Film Reviews
A HijackingWednesday, 08 May 2013
Tales of pirate drama on the high seas have come a long, unpleasant way since Errol Flynn. Borgen and The Hunt co-writer Tobias Lindholm’s debut as solo writer-director explores the human factor behind Somali pirate headlines, with the cool grip Nordic drama fans now expect. Read more... |
Our ChildrenTuesday, 07 May 2013
It’s likely that how Our Children culminates is no secret. Director Joachim Lafosse is well aware of that, and the film’s opening moments take place in the aftermath of the shocking conclusion of what’s about to unfold. Nonetheless, Our Children is composed so carefully that its climax still whacks you in the stomach. Read more... |
MudMonday, 06 May 2013
There are few films of which you can say there's something for everyone - but there is something for everyone in Jeff Nichols's third film. Read more... |
The Eye of the StormFriday, 03 May 2013
Family dramas don't come much fruitier than The Eye of the Storm. Fred Schepisi's film adaptation of Nobel laureate Patrick White's 1973 novel will speak most potently to those for whom the (far superior) Amour was too po-faced by half. Read more... |
Dead Man DownThursday, 02 May 2013
In 2009 Niels Arden Oplev sent a lightning bolt through the multiplexes with his adaptation of Stieg Larsson’s The Girl with the Dragon Tattoo. It was only a matter of time before a magpie in Hollywood noticed. They duly went about the business of re-adapting the film for people who can’t read pesky subtitles, and now the director has been summoned over the water to make his English-language debut. Read more... |
Gimme the LootWednesday, 01 May 2013
It’s the sort of New York summer week where the sidewalk melts. But in writer-director Adam Leon’s SXSW Grand Jury prize-winning cool breeze of a debut, the mood stays amiably balmy. It’s the tale of teenage Bronx graffiti artists Malcolm (Ty Hickson) and Sofia (Tashiana Washington) who, disrespected at every turn by a tougher graffiti gang, decide to tag a legendarily impregnable, daffy holy grail: the sign that pops up at Mets baseball games when a home run’s scored. Read more... |
Sundance London 2013: A.C.O.D.Monday, 29 April 2013
Occasionally an ensemble cast comes along that makes you want to get down on your knees and give praise to the movie gods; A.C.O.D. (Adult Children of Divorce) has such a cast. The directorial debut of Stu Zicherman brings together Parks and Recreation stars Adam Scott and Amy Poehler and expertly tosses into the mix Oscar-nominee Richard Jenkins, along with bona-fide comic geniuses Jane Lynch and Catherine O'Hara. And that's just for starters. Read more... |
I'm So ExcitedMonday, 29 April 2013
"What makes you think all this is funny?" businessman Ricardo Galán (Guillermo Toledo) snaps after a particular high-spirited episode in Spanish director Pedro Almodóvar's latest, and it's undoubtedly a remark that will resonate with some members of the audience. Almodóvar is one of modern cinema's finest auteurs - a director for whom we reserve the highest of expectations. Read more... |
Sundance London 2013: In FearSunday, 28 April 2013
Many of us have felt the frustration mixed with nervousness, even fear as night has descended on a country walk, and we’re not quite sure where we are. And it's the sense of familiar foreboding that makes Jeremy Lovering’s debut feature such an effective chiller. Read more... |
Sundance London 2013: Emanuel and the Truth About FishesSunday, 28 April 2013
Fearlessly smart, honest and philosophical, Emanuel and the Truth About Fishes is the striking, sometimes breathtakingly beautiful second film from Italian-American writer-director Francesca Gregorini. It marries moments of sweeping surrealism with an earnest, credible exploration of female relationships. Read more... |
ScarecrowSaturday, 27 April 2013
Scarecrow tied for the coveted Palme D’or of 1973. Directed by Jerry Schatzberg, the man who did Panic In Needle Park and importantly Street Smart, which captured the electrifying moment when Morgan Freeman became a star, this sombre comedy stars Gene Hackman and Al Pacino. In fact, every element of Scarecrow aims for classic status. Read more... |
Sundance London 2013: In A World...Friday, 26 April 2013
“In a world…” How many times have we heard this portentous introduction to a movie trailer, in a reverberating baritone whose seriousness is in stark contrast to the epic fluff it seeks to promote. Director/writer/star Lake Bell’s oddball and hugely likeable comedy makes up for some of the pain we’ve had to endure through such promos, by taking a peep into the world of the voice-over artists, whose finely-honed vocals are responsible. Read more... |
The Look of LoveThursday, 25 April 2013
It may not be Scorsese and De Niro, but the partnership between Michael Winterbottom and Steve Coogan has been extremely fruitful. Read more... |
Iron Man 3Wednesday, 24 April 2013
The only faintly cracked note in this zinging early-season blockbuster is that, just as spring belatedly puts in an appearance, the action is set around Christmas time, with snow, Christmas trees and even some Yuletide hip-hop beats. Still, think of it as just a further example of the smart counter-intuitiveness that director Shane Black (stepping in for Jon Favreau) has brought to the party, helping to make it the fizziest and funniest of the series so far. Read more... |
Sundance London 2013: Touchy FeelyWednesday, 24 April 2013
I’ve always thought of Lynn Shelton as Sundance royalty. Her breakthrough film Humpday – the über-buddy movie with the amateur porn twist – screened at the festival, as did her follow-up, Your Sister’s Sister, which demonstrated that Shelton could handle more mainstream comedy-drama without losing her indie spontaneity. Read more... |
Sundance London 2013: Upstream ColorTuesday, 23 April 2013
Unburdened by conventional narrative sense, Upstream Color is a true curiosity. Seductively strange, woozily kinetic and above all romantic, Shane Carruth's second feature is a little film with big, bizarre ideas. Incorporating pig farming, scientific experimentation and sound recording, it proves that you don't need a sizeable production budget to swoop and soar on the big screen, and that you don't always need to know precisely what's going on to be immersed in a story. Read more... |
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