Film Reviews
Paradise: HopeTuesday, 30 July 2013
Ulrich Seidl claims there’s a simple reason he goes easier on young teenager Melanie’s stumble through 21st-century sexual desire and disaster than he did with her mum and aunt in Paradise: Love and Paradise: Faith. Going further with her requited crush on an adult would have involved exploiting his young star Melanie Lenz. So a director known for his provocations dutifully pulls up short. Read more... |
Only God ForgivesMonday, 29 July 2013
Introducing his latest film at a preview screening, the Danish director Nicolas Winding Refn commented, "If Drive was like taking really good cocaine, Only God Forgives is like taking really good acid." It's an appropriate (and characteristically provocative) comparison - and if Only God Forgives is not quite the trip one might hope for, it's certainly hypnotising and alarming. Read more... |
The WolverineFriday, 26 July 2013
Wolverine is a second-division, third-generation Marvel superhero, and for all the care devoted to his sixth cinema outing, he remains the problem here. First introduced in 1974, Stan Lee and Jack Kirby – comics’ Lennon and McCartney – were no longer on hand to conceive this metal-clawed lunk with the adolescently resonant weaknesses they gave Spider-man and the rest. Instead, Wolverine had over-wrought, tin-eared Chris Claremont to chronicle his key years as the star turn in the X-Men, a... Read more... |
Dial M for Murder 3DThursday, 25 July 2013
Newly restored versions of old films in cinemas are commonplace. This revival of Alfred Hitchcock’s Dial M for Murder is set apart due to it being in 3D, as it was originally intended to be seen. But unless you were able to catch it in the few American cinemas where it screened after its May 1954 New York premiere, the original has proved elusive, although 3D versions have surfaced intermittently. Read more... |
Imagine... Woody Allen: A Documentary, BBC OneWednesday, 24 July 2013
You might wonder if anybody really deserves three and a half hours of TV biography, but after the first half of Robert Weide's immense survey of Woody Allen, the nebbish messiah, I was pawing the carpet in anticipation of part two. Documentaries don't, as a rule, leave you in seizures of mirth, but the judicious selections from Allen's bottomless catalogue carried a sealed-in guarantee of hilarity despite being snatched from their original context. Read more... |
BlackfishWednesday, 24 July 2013
Oddly, there is quite a cinematic sub-genre starring killer whales. The killer’s first (and worst) lead role was opposite a hammy Richard Harris in Orca, a shameless attempt by Dino De Laurentiis to ape the success of Jaws. Then came Free Willy, which in three icky instalments repositioned killers as essentially cuddly. Read more... |
Frances HaMonday, 22 July 2013
"I'm so embarrassed, I'm not a real person yet," Frances apologetically tells her date after she's forced to make a calamitous cashpoint dash when they're asked to settle their restaurant bill. This is the seventh film from writer-director - and sometime Wes Anderson collaborator - Noah Baumbach (Greenberg, The Squid and the Whale). Read more... |
The World's EndFriday, 19 July 2013
Just three Cornettos: the trilogy accidentally named after an ice cream concludes here. Previously in the imaginations of actor Simon Pegg and director Edgar Wright, London has been invaded by zombies and a quiet English village by organised crime. In The World’s End, it’s the turn of a faceless Home Counties feeder town to fall under the influence of yet another B movie sub-genre. Read more... |
The Frozen GroundThursday, 18 July 2013
The Frozen Ground, the debut feature of New Zealand director Scott Walker, takes place in Alaska in the 1980s. Based on a true story, it tells of cop Jack Halcombe (Nicolas Cage), who teams up with prostitute Cindy Paulson (Vanessa Hudgens) to try and stop Jack Hansen (John Cusack) from killing again. Read more... |
WadjdaWednesday, 17 July 2013
In the independent cinema world, the question of where exactly a director hopes to find his or her audience never goes away. On home ground? Around the international festival circuit? Or in a lucky combination of the two, when a film resounds both locally and beyond its native land? It was always going to be a tricky issue for Haifaa Al-Mansour’s Wadjda, the first full-length feature to come out of Saudi Arabia, where cinemas simply do not exist – they are banned. Read more... |
Easy MoneyMonday, 15 July 2013
Based on Jens Lapidus's novel Snabba Cash (great title, even if it is meaningless to English-speakers), Easy Money is yet further evidence of the allure of the Scandi way of looking at the world. It's ostensibly a crime thriller, featuring healthy doses of violence and drug-dealing, but equally it's an examination of class warfare, divided loyalties and racial tension. Read more... |
Pacific RimFriday, 12 July 2013
As a capsule description of Pacific Rim, "giant monsters versus giant robots" will do nicely. It tells the fantastical story of mankind's battle for survival against a bunch of enormous killer reptiles from outer space, known manga-ishly as "Kaiju", which now live in a "dimensional rift" at the bottom of the Pacific ocean. Read more... |
BlancanievesThursday, 11 July 2013
Although Blancanieves seems to come on the back of the world-conquering The Artist, it was actually conceived before the French tribute to silent-era cinema. Rather than being about silent cinema, Blancanieves is a silent Spanish take on Snow White which, through sheer panache, verve and eccentricity, can’t fail to seduce. But like The Artist, it has an unforgettable animal actor. It’s impossible to see a cockerel in the same way ever again. Read more... |
We Steal Secrets: The Story of WikiLeaksWednesday, 10 July 2013
The story you think you know slides beneath your feet in this rigorous investigation of Julian Assange and Bradley Manning. “I’m a combative person," WikiLeaks’ founder says, setting out his motives. "I like crushing bastards.” Director Alex Gibney’s intentions are more nuanced. Read more... |
Monsters UniversityTuesday, 09 July 2013
It’s practically a pub game for overgrown children: factoring in the technical awesomeness, the solid virtues of the plot, the script’s adult-friendly appurtenances of irony and wit, what in your considered opinion is the best film in the Pixar backlist? It could be any one of the Toy Story trilogy, it could easily be The Incredibles, and there are those who would tick the box marked Monsters Inc. Read more... |
CleopatraMonday, 08 July 2013
If Mae West was once described as a plumber’s idea of Cleopatra, Elizabeth Taylor, clad in gold and covered in real diamonds, is Hollywood’s ideal in Cleopatra (1963). Sumptuously restored to 2K DCPs and rereleased on the big screen, Taylor’s beauty and the chemistry with future husband Richard Burton remain throbbingly alive - in a production so mired and luckless that it tried to spend its way out of trouble. Read more... |
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