New Music Reviews
Reissue CDs Weekly: Anne BriggsSunday, 16 July 2017
The Time Has Come was issued in late 1971. Anne Briggs’ second album and her second to reach shops that year, it followed an eponymous set released that April. That was on the folk label Topic and produced by the pivotal A. L. Lloyd, who had been key to propagating Britain’s traditional music since the late 1930s. Read more... |
theartsdesk on Vinyl 30: Moby, The Beach Boys, Napalm Death, John Coltrane and moreThursday, 13 July 2017
If there’s a downside to the resurgence of vinyl, it’s that all that’s left in most charity shops these days is James Galway and his cursed flute and Max Bygraves medley albums. Then again, there’s always new stuff coming in so it’s down to everybody to get in there quick, before the local record shops hoover up all the gems. And there it is. Many small towns now have local record shops again. That’s surely something to celebrate. Read more... |
Tom Petty and the Heartbreakers, Hyde Park review - electrifying American classicsTuesday, 11 July 2017
Tough security checks mean I make it to British Summer Time’s main stage just moments before the opening chords of the early evening set from The Lumineers. Read more... |
Reissue CDs Weekly: Silhouettes & Statues - A Gothic RevolutionSunday, 09 July 2017
In February 1983, New Musical Express ran a cover feature categorising what it termed “positive punk”. Bands co-opted into this ostensibly new trend were Blood & Roses, Brigandage, Danse Society, Rubella Ballet, Sex Gang Children, Southern Death Cult, The Specimen, UK Decay and The Virgin Prunes. Read more... |
BambinO / Last And First Men, Manchester International FestivalFriday, 07 July 2017
The Manchester International Festival – a biennale of new creative work – this year has a new artistic director in John McGrath, and there’s no large-scale new opera or prominent "classical" work, it would seem, other than Raymond Yiu’s song cycle, The World Was Once All Miracle, performed on Tuesday by Roderick Williams with the BBC Philharmonic. |
Steve Winwood, Eventim Apollo review - multi-talented performer redesigns his back catalogueThursday, 06 July 2017
The precocious Steve Winwood joined the Spencer Davis Group when he was 14, when the Sixties themselves were still young, and hasn’t really stopped ever since. Read more... |
Reissue CDs Weekly: Beach HouseSunday, 02 July 2017
From beginning to end, B-Sides and Rarities plays through like a regular album; as though it collects a series of tracks recorded where a cohesive release with a flow was the goal. Yet this 14-cut collection is a compilation with its earliest selection from 2005, the year Beach House formed. Read more... |
theartsdesk at Glastonbury Festival 2017Thursday, 29 June 2017
It’s a Tweet-age Glastonbury aftermath. It’s monsooning grey outside. The real world’s back, consensus reality fast encroaching. Everything’s moved on, spun to the next thing as we A.D.D. onto Wimbledon, Hard Brexit or whatever. Even my 14-year-old daughter knows the “Oh, Jeremy Corbyn” chant (to the riff from White Stripes “Seven Nation Army”) that rolled across this year’s Glastonbury crowds like... Read more... |
Reissue CDs Weekly: Shelleyan OrphanSunday, 25 June 2017
Considering Shelleyan Orphan, Melody Maker said “someone’s been smearing themselves in art…were they artists or did they just wallow in shit?” While the late Eighties’ British music press often made assertions to seek attention, slagging off a band because they sought to follow their own path is, with hindsight, rich given that roughly contemporary cover stars such as Chakk and Set The Tone dealt in music so precisely fixed in the moment they now sound as dated as Sheena Easton’s... Read more... |
theartsdesk on Vinyl 29: The Beatles, Kraftwerk, Sikth, ESG, Alice Coltrane and moreThursday, 22 June 2017
Reviewed this month with the windows open, in weather hot enough to warp records, this month theartsdesk on Vinyl casts two ears over 34 releases, starting with a striking foray into elegant songwriting and ending with Now That’s What I Call Classic Rock. Read more... |
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