thu 03/07/2025

New Music Reviews

CD: Whitney - Forever Turned Around

Owen Richards

As days get shorter and the sun tucks itself behind a blanket of clouds, Whitney return with the bittersweet sound of summer ending. Forever Turned Around is the long-awaited follow up to 2016’s Light Upon the Lake, and the band have lost none of their melodic magic.

Read more...

Martha Reeves and The Vandellas, Dingwalls review - What's going on? Good question

Liz Thomson

There’s something truly sad and dispiriting about listening to an artist trash their back catalogue and absolutely totally ruin their greatest song, especially when that song has acquired anthemic status and been chosen to be preserved by the Library of Congress in the National Recording Registry.

Read more...

Reissue CDs Weekly: Creedence Clearwater Revival - Live at Woodstock

Kieron Tyler

Apparently, Creedence Clearwater Revival drummer Doug Clifford’s snare drum broke during the first song of their set at Woodstock Festival. On the new double album Live at Woodstock, it’s impossible to detect this happening. As “Born on the Bayou” progresses, the band’s forward motion is relentless and their dedication to the groove is undiminished during this and the remainder of a blistering, paint-peeling set.

Read more...

Edinburgh International Festival 2019: JARV IS review - Britpop legend still delivers

Miranda Heggie

”Cunts Are Still”. Well, that got your attention, didn’t it? Not my words, merely the title of one of JARV IS’s new tracks. In case you didn’t get it, JARV IS is a play on words and the name of given to Pulp frontman and founder Jarvis Cocker’s latest outfit. Cocker still is releasing new material. He still is an exuberant and energetic performer. He still is wearing those glasses. And still is very good.

Read more...

Eels, Hammersmith Apollo review – dark, swampy and endlessly entertertaining

Ellie Porter

"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's Eventim Apollo and this is the kind of question we’ve come to expect from frontman Mark Oliver Everett, AKA "E".

Read more...

Reissue CDs Weekly: Phil Manzanera - Diamond Head

Kieron Tyler

Diamond Head was Roxy Music guitarist Phil Manzanera’s first solo album. Released in May 1975 and recorded the previous December and January during a lull in his parent band’s activities, it hit shops between Roxy’s Country Life and Siren albums. Singer Bryan Ferry had done a short solo tour in December 1974 which culminated with a show at The Royal Albert Hall where he was backed by an orchestra.

Read more...

Foo Fighters, Bellahouston Park, Glasgow - communal singalongs and career highlights

Lisa-Marie Ferla

Foo Fighters are an unlikely candidate for one of the biggest bands in the world. There’s nothing workmanlike about the sheer joy with which Dave Grohl and drummer Taylor Hawkins approach playing live.

Read more...

Pram, Hare & Hounds, Birmingham review - a fine hometown return for the psychedelic oddballs

Guy Oddy

While Pram could hardly be described as representative of the UK psychedelic scene, it would be hard to imagine South Birmingham’s favourites being birthed by any other sub-culture.

Read more...

Josienne Clarke, Green Note review - world-class melancholia hits its mark

Tim Cumming

It’s been a period of upheaval and change for singer-songwriter, and compelling interpreter of traditional ballads, Josienne Clarke. These days she’s a Rough Trade artist, now sailing solo seas away from her long-time musical partner, producer and arranger Ben Walker.

Read more...

CD: Frank Turner - No Man's Land

Nick Hasted

Frank Turner’s compendium of extraordinary female lives, from the “impudence” of a Byzantine princess to his mum via Mata Hari, is admirably ambitious and historically intriguing. The arena-playing folk-punk digs deeper into factual byways than he has any career need to, insisting on his own wayward course.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...