book reviews and features
Michael Peppiatt: Giacometti in Paris review - approaching the impossible
Thursday, 28 September 2023
We begin with a dead-end. In 1966, Michael Peppiatt – at the time “an obscure young man” – travelled to Paris to... Read more... |
Annie Ernaux: Shame review - the translation of pain
Tuesday, 26 September 2023
The latest translation of Annie Ernaux’s Shame – a text most closely akin to a long-form essay – is an... Read more... |
Warhol, Velázquez, and leaving things out: an interview with Lynne Tillman
Friday, 22 September 2023
Motion Sickness (1991) is the second novel published by the writer, art collector and cultural critic Lynne Tillman. It is difficult,... Read more... |
Celia Dale: Sheep's Clothing review - unsettling, mundane, and right on-trend
Tuesday, 19 September 2023
Celia Dale published 13 novels between 1944 and her death in 2011. A majority of her these are often categorised – albeit loosely – as... Read more... |
Lutz Seiler: Pitch & Glint review - real verse power
Monday, 04 September 2023
Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: ... Read more... |
Zadie Smith: The Fraud review - the trials we inherit
Friday, 01 September 2023
Zadie Smith’s latest novel, The Fraud, is her first venture into historical fiction – a fiction based... Read more... |
Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approach
Tuesday, 22 August 2023
Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins... Read more... |
Marie Darrieussecq: Sleepless review - in search of lost sleep
Thursday, 17 August 2023
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into... Read more... |
Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedy
Tuesday, 15 August 2023
Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following... Read more... |
Masha Karp: George Orwell and Russia review - dystopia's reality
Thursday, 10 August 2023
The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
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Album: Father John Misty - Mahashmashana
The word “mahashmashana” – महामशान in Sanskrit – translates as “great burying ground.” Co-opted as the title of Josh Tillman’s sixth album as...
La Serenissima, Wigmore Hall review - an Italian menu to sav...
For 30 years, La Serenissima have re-mapped the landscape of the Italian Baroque repertoire so that its towering figures, notably Vivaldi, no...
Jon Fosse: Morning and Evening review - after thoughts
Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama,...
Roman Rabinovich, Wigmore Hall review - full tone in four st...
Is this the same Roman Rabinovich who drew harp-like delicacy from one of Chopin’s Pleyel pianos, and seeming authenticity from a 1790s grand...