New Music Reviews
Kendal Calling, Lowther Deer Park review - a mini-Glastonbury of the border landsTuesday, 01 August 2017
Kendal Calling is a lovely festival. Charmingly misnamed – it’s set 30 miles from Kendal in Lowther Deer Park, a couple of miles from Penrith, in the northern Lakes – it takes place over four days in spectacularly beautiful Cumbrian countryside. Read more... |
Indigo Girls, Islington Assembly Hall review - exhilarating and generousMonday, 31 July 2017
For an act that hasn't visited the UK since 2009, the Indigo Girls might have been surprised at the audience's familiarity with their work. It’s now a given that artists have to tour to sell records, but judging by the vigour with which the audience in Islington joined in with the songs, sometimes in an informal call-and-response, the UK must provide a good flow of royalties. And no doubt absence makes the heart grow fonder. Read more... |
WOMAD 2017, Charlton Park review - multicultural nirvana transcends mud-bath conditionsMonday, 31 July 2017
Now in its 35 year, Womad is embedded into British festival culture, flying the flags of a musical multiculturalism that is about breaking down barriers and building new relationships. It’s not something you want to lose. Read more... |
Silver Birch, Garsington Opera review - gritty drama in the ChilternsMonday, 31 July 2017
"Everyone suddenly burst out singing"’ wrote Siegfried Sassoon in his paean to humanity amidst the horror of war, "Everyone Sang". And sing they did, all 180 of them, crammed onto Garsington’s modest stage for its new community opera Silver Birch by Roxanna Panufnik to a libretto by Jessica Duchen. Here were primary school children, teenagers, professional singers, members of a women’s refuge, ex-military personnel, and a waggy-tailed dog. Read more... |
Ladysmith Black Mambazo, Cadogan Hall review - peace, love and harmoniesSunday, 30 July 2017
On a dreary evening in what passes for summer, the news unutterably grim, an evening in the company of South Africa’s greatest export can’t help but lift the spirits. Read more... |
Reissue CDs Weekly: Marylebone Beat Girls, Milk of the TreeSunday, 30 July 2017
Between them, Marylebone Beat Girls and Milk of the Tree cover the years 1964 to 1973. Each collects tracks recorded by female singers: whether credited as solo acts, fronting a band or singer-songwriters performing self-penned material. Read more... |
theartsdesk at Førdefestivalen - fado, tango and desert blues among the Norwegian fjordsSaturday, 29 July 2017
This year’s Førdefestivalen was gabled by an opening Nordic Sound Folk Orchestra showcase and a spectacular closing gala, live-streamed and broadcast Europe-wide. It featured a dizzyingly eclectic range of world and Nordic folk bands, as well as the speediest stage turn-arounds I’ve ever seen. Read more... |
12 Stone Toddler, Green Door Store, Brighton review – experimentalism can still be popMonday, 24 July 2017
Ten years ago Brighton band 12 Stone Toddler burst onto the scene with two off-the-wall albums of madly inventive pop-rock. They then vamoosed back out of existence. Now they’re back, preparing a third album for the Freshly Squeezed label, and playing a packed home town gig. The second song they do is a new one, “Piranha”... Read more... |
Reissue CDs Weekly: RamonesSunday, 23 July 2017
Production gloss and deliberation are not notions immediately springing to mind while pondering the 1976-era Ramones. Even so, this new edition of their second album, the ever-wonderful Leave Home, reveals that careful consideration was given to how they presented themselves on record. Read more... |
Reissue CDs Weekly: Anne BriggsSunday, 16 July 2017
The Time Has Come was issued in late 1971. Anne Briggs’ second album and her second to reach shops that year, it followed an eponymous set released that April. That was on the folk label Topic and produced by the pivotal A. L. Lloyd, who had been key to propagating Britain’s traditional music since the late 1930s. Read more... |
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