Film Reviews
To Rome With LoveTuesday, 11 September 2012
Woody Allen plays tour operator (yet again) in the excruciating To Rome With Love, and the result is not a pretty sight. Oh, sure, the Eternal City looks great, in the manner of one of those vibrant, come-hither videos that one might expect at a travel convention. Read more... |
The SweeneyMonday, 10 September 2012
If you saw previous Nick Love efforts like The Football Factory or Outlaw, you'll know he likes nothing better than a lairy swagger down Geezer Street while slaughtering innocent bystanders. He's at it again here, with this glaringly unnecessary remake of Seventies cop show The Sweeney, a TV institution that very nearly justifies the use of the crassly abused-to-death term "iconic". Read more... |
TabuSunday, 09 September 2012
A wondrous antidote to digital movies’ colonisation of the darkening continent of cinema, Miguel Gomes’s luminously black-and-white Tabu is a tripartite paean to the past: to the perils of Portuguese imperialism in Africa; to Hollywood silent movies as they transitioned to sound; to an adulterous affair that trapped its enraptured lovers for the remaining 50 years of their lives. Read more... |
Anna Karenina: The RaveThursday, 06 September 2012
A curtain rises at the start of Joe Wright’s thrilling film version of Anna Karenina only for the finish several hours later to be accompanied in time-honoured fashion by the words “the end”. Read more... |
Anna Karenina: The PanThursday, 06 September 2012
“You can’t ask why about love,” Aaron Johnson’s Count Vronsky croons tenderly to his beloved, pink lips peeking indecently out through his flasher’s mac of a moustache. Maybe you can’t, but you certainly can ask why you’d take a thousand-page realist novel and choke it in the grip of meta-theatrical conceptualising and Brechtian by-play. Anna Karenina feels as though its director just discovered the fourth wall and felt the need to graffiti all over it: “Joe Wright woz ere.” Read more... |
Shut Up and Play the HitsTuesday, 04 September 2012
According to US television anchor Stephen Colbert, there are only three ways to end your career as a rock star: overdose, overstay your welcome or write Spiderman: The Musical. Read more... |
LawlessMonday, 03 September 2012
Australian director John Hillcoat certainly knows what he likes, and what he likes is lawlessness. It’s the central focus of his brilliantly uncompromising film Ghosts… of the Civil Dead, which saw a high-security prison driven to bloody ruin, and of his scorching western The Proposition. Read more... |
Total RecallWednesday, 29 August 2012
There’s no Mars or Arnie, but the new Total Recall has science fiction goodness running through it. A mile of Blade Runner, a yard of Fifth Element, a furlong of Star Wars and an inch of RoboCop make up the distances in Len Wiseman’s glossy, brooding take on Paul Verhoeven’s beloved Nineties hit. Read more... |
Cockneys vs ZombiesTuesday, 28 August 2012
If you hate zombies and East End gangster movies, Cockneys vs Zombies will wreck those prejudices. Expect to have them turned topsy-turvy by this pocket-sized dynamo of horror comedy. Visually, it gets the simple things right straightaway. The blood looks real(ish). The London locations are cheerily drearily evocative. Then there's the unique opportunity of seeing Goldfinger Bond Girl and all-around heroine Honor Blackman fire a machine gun. Read more... |
Berberian Sound StudioMonday, 27 August 2012
If in space no one can hear you scream, that’s certainly not a problem you’ll experience in a giallo sound studio. Known for their high anxiety and buckets of blood, the Italian giallos of the Sixties and Seventies gave us heinous horror, drenched in style. Directors such as Lucio Fulci, Mario Bava and Dario Argento enjoyed a reign of terror with their handsome barbarism benefitting from fantastically histrionic sounds and scores. Read more... |
CircumstanceFriday, 24 August 2012
Recent Iranian cinema has seen the best of times - and the worst of times. From the 1990s onwards the phenomenon of the "Iranian New Wave" has captured worldwide festival attention, with directors like Abbas Kiarostami, and father and daughter pair Mohsen and Samara Makhmalbaf among the leaders of the list of those who brought a new view of their nation to international eyes. Read more... |
F For FakeThursday, 23 August 2012
For all that’s been said about Orson Welles – usually focusing on his towering genius and sizable ego - he was above all a great contrarian. In interviews he was often genial and self-effacing and of course a scintillating raconteur. During his later years he could be avuncular, entertainingly unpredictable and very funny, like a mischievous lecturer. Read more... |
The Three StoogesWednesday, 22 August 2012
There are two kinds of people in this world: those who think The Three Stooges are funny and those who just don’t get it. People in the first category are much better people. Read more... |
The Hitchcock Players: James Stewart, Rear WindowWednesday, 22 August 2012
Hitchcock was fond of the locked-box mystery, but never in the obvious form: whether it’s the leads in Rope, stuck in their apartment with a body shut up in a trunk, or the survivors from a ship murderously bobbing along together in Lifeboat, the trap was all. James Stewart as LB Jefferies in Rear Window is another man locked in a box, this time kept in his apartment by his broken leg. But clever old Hitchcock – he sets the mystery outside the box. Read more... |
Shadow DancerTuesday, 21 August 2012
There's not exactly an excess of colour in Shadow Dancer, the IRA-themed thriller that unfolds amid a bleached-out landscape of browns and greys, windswept waterfronts and drab, unwelcoming enclosures. Read more... |
The ImposterMonday, 20 August 2012
In 1994, a boy vanishes from Texas. Over three years later, he is found by Interpol alive in Spain and shipped back to his family in San Antonio. As improbable as this is in itself, it marks the beginning of an even more incredible story revealed in gobsmacking glory by writer/director Bart Layton. This documentary proves not only that truth is stranger than fiction, but that sometimes truth is so strange it makes even the wildest imagination cower in the corner. Read more... |
Pages
latest in today
Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...
The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...
That They May Face The Rising Sun review - lyrical adaptatio...
In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...
Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...
Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...
Stephen review - a breathtakingly good first feature by a mu...
Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...
Album: Mdou Moctar - Funeral for Justice
Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...
Blue Lights Series 2, BBC One review - still our best cop sh...
The first season of Blue Nights was so close to ...
Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...
Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...
Jonn Elledge: A History of the World in 47 Borders review -...
In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...
DVD/Blu-Ray: Priscilla
There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...
Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...
Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...