fri 22/08/2025

New Music Reviews

Oh Sees, Tramshed, Cardiff review - breakneck wig outs

Owen Richards

Oh Sees have long been touted of as the perfect festival band. Their racuous, high-tempo rock'n'roll always riles up the drunken swathes, even if no-one recognises the song. However, going to a headline show is a different prospect - these swathes are the loyalists, not ready to accept anything less than carnage.

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Rokia Traoré: Dream Mandé: Djata, Brighton Festival 2019 review – resonant griot wisdom

Nick Hasted

Rokia Traoré’s passage through this year’s Brighton Festival has been central, binding it to her Malian identity in a series of gigs. This hands-on Guest Director’s pulsing Afro-rock Opening Night was followed by the first Dream Mandé show’s recasting of traditional sounds. A Malian Dance Night added FGM protest, Seventies s.f.-soundtracked myth and cheeky wit from young choreographers.

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Mark Knopfler, Royal Albert Hall review - the Sultan's return

Liz Thomson

Prufrock might have measured his life in coffee spoons but for many of us it’s rock albums, the money to buy them way back when scrabbled together from Saturday jobs and student grants  –  remember them?

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Primal Scream, The Haunt, Brighton review - up-close, short, raucous and sweaty

Thomas H Green

Primal Scream have played in this city, in the recent past, at the 4,500 capacity Brighton Centre but tonight they’re in a venue which holds well under 400. A bananas atmosphere reigns when bands of their stature play intimate shows, and so it is tonight.

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Sting and Shaggy, Roundhouse review - wilfully uncool and irrepressibly good fun

Russ Coffey

Musical odd couples don't come much stranger than Sting and Shaggy.

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Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festival 2019 review – traditions soar free

Nick Hasted

Much of Rokia Traoré’s set on Saturday night comprised folk songs about Mali’s warrior kings, connecting with her country’s fabulously wealthy, proudly powerful past. They suit this diplomat’s daughter’s regal stature, which she has put at the service of a nation still enviably rich in musical resources, but battered by civil war, poverty and terrorist attack.

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Reissue CDs Weekly: Ronnie Lane

Kieron Tyler

It was inevitable that Rod Stewart’s distracting solo adventures would eventually kill off Faces, the band he fronted. Less predictable was the departure during their lifetime of another founder member, their bassist and key songwriter Ronnie Lane.

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Claire Martin, Ronnie Scott’s - swinging hard in Soho

peter Quinn

While some vocalists build an entire career on a 'one-timbre-fits-all' approach, one of Claire Martin's greatest strengths is the way in which she brings all of the different colours of her voice into play such that each song is allowed to resonate in the most powerful way.

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theartsdesk on Vinyl 49 - Part 2: Prince, Johnny Cash, Sparks, Toyah, Adrian Sherwood and more

Thomas H Green

We return, after only a week away, with Part 2 of Volume 49. Starting out with an amazing comeback from Adrian Sherwood’s Pay It All Back compilation series as Vinyl of the Month, this edition takes in everything from Prince to death metal to ambient classical.

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The Specials, Margate Winter Gardens review - ska legends passionate and on-point

Kathryn Reilly

Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was four decades ago. But is this a 40th anniversary or a number one album tour?

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