sat 14/06/2025

Classical Reviews

Prom 2, Bell, Bamberg Symphony Orchestra, Hrůša review – Bohemian rhapsody, and refinement

Boyd Tonkin

Eighty years ago this summer, Neville Chamberlain’s indifference to the peoples of Czechoslovakia – “a quarrel in a far away country between people of whom we know nothing” – reaped its harvest of total war. These days, we have no excuses for not knowing a lot more. And the opening concerts of this year’s BBC Proms have shown why we should.

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Prom 1, BBCSO, Canellakis review - space-age First Night

Gavin Dixon

A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the Proms. Traditionally, the First Night sets out the themes for the season ahead, but the rationale behind much of this programme was paper-thin.

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Londinium, Griffiths, St John’s Waterloo review - a choral Grand Tour

Bernard Hughes

Since 2005 Londinium has carved out a niche in the London choral scene as a purveyor of creative programming, exploring often neglected musical byways or making surprising connections and juxtapositions. Last night the idea was a musical Grand Tour of Europe, as taken by aristocratic young men in the 18th century, and a well-crafted and very satisfying concert resulted.

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Alder, The Mozartists, Page, Wigmore Hall review - a Mozart feast for eyes and ears

David Nice

Seven European cities, seven works: from an eight-year-old's First Symphony composed in what is now Ebury Street to the towering concert aria for Josepha Dushchek of Prague's Villa Bertramka, Ian Page's latest Mozart cornucopia took us on a rich and at times startling journey, a testament - as Page wrote eloquently yesterday in his article for The Arts Desk - to the abiding need for...

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The Anvil, Royal, Purves, BBCPO, Gernon, Bridgewater Hall, Manchester - disturbing, baffling and moving

Robert Beale

Two hundred years ago next month, an assembly of around 60,000 people gathered on St Peter’s Fields in Manchester to protest about their lack of political representation. Speakers addressed the crowd, bands played and banners were carried.

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Chetham's Symphony Orchestra, Chetham's Chorus, Threlfall, Bridgewater Hall, Manchester - a thrilling triumph

Robert Beale

As end-of-term concerts go, Mahler’s Eighth Symphony is a biggie. In fact it’s hard to imagine any place of secondary education where they would even contemplate it.

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London Mozart Players, Davan Wetton, St Giles Cripplegate - rousing Shakespearean revel

Bernard Hughes

The festival Summer Music in City Churches is in only its second year, filling a gap left by the demise of the long-running City of London Festival.

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Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebratory Schumann

Gavin Dixon

Emanuel Ax here celebrated his 70th birthday with an all-Schumann recital. In fact, it was an all-Schumann marathon, a three-hour concert at Wigmore Hall featuring solo works, Dichterliebe with Simon Keenlyside, and, with the Dover Quartet, the Piano Quartet and the Piano Quintet.

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Treatise Project, Goldsmiths review - potent symbols reveal rich music potential

Gavin Dixon

Treatise by Cornelius Cardew is the defining work of the graphic notation movement.

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LSO, Guildhall School, Rattle, Barbican review - irresistible momentum

Peter Quantrill

The Barbican Hall hardly boasts the numinous acoustic of Gloucester Cathedral for which Vaughan Williams composed his Fantasia on a Theme of Thomas Tallis, but Sir Simon Rattle has long known how to build space into the architecture of what he conducts.

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