thu 28/11/2024

Film Reviews

The Bourne Legacy

Adam Sweeting

We haven't had a Bourne movie since 2007's Bourne Ultimatum, so Hollywood naturally felt it was high time to reheat the much-loved franchise. Back comes Tony Gilroy, screenwriter for the first three Bournes and now writer/director on this one.

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The Hitchcock Players: George Sanders, Rebecca

Adam Sweeting

Many an English actor has found himself playing a suave and supercilious Hollywood villain, but none has done it with the exquisite finesse of George Sanders. His performance as Jack Favell in Rebecca only brought him a handful of scenes in a movie running over two hours, but he's not just one of the major pivots of the drama, but perhaps the most memorable character in a film teeming with splendid turns.

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Brave

Karen Krizanovich

Animated 11th-century Scotland is a great place to live for a girl with a bow and arrow, until your mum decides to marry you off to any young numpty who wins a clan tournament. No wonder the female audience comes predisposed to love Merida, the star of Disney Pixar’s Brave. She’s a snappy, arrow-shooting, red-haired Scottish princess who’ll do anything not to end up like her mum.

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Ai Weiwei: Never Sorry

Fisun Güner

Every year, FHM produces its 100 sexiest women of the year list. It follows a simple formula, since sexiness, as determined by the magazine’s readers, is predicated on fame – a particular type of fleeting, red-top tabloid fame. So this year, top of that list is Tulisa of the sex tapes. Likewise, every year Art Review does its 100 most powerful people in the art world list. So what is it to be the most powerful person in the art world?

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The Forgiveness of Blood

Tom Birchenough

Blood feuds and mobile phones are not something you expect to find in the same film narrative. But they are both part of the landscape of American director Joshua (Maria Full of Grace) Marston’s Albanian-language The Forgiveness of Blood, which shows that while a small Balkan nation has caught up with the modern world in some technological respects, age-old traditions of clan revenge survive. Murder must be avenged with murder, making for generations-long disputes.

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Jackpot

Kieron Tyler

It’s a standard dilemma in film. What to do with the body? In this case, the answer can be seen coming but when it does, it isn’t one that could have occurred outside the world created for the otherwise all too generic Jackpot.

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360

Jasper Rees

In the end only Robert Altman really knew how to do it: to take a spread of characters and somehow knit their stories together into a satisfactory whole. When filmmakers have attempted it in recent years they’ve tended to self-importance – Paul Haggis in Crash, Alejandro González Iñárritu in Babel – or risibility – Richard Curtis in Love, Actually.

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Undefeated

Jasper Rees

There’s a lot of sport about at the minute, and those of us who get off on it are filling our boots. So it’s perhaps not the ideal moment to release a sporting documentary, however rousing, however laudable, especially one about that most unOlympic of team games, US football. If Undefeated makes a legitimate claim on the attention, it’s because it is all about legacy, that ubiquitous buzz word of London 2012.

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London: The Modern Babylon

Demetrios Matheou

Julien Temple’s new documentary is a timely accompaniment to the London Olympics. While the Games casts a spotlight on the capital, the film offers a wondrously dense and evocative, warts-and-all portrait of the city.

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A Simple Life

alexandra Coghlan

Plenty of great films have been made about old age, about the humiliations, emotions, fragilities and joys of the end of life. Wild Strawberries, Harold and Maude, Venus, Driving Miss Daisy, even Pixar’s Up probably has a claim on this category, but Asia, with its regard for the elderly, has always had a special cinematic affinity for the subject.

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Eames: The Architect and the Painter

Sarah Kent

A friend of mine has an Eames lounge chair that he treats with enormous reverence and claims is the comfiest seat ever made. I simply don’t get it; with its bent plywood shell and black leather upholstery, this 1956 American design classic looks to me dark, clumsy and uninviting – especially when compared with Eileen Gray’s Bibendum chair of some 50 years earlier or the delicate designs produced in the 1920s for the Bauhaus by Le Corbusier, Marcel Breuer and Mies van der Rohe.

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Ted

Emma Simmonds

Seth MacFarlane is the equal opportunity offender responsible for a trio of animated sitcoms: Family Guy, American Dad! and The Cleveland Show. The hardest-working man in TV comedy is known for his colourfully un-PC style and agreeably obnoxious humour, marrying American brassiness with sharp satire, and for turning a baby into a maniacal genius.

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Woman in a Dressing Gown

Graham Fuller

The British new wave came ashore with its angry young men – foremost among them those played by Laurence Harvey in Room at the Top (1959), Albert Finney in Saturday Night and Sunday Morning (1960), Tom Courtenay in The Loneliness of the Long-Distance Runner (1962), and Richard Harris in This Sporting Life (1963), all but Courtenay’s rebellious Nottingham borstal boy bloody-minded Northerners.

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Searching for Sugar Man

Garth Cartwright

Cult figures from rock music’s golden age are numinous today but few are more obscure than Sixto Rodriguez. The Mexican-American singer-songwriter released two albums on Sussex Records in 1970 and ’71. In the US they were quickly deleted and he seemingly vanished. Only a handful of crate-digging acolytes valued these albums, the first of which, Cold Fact, opened with "Sugar Man", a haunting ode to a drug dealer.

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The Dark Knight Rises

Emma Simmonds

2012 has so far brought us a couple of notable surprises from the oft-maligned world of comic book adaptations: first came Joss Whedon’s Avengers Assemble with its boisterous banter and then there was depth and pathos from Andrew Garfield in the title role of Marc Webb’s The Amazing Spider-Man. With its key competitors faring well both critically and commercially, what of Christopher Nolan’s Caped Crusader?

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In Your Hands

Tom Birchenough

You might wonder whether Kristin Scott Thomas is doing Paris arrondissement by arrondissement. Last time we saw her was in Pawel Pawlikowski’s The Woman in the Fifth, where she was reincarnated in that district. In Lola Doillon’s In Your Hands (Contre toi in the original), she’s moved to the Eighth to undergo a bit of living hell.

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