sat 18/10/2025

Classical Reviews

Tynan, Clayton, Murray, Aurora Orchestra, Dean, Wigmore Hall review - Britten lives!

Boyd Tonkin

Benjamin Britten died on 4 December 1976. Last night’s Wigmore Hall concert, on the 43rd anniversary of his passing, proved that his real legacy lies not in inert acts of homage but a living engagement both with his work, and the unruly energies that drove it.

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Kolesnikov, Tsoy, Currie, Walton, Wigmore Hall review - mesmerising sonorities

David Nice

Fine-tuning piano sound to Wigmore acoustics can elude even the greatest. Add a second Steinway and a wide range of percussion instruments, and the risks would seem to be hugely increased.

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Schiff, Budapest Festival Orchestra, Fischer, Barbican review – generosity and geniality

Boyd Tonkin

There are encores and encores – most a friendly, minimal farewell gesture from the soloist; some a jolly, festive unwind after a particularly taxing piece. And then there’s the luxury free gift that Sir András Schiff bestowed on us during the second of two Barbican concerts with Iván Fischer and his Budapest Festival Orchestra...

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Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11

Gavin Dixon

This family concert – “Total Immersion: Lift Off!” – was basically a small-scale rerun of this year’s CBeebies Prom, that one entitled “Off to the Moon”.

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Behzod Abduraimov, Queen Elizabeth Hall review - enchanting engagement and breathtaking virtuosity

Jessica Duchen

Given the number of audience members playing air-piano along with parts of Pictures at an Exhibition, Behzod Abduraimov should perhaps be described as a pianist’s pianist. He is nevertheless a great deal more than that.

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Highgate International Chamber Music Festival opening concert review - top soloists blend to perfection

David Nice

When celebrated individuals get together to play chamber music on special occasions, the result can often turn out as what the late cellist of the Borodin Quartet, Valentin Berlinsky, disparagingly called "festival quality" – meaning a clash, rather than a blend, of personalities.

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Eyck, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - theremin takes centre stage

Robert Beale

The theremin is still a relatively rare visitor to concert halls, particularly in a solo role, but Carolina Eyck is changing that.

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Shaw, Attacca Quartet, Kings Place review - composer portrait shows strengths and limitations

Bernard Hughes

There aren’t many musicians who could appear as composer, singer and violist on a single programme but that was Caroline Shaw’s lot last night.

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Wang, Los Angeles Philharmonic, Dudamel, Barbican review - much more than glitz and glamour

David Nice

The megastars are here at the Barbican, for an intensive three days in the case of the LA Phil and Gustavo Dudamel, throughout the season as the hall shines an "Artist Spotlight" on pianist Yuja Wang.

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O/Modernt Soloists, Sonoro Ensemble, Wimbledon International Music Festival review - pure instrumental poetry

David Nice

If you're going to run a music festival with flair, it's not enough just to have a run of star performers who pop up for single events. The 11th Wimbledon International Music Festival can offer those – Christian Tetzlaff and Lars Vogt, for instance, were there a week ago.

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