Classical Reviews
Monteverdi Choir, ORR, Heras-Casado, St Martin-in-the-Fields review - flames of joy and sorrowSaturday, 20 September 2025
35 years ago, persona-now-non-grata John Eliot Gardiner revealed how performances of Mozart’s Idomeneo and La Clemenza di Tito allying period instruments with great voices could electrify in a new way. And here we were last night with Pablo Heras-Casado, a conductor as at home in Wagner at Bayreuth as he clearly is with the Monteverdi Choir and Orchestre Révolutionnaire et Romantique, stunning us with a consistently vigilant and alive Mozart Requiem. Read more... |
Cho, LSO, Pappano, Barbican review - finely-focused stormy weatherSaturday, 20 September 2025
It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the lines in a lighter take. In his second full concert of his second season as the wildly successful and popular Chief Conductor of the London Symphony Orchestra, Antonio Pappano spared us none of the hard-hitting. Read more... |
Appl, Levickis, Wigmore Hall review - fun to the fore in cabaret and show songsWednesday, 17 September 2025
Concerts at the Wigmore Hall offer many types of pleasure, but not often an evening so straightforwardly fun as Monday night’s recital by baritone Benjamin Appl and Lithuanian accordion virtuoso Martynas Levickis. Appl is primarily a Lieder singer – but here dived into a stylistically diverse world of music ranging from Mahler to Copland, via Ravel and Kurt Weill. Read more... |
Lammermuir Festival 2025, Part 2 review - from the soaringly sublime to the zoologically ridiculousTuesday, 16 September 2025
My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but some of us have been in on the secret for years. Importantly, that includes the East Lothian audiences, who have been attending the festival in bigger numbers than ever, ensuring that the festival has sold out almost every concert in its biggest venue, St Mary’s Church, Haddington, and packed out many other smaller ones, too. Read more... |
BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspects of loveSaturday, 13 September 2025
Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I was able to see, and hear, exactly what that means. A few days ago, in Scotland, I marvelled at flautist Adam Walker’s agility and versatility in his outstanding performances with the Kaleidoscope Chamber Collective at the Lammermuir Festival. Read more... |
Presteigne Festival 2025 review - new music is centre stage in the Welsh MarchesFriday, 12 September 2025
If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his death was spending the weekend of 21 - 25 August at the Presteigne Festival, you probably wouldn’t have felt short-changed. Read more... |
Lammermuir Festival 2025 review - music with soul from the heart of East LothianWednesday, 10 September 2025
One piece that you’re unlikely to hear at the Lammermuir Festival is Lucia di Lammermoor. As co-director James Waters explained during a drive to the absurdly picturesque church and castle at Crichton (fit setting for a Netflix epic, let alone a blood-soaked bel canto opera), venues and resources do set some limits to works that can be presented to the standards he demands. Read more... |
BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Oramo review - double-bill mixed bagTuesday, 09 September 2025
My final visit to the Proms for this year was a Sunday double-header of the RPO playing Respighi, Milhaud and Vaughan Williams at 11am and an evening concert of the BBC Symphony Orchestra and massed choirs in Gipps, Grieg and Bliss. Read more... |
theartsdesk at the Lahti Sibelius Festival - early epics by the Finnish master in contextSaturday, 06 September 2025
It’s weird, if wonderful, that vibrant young composers at the end of the 19th century should have featured death so prominently in their hero-sagas. Assume their inspiration came from Wagner’s Siegmund, Siegfried and Tristan. But Sibelius, Mahler and Richard Strauss took very different paths on the route to obliteration. That’s only one of many things that helps to make Hannu Lintu’s three-year exploration of Sibelius in the context of his predecessors and contemporaries so fascinating. Read more... |
Waley-Cohen, Manchester Camerata, Pether, Whitworth Art Gallery, Manchester review - premiere of no ordinary violin concertoFriday, 05 September 2025
Manchester Camerata is enhancing its reputation for pioneering with three performances featuring Nick Martin’s new Violin Concerto, which it has commissioned, two of them in art galleries rather than conventional music venues. Read more... |
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