Film Reviews

Dead Europe

Kieron Tyler Thursday, 13 December 2012

“Why do you want to go to Greece?” After watching the numbing Dead Europe and the journey of its protagonist Isaac the question asked might, more pertinently, have been “do you know the Greece you’re going to visit?” This relentlessly dark film paints Greece – in common with the other countries seen – as a place of barely hidden agonies, characterised by shadows. No wonder Isaac’s mother gives him a talisman to ward off the evil eye before he sets off from Australia.

The Hobbit: An Unexpected Journey

Demetrios Matheou Wednesday, 12 December 2012

JRR Tolkien’s The Hobbit has always been the answer to those who rail at the self-consciously epic scale and bombast of The Lord of the Rings; it is the perfect Tolkien primer, an introduction to Middle Earth that is humorous and boisterous, doesn’t take its heroes too seriously, moves along at a good clip and is no less a glorious adventure for its levity.

12 Films of Christmas: The Family Stone

Matt Wolf Wednesday, 12 December 2012

Thank heavens for Christmas, without which where would narrative be? Not that I'm sure Sarah Jessica Parker's uptight, brittle Meredith Morton has much to be thankful for in The Family Stone, as the Manhattan careerist braves her boyfriend's family gathering in New England for what seems destined to be the holiday from hell. Well, until such time as the laws of Tinseltown work their drearily inevitable "magic", and everyone is paired up faster than you can say Manolo Blahnik.

12 Films of Christmas: White Christmas

Karen Krizanovich Tuesday, 11 December 2012

White Christmas is named so you know that gorgeous song is inside it somewhere. Yes, this is the 12-year-younger and lesser remake of Holiday Inn that also stars Bing Crosby and also features the cry-your-guts-out, I-regret-everything holiday tune by Irving Berlin. The big difference is that in White Christmas, Bing sings along to a music box.

12 Films of Christmas: Gremlins

Nick Hasted Monday, 10 December 2012

Joe Dante feeds the idealised small-town America of his producer Spielberg into the mincer of an anarchic Warner Bros. cartoon in this riotous 1984 hit. Chris Walas’s creature designs are crucial to it, as mysterious, lovably big-eyed pet Gizmo spawns scaly-backed lords of impish mayhem the Gremlins.

Smashed

Tom Birchenough Monday, 10 December 2012

“Cringed” is the adjective you want to invent to describe Kate, the dipso heroine of James Ponsoldt’s Smashed who's played by Mary Elizabeth Winstead. If there’s one thing that Ponsoldt's script, co-written with Susan Burke, captures - actually, there are many - it’s the excruciating embarrassment of waking up in the morning and dimly recalling what you’ve got up to the drunken night before.

Celeste & Jesse Forever

Jasper Rees Friday, 07 December 2012

The romcom is an oddball. Though an ever-present at the multiplex, of all the genres it remains notoriously reluctant to take wing. The path of true love ne’er did run without all the usual box-ticking plot swerves. Full credit then to Celeste and Jesse Forever, for coming at the problem from a sideways angle. In this reimagining, boy and girl have lost each other before the start of the movie – they’re divorcing – but are still best of friends. In fact, creepily so.

The Man with the Iron Fists

Emma Simmonds Thursday, 06 December 2012

As anyone who saw The Next Three Days, A Good Year, or Proof of Life will know, Russell Crowe has frequently been one to squander his talent in mediocre or plain terrible fare. His latest, The Man with the Iron Fists, is a 1970s-inspired martial arts menagerie which makes LA Confidential feel like a very long time ago. It’s an almost literal assault on the eyes and ears – entertainingly mad and fitfully bad.

I, Anna

Emma Dibdin Tuesday, 04 December 2012

There are very few examples in film history of a son directing his mother, and there’s a distractingly Oedipal vibe at the core of Barnarby Southcombe’s I, Anna that might offer some clue as to why. Charlotte Rampling turns in a brittle, enigmatic performance in her son’s big-screen debut, playing the eponymous divorcee whose attempt to become sexually bold goes violently awry.

Laurence Anyways

Graham Fuller Saturday, 01 December 2012

At 23, Xavier Dolan may not be the new Jean-Luc Godard, but he could be the new Léos Carax. And Laurence Anyways – a tempestuous romantic melodrama spanning the entire 1990s – could be his Les Amants du Pont-Neuf. The third feature made by the Québécois enfant terrible dazzlingly demonstrates his prodigious talent as a metteur-en-scène and director of actors, though, at 168 minutes, it’s about 45 too long.

The Hunt

Adam Sweeting Friday, 30 November 2012

Some say director Thomas Vinterberg has never equalled his triumph with Festen (1998), but with The Hunt it's time for everyone to think again. An assured and claustrophobic drama which ruthlessly picks apart the seemingly civilised facade of a small Danish town, it's a film that reverberates in the imagination and proves yet again what a fine actor Mads Mikkelsen is.

Great Expectations

Jasper Rees Wednesday, 28 November 2012

One has low expectations of Great Expectations. As the Dickens bicentenary draws to a close with yet another version, young Pip must once again come to the aid of the convict Magwitch, once again be raised up from apprentice blacksmith to gentleman, once again fall for the cold, unrequiting Estella Havisham. And once again make do without the first-person narrative that gives him his character.

Yossi

Tom Birchenough Tuesday, 27 November 2012

Stubbled, chubby and aged beyond his 34 years, Yossi, the eponymous hero of Israeli director Eytan Fox’s film played by Ohad Knoller, has a hang-dog loneliness to him that stands out a mile away. He may be a qualifying cardiologist, but his own heart seems stuck at the glacier stage.

Comment

Sightseers

Emma Simmonds Monday, 26 November 2012

Ben Wheatley’s last film Kill List was unmistakable in its moniker, aggressively advertising its deadly subject matter. Taken on title alone Sightseers suggests something more far more innocuous. Depending on your capacity for twisted thrills, you’ll get a nasty or nice surprise; the name may give no hint of the macabre but Wheatley’s third film is hardly less violent than its predecessor. It is, however, a lot funnier.

End of Watch

Adam Sweeting Friday, 23 November 2012

There's a temptation to roll your eyeballs upwards when you hear Jake Gyllenhaal's introductory voice-over, which sounds like a corny photocopied mission statement they dish out to all new recruits to the LAPD. "I am Fate with a badge and a gun," he tells us, in his role as Officer Brian Taylor. He didn't make the laws, but he will uphold them with as much force as it takes. The police are the thin blue line.

Silver Linings Playbook

Emma Dibdin Thursday, 22 November 2012

If Winter’s Bone and The Hunger Games had somehow left you in any doubt about the magnetic screen presence of Jennifer Lawrence, prepare to surrender your remaining misgivings. Playing outspoken, emotionally damaged young widow Tiffany, Lawrence is a firecracker, a powder keg, a force of nature.