thu 01/05/2025

New Music Reviews

theartsdesk on Vinyl 43: Pixies, Nazareth, Yumi and the Weather, Beta Band, Northern Soul and more

Thomas H Green

There’s been a lot of conjecture over the last couple of years about HD Vinyl. It is, we’re told, a more precise and rounded analogue experience, taking record-listening to the next level. The company’s Austrian MD Guenter Loibl has explained that the process uses “a laser-cut ceramic instead of electroplated metal stampers” to achieve results that add 30% more audio information to a record. Sounds great.

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They Might Be Giants, Barbican review - genuine, authentic humour

Sebastian Scotney

The songs of They Might Be Giants have an irresistible way of combining the playful, the childlike and the absurd. The band’s major label debut album, Flood from 1990, which was most people’s entry point into their music, is full of quick-witted humour.

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Soft Cell, O2 review - a memorable finale to their career

Caspar Gomez

Soft Cell have been teasing us for almost three hours. “I think we might have forgotten to do one, Dave,” says Marc Almond, pacing the stage, a wry smirk on his face. His protégé, Dave Ball, is next to him, ensconced behind a corral of old analogue synthesizers. The song lyrics descending down two gigantic screens behind them illustrate the burlesque of it all.

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Reissue CDs Weekly: The Michael Gibbs Big Band, The Gary Burton Quartet

Kieron Tyler

Gary Burton fans with an eye for detail will know that “Fly Time Fly (Sigh)” from his second album, 1962’s Who Is Gary Burton?, had a writer credit of “Gibbs”. The American vibes-ace’s next album, 1963’s 3 in Jazz, a collaboration with Sonny Rollins and Clark Terry included another song by Gibbs.

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Reissue CDs Weekly: Bobbie Gentry

Kieron Tyler

In 2016, a writer from The Washington Post thought they had found Bobbie Gentry. After announcing their presence via the entry phone system of a gated housing development near Greenwood, Mississippi, they were told “there's nobody here by that name.” Though Greenwood was where Gentry had attended school and taught herself to play multiple instruments, it was a predictable response.

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David Crosby & Friends, Shepherd’s Bush Empire, review - still spine-tingling at 77

Ellie Porter

“This, quite possibly, could be a really good night,” declared David Crosby. He’s a couple of songs into this show, one of only two UK dates on the tour promoting his current album Sky Trails. Looking trim, beaming and in impeccable voice, the 77-year-old known as Croz fulfils his prophecy – and then some.

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Reissue CDs Weekly: Soft Cell

Kieron Tyler

During their original 1980 to 1984 lifespan as a recording unit, Soft Cell issued three albums, a mini-album, eleven singles and EP. There were also compilation appearances, bonus tracks on discs included with albums or singles (such as the 12-inch of Jimi Hendrix cover versions accompanying The Art of Falling Apart) and extended tracks which appeared on 12-inch singles. Everything could probably be collected on six CDs.

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Classic Albums: Amy Winehouse - Back to Black, BBC Four review - suffering turned into song

mark Kidel

Formats are second nature to TV: the BBC and Eagle Rock’s Classic Albums will run and run. Like all formats, there’s always the risk that the medium becomes the message, and content suffers under the weight of form.

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Arctic Monkeys, O2 review - musicanship and showmanship successfully collide

Kathryn Reilly

So here we are. Over a decade since we all fell in love. So many light years from the rubble to the Ritz. From Sheffield to LA, where half the band is now based. And by the looks of the audience, a fair proportion has been along for the whole ride.

Not that it’s always been easy to support them. Never mind the information/action ratio, what perhaps should concern us about the Arctic Monkeys is...

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The The, Digbeth Arena, Birmingham review - Matt Johnson takes his political pop back on the road

Guy Oddy

Matt Johnson is a genial bloke with a trunk-load of songs that view the glass as not only half empty but too small. In the '80s and early '90s this pessimistic protest singer even managed to bother the charts a fair few times before quietly slipping out of sight until the release, a year or so ago, of his experimental Radio Cineola Trilogy album.

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