New Music Reviews
Tom Russell, 100 Club review - tales from a time-honoured troubadourMonday, 04 December 2017
Nothing beats a great singer-songwriter live and unadorned. So it was with Tom Russell at London’s 100 Club on the penultimate night of his UK tour. Accompanied by his faithful friend the brilliant Milanese Max Bernadino on guitar, the man whom Lawrence Ferlinghetti describes as “Johnny Cash, Jim Harrison and Charles Bukowski rolled into one” gave a brilliant performance which was a masterclass in audience engagement. Read more... |
Reissue CDs Weekly: The Rolling StonesSunday, 03 December 2017
Until now, the easiest non-bootleg way to hear the early Rolling Stones live was via the various home cinema editions of October 1964’s T.A.M.I. show. Otherwise, although they employed backing tracks for broadcast, the American DVDs of their Ed Sullivan Show appearances caught the band in thrilling full flight. Read more... |
Reissue CDs Weekly: The JamSunday, 26 November 2017
In 1976, Polydor Records was actively considering signing the Sex Pistols. The label’s Chris Parry checked them out live in Birmingham during August. In September, he had a prime spot behind the mixing desk at the 100 Club’s punk festival from which to consider British punk rock’s figureheads. Read more... |
Jools Holland and José Feliciano, Royal Albert Hall review - giving the audience what they expectSaturday, 25 November 2017
It really is quite something to be admired, the sheer longevity and staying power of the Jools Holland franchise. The TV show Later...With Jools Holland, with the same core team running it, has just celebrated its 25th anniversary and put its 51st season to bed. That takes us all the way back to October 1992, just after the summer of John Bryan and Antonia de Sancha, of toes and Chelsea strips.... Read more... |
Reissue CDs Weekly: Phil SeymourSunday, 19 November 2017
“Precious to me” is a high-carat gold nugget. A guitar-pop song with cascading, lush Everly Brothers harmonies drawing on The Searchers’ version of “When You Walk in the Room”, its immediate tune instantly lodges itself in the head. Read more... |
Depeche Mode, Manchester Arena review - synth-pop gurus raise the spirits of thousandsSaturday, 18 November 2017
For a band as big as Depeche Mode, in a venue as big the 21,000-capacity Manchester Arena, on a tour as big as their current Spirit tour, it almost doesn’t need saying that the pre-gig atmosphere is buzzing. Read more... |
Robert Glasper, Barbican review - emotional fellowship and creative interconnectionsSaturday, 18 November 2017
As moments of transcendence go, Laura Mvula’s guest spot at Robert Glasper’s EFG London Jazz Festival show provided one of the year’s most transporting musical moments. Powered by the huge harmonic slabs carved out by keyboardist Travis Sayles and the vast backbeat of bassist Derrick Hodge and drummer George “Spanky” McCurdy, Mvula’s delicately outerspacious “Bread” was... Read more... |
Seeger MacColl Family, Cecil Sharp House review - keeping the folk tradition aliveFriday, 17 November 2017
The family that sings together stays together… At least that’s true in folk music. Think of Waterson- Carthy and Seeger-MacColl. And last night at Cecil Sharp House, citadel of British folk music, Peggy Seeger and her sons Calum and Neill stepped out for a family concert. Read more... |
Mark Guiliana Jazz Quartet, Ronnie Scott’s review - sophistication and simplicityThursday, 16 November 2017
If having several projects on the go is a necessity for most jazz musicians, the US drummer Mark Guiliana is more protean than most, with a musical CV that traverses jazz, rock and electronic music. Like the pianist Robert Glasper, Guiliana – voted Best Jazz Drummer in this year’s Modern Drummer Readers Poll – has been hugely influenced by electronic music and textures, as equally inspired by... Read more... |
Kesha, Electric Brixton review - a joyously sassy comebackWednesday, 15 November 2017
There are more clothes flying Kesha’s way than onto the stage at a Las Vegas Tom Jones concert in the mid-Seventies. She started it. As she introduced her 2010 single “Take It Off”, she announced that since things were so hot she’d be discarding a few items. Duly, she removes the heavy, dark velveteen jacket, decorated with embroidered red roses, that she’s been wearing so far, and undoes her shiny gold shirt down to her sternum, revealing her bra. The song kicks in and the capacity crowd go... Read more... |
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