sun 18/05/2025

New Music Reviews

Reissue CDs Weekly: Brian Wilson and Van Dyke Parks - Orange Crate Art

Kieron Tyler

Orange Crate Art makes most sense in the context of Van Dyke Parks’s solo career rather than that of Brian Wilson’s. For the former it was preceded by Tokyo Rose, an orchestrated set tackling the intersections of American-Japanese cultural and socio-political relations.

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Reissue CDs Weekly: John Lee Hooker - Documenting The Sensation Recordings 1948-1952

Kieron Tyler

John Lee Hooker’s recording career began on Friday 3 September 1948. He’d attracted the attention of the Kiev-born Bernard Besman, who was in Detroit after his family moved there in 1926 following five years in London’s East End. By the 1940s Besman, who played piano, was a veteran of dance bands and also worked as a booker.

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Laura Marling, Union Chapel, YouTube review - communication breakdown

Liz Thomson

Music, as the sociologist Simon Frith long ago pointed out, is “an experience of placing: in responding to a song we are drawn, haphazardly, into affective emotional alliances with the performer and with the performer’s other fans”. Music makes you feel things, it’s about shared emotional experiences. And while, since the invention of the Walkman, those experiences are possible in the isolation of one’s own headphones, nothing can begin to touch the communal concert experience.

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Reissue CDs Weekly: The Belfast Gypsies

Kieron Tyler

There’s something wrong with the picture above. It’s the sleeve of a French EP issued in August 1966 credited to a surly looking band called “Them”. The chap standing in the middle has what appear to be bullet holes in his shirt, but where’s the band’s frontman and main songwriter Van Morrison?

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Reissue CDs Weekly: Edikanfo - The Pace Setters

Kieron Tyler

Ghana was visited by two British musicians in the early Eighties. One was Mick Fleetwood, who recorded the Visitor album in Accra during January and February 1981. The other was Brian Eno, who came to the country in late 1980 to attend the National Festival of Arts and Culture (NAFAC).

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Reissue CDs Weekly: Keith Relf - All the Falling Angels

Kieron Tyler

“Collector of the Light” is based around what sounds like a treated bass guitar. As the neck is moved up and down, multiple notes are plucked at once. The instrument’s sound is subaquatic, wobbly. Over this, a distant, echoey voice sings of being the “collector of light”, restoring dreams and “silver points of wonder”.

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Reissue CDs Weekly: Damily - Madagascar Cassette Archives

Kieron Tyler

Outside his home country Madagascar, Damily was first heard via a couple of tracks on the 2004 French compilation album Tsapiky, Panorama D'une Jeune Musique De Tulear, an overview of the tsapiky dance music of the south-west of the island. He’d moved to France in 2003. His first internationally issued full-length album, Ravinahitsy, followed in 2007.

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theartsdesk on Vinyl 57: Gramme, Terry Edwards, The Orb, The Monochrome Set and much more

Thomas H Green

After C19 delays theartsdesk on Vinyl is back. My initial policy, reckoning that new vinyl would dry up under COVID conditions, was to do regular lockdown mini-editions with the material already set aside here, until it ran out. That didn’t work out. The vinyl, to my surprise, kept on coming. Global crisis be damned! A backlog grew! Thus, theartsdesk on Vinyl 57 is a catch-up on the past couple of months.

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Reissue CDs Weekly: Bob Stanley & Pete Wiggs Present The Tears of Technology

Kieron Tyler

“Like mellotrons before them, synthesisers could project a strange and deep emotion – something in the wiring had an inherent melancholy.

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Reissue CDs Weekly: King Size Taylor and the Dominoes

Kieron Tyler

The enduring status of The Beatles shouldn’t distract from them having been one amongst many Liverpool bands while they found their feet.

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