New Music Reviews
The Dandy Warhols, O2 Institute, Birmingham review - a silver jubilee jaunt with plenty of new tunesThursday, 31 January 2019
This week, the Dandy Warhols rocked up in Birmingham to begin the UK leg of their 25th anniversary tour with a gig in the Institute’s shabby but beautiful main hall, with its dusty neo-classical alabaster reliefs and almost comically antiquated balconies. Read more... |
Reissue CDs Weekly: Third Noise PrincipleSunday, 27 January 2019
A compilation on which Philip Glass and Terry Riley rub shoulders with Controlled Bleeding and Smegma is going to be interesting. Throw in Data-Bank-A, Dog as Master, NON and Suicide, and it becomes clear what’s striven for is an all-encompassing overview of something particular rather than a miscellany of random names included as attention-grabbers. Read more... |
Patti Smith, Roundhouse review – the priestess of punk has lost none of her powerSaturday, 26 January 2019
“Don’t love me yet,” replies Patti Smith to the first of tonight’s many excitable shout-outs. “Who knows, after 20 minutes you might be gone!” An unlikely scenario, given that this show – part of the Roundhouse’s annual “In the Round” series, which also features Ronnie Spector and Shirley Collins – sold out in nanoseconds and is packed with rapt fans. Read more... |
Reissue CDs Weekly: Charles MingusSunday, 20 January 2019
Releases dedicated to previously unisssued live recordings can be tricky. The variables at play don’t necessarily ensure that what’s in the shops is worth investigating. The audio sources may be of sub-standard quality or capture an off night. Some live performances are by rote: touring acts can do the same set night after night and things get stale. Who wants to hear yet another version of a familiar composition or song? It goes on. Read more... |
Bang on a Can All-Stars, Kings Place review - a kaleidoscope of vibrant sound and visionSaturday, 19 January 2019
Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why the compositions of Rebecca Saunders, in the news for winning the €250,000 Ernst von Siemens Music Prize, make me lose the will to live, and whom I’d choose instead. Read more... |
Reissue CDs Weekly: Music is the Most Beautiful Language in the WorldSunday, 13 January 2019
The title comes from a slogan used in a 1920s newspaper ad for Weinberg’s, a gramophone, record and sheet music shop in Brick Lane. Readers saw the words in Yiddish though. Read more... |
Reissue CDs Weekly: Jon Savage's 1968Sunday, 06 January 2019
Without the necessary distance, characterising last year through its pop music is a mug’s game. A gulf of 50 years would bring some perspective. Nonetheless, in spite of that interval there are difficulties in creating a fitting soundtrack to 1968 – especially when using its singles as the emblematic markers. Read more... |
Albums of the Year 2018: Courtney Barnett - Tell Me How You Really FeelThursday, 03 January 2019
It’s been a great year for music: trailblazing and unforgettable EPs from Stella Donnelly and boygenius; the triumphant returns of Robyn, and Janelle Monáe; flawless albums from Kurt Vile and Tunng; stunning re-imaginings from St Vincent and Waxahatchee; and confident debuts from Snail Mail and The Orielles. Read more... |
Albums of the Year 2018: Janelle Monáe - Dirty ComputerMonday, 31 December 2018
Janelle Monáe had already established herself as pop’s next great innovator with The ArchAndroid and Electric Ladyland, two albums full of earworms, high production and retro-futuristic lyrics. Read more... |
Reissue of the Year: Carola Baer - The Story of ValerieSunday, 30 December 2018
Moments into “Maker of me”, it’s evident that The Story of Valerie is special. A circular piano figure accompanies a disembodied female voice singing and speaking of a relationship that’s “greater than myself.” Punctuation from a bass guitar is sprinkled sparingly. The next track, “Golden Boy”, is similarly formidable but employs an electronic keyboard, a drum machine and features an even more intense vocal. Read more... |
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