Classical Reviews
Igor Levit, Wigmore Hall review – full-spectrum Bach from a prodigious talentThursday, 23 May 2019
You seldom hear a Champions League-level roar of approval at the Wigmore Hall. Last night, though, Igor Levit drew a throaty collective bark of appreciation from the audience after (for once) an awed hush had followed the final dying cadences of the aria’s return in Bach’s Goldberg Variations. Had he earned it? Absolutely. This recital was first of three devoted to the idea of Variations. Read more... |
Benjamin Grosvenor, Barbican review - virtuosity at its classiestFriday, 17 May 2019
It’s 15 years since Benjamin Grosvenor first strolled onto our TV screens as a prodigiously gifted child in the BBC Young Musician Competition. Today he is a self-possessed young man of 26, in his element on the concert platform, yet without a hint of affectation; and unlike certain musicians who play the same type of music all the time, he ventures constantly into new and sometimes surprising musical territory. Read more... |
Takács Quartet, Wigmore Hall review – strong voices in a glorious groupThursday, 16 May 2019
When critics praise a first-rank string quartet, convention demands they claim that the whole adds up to more than the sum of its parts. True enough, maybe, but with the Takács Quartet, each separate element really does blaze with a soloistic, virtuosic flame. From the first bars of last night’s opener at the Wigmore Hall, as Haydn plays pass-the-parcel with an apparently straightforward tune at the start of his G major quartet Op.76 no. Read more... |
Hardenberger, Pöntinen, Wigmore Hall review - superstar trumpeter shows his classTuesday, 14 May 2019
There can be no questioning trumpeter Håkan Hardenberger’s extraordinary mastery: his big, unforced sound, mellifluous legato, athletic virtuosity and utterly controlled high notes. Read more... |
Mullova, Philharmonia, Järvi, RFH review – clear paths through the forestMonday, 13 May 2019
Visit Ainola, Sibelius’s woodland house by Lake Tuusula north of Helsinki, and you’ll be told the story of the green stove. It appears that the famously synaesthetic Finnish composer identified the shade of his heating installation with the key of F major. Read more... |
LSO, Rattle, Barbican review - inner magic eventually joins outward masteryThursday, 09 May 2019
Nearly 17 years ago, Simon Rattle inaugurated his era at the helm of the Berlin Philharmonic with Mahler's Fifth Symphony. Read more... |
Clara Mouriz, Roderick Williams, Joseph Middleton, Wigmore Hall review - the song recital as mixtapeTuesday, 07 May 2019
It’s the age of the mixtape. And of the Only Connect sequences round. Read more... |
LSO, Rattle, Barbican review – a brace of souped-up symphoniesMonday, 06 May 2019
It’s a fair bet that more people now know Harmonielehre as the title of the 1985 orchestral blockbuster by John Adams than the composition manual written by Schoenberg in 1922. Even the title is “typically, ironically John”, as Sir Simon Rattle remarked in a pre-concert interview introducing the YouTube film of the concert. The piece has swallowed up its object of parody. Read more... |
I Fagiolini, Hollingworth, St George's Bristol review - Leonardo and music, immortal, invisibleSaturday, 04 May 2019
Having started their tour at the Barbican on Sunday, I Fagiolini descended on Bristol with their Leonardo da Vinci celebration on precisely the 500th anniversary of the great man’s death, a fact that earned them an extra round of applause from the proud but sometimes neglected Bristolians in St.George’s. Read more... |
Bronfman, LPO, Jurowski, RFH review - weight and witMonday, 29 April 2019
Vladimir Jurowski is always a conductor for making connections, so one wonders why Brahms's Second Piano Concerto wasn't the first-half choice in this programme from the start (the advertised original had been the much stormier No 1). Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: American Baroque - Chamber Pop and Be...
The descending refrain opening the song isn’t unusual but attention is instantly attracted as it’s played on a harpsichord. Equally instantly, an...
Nickel Boys review - a soulful experiment
RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black...
Lockerbie: A Search for Truth, Sky Atlantic review - Colin F...
The destruction of Pan Am flight 103 over Lockerbie on 21 December 1988 was one of the ghastliest events in what would become known as the War on...
Albums of the Year 2024: The Last Dinner Party - Prelude to...
Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the...
Davis, National Symphony Orchestra, Maloney, National Concer...
In one sense it was a New Year’s Day “nearly”, just stopping short of giving us the already great Irish lyric-dramatic soprano Jennifer Davis in...
Albums of the Year 2024: Mk.gee - Two Star and the Dream Pol...
Mk.gee has been an unexpected thread in a year of music that’s pulled me in many different directions, punctuating the need for unique, sonically...
SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne...
Having carved a swathe of terror and destruction through the Axis forces in North Africa, the SAS return for a second series (again written by...
Best of 2024: Classical music concerts
As always, great concerts have outnumbered great opera productions over a year, and all of our national orchestras can be proud of their record. I...
Best of 2024: Dance
In an ideal world an end-of-year roundup would applaud only new ventures – fresh productions that you may curse for having missed but whose...