the 1845 attempt by Sir John Franklin to find the Northwest Passage between the Atlantic and the Pacific via the Arctic Ocean.

Read more...

Your Honor, Sky Atlantic review - Bryan Cranston suffers fear and loathing in New Orleans

Adam Sweeting

Nice to find Bryan Cranston taking the lead in a TV series again (this is his first since Breaking Bad ended in 2013), and the role of New Orleans judge Michael Desiato fits him like a well-tailored suit.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Mission: Impossible - The Final Reckoning review - can this...

Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...

Code of Silence, ITVX review - inventively presented reality...

In the guided tour of Britain’s cathedral cities that is the primetime TV...

Pixies, O2 Academy, Birmingham review – indie veterans pack...

Pixies might just be the ultimate Radio 6 Dad band. They’ve been around (on-and-off) for around 40 years; they’ve got a fine back catalogue of...

Album: Sports Team - Boys These Days

How do you solve a problem like Sports Team? Taking them at face value, they’re a living metaphor for the slow music biz relegation of the working...

Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall r...

With French baroque opera all but banished from the UK’s major...

Album: Stereolab - Instant Holograms on Metal Film

Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Mr Swallow: Show Pony, Richmond Theatre review - magic trick...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...