thu 16/01/2025

New Music Reviews

Vinícius Cantuária, Eliane Elias, Barbican review - simply does it

Sebastian Scotney

Less really is more. Vinícius Cantuária is a musician who has done it all, but has reverted to the simplicity of singing classic Jobim bossa nova songs, to which he brings a quite astonishing lightness of touch. Last night at the Barbican, alone on stage, with just a nylon string guitar for company, he made the 1,850-seater Barbican feel like the most intimate of small clubs.

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Iggy Pop, Barbican review - proto-punk legend goes jazz... sort of

Thomas H Green

A few years ago it would have been hard to envisage proto-punk maniac Iggy Pop being a star feature of the EFG London Jazz Festival. His last few albums, though, have been heavily flecked with jazz, and let’s not forget that as far back as The Stooges’ 1970 album Funhouse, free jazz sax squalling was part of the mayhem.

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Darlingside, Cecil Sharp House review - finger-picking good

Liz Thomson

The four young men who comprise Darlingside met at Williams College, in the Berkshires which, each October, declares a “Mountain Day” when students hike up Stony Ledge and celebrate with donuts, cider and a cappella singing.

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Herbie Hancock, Barbican EFG London Jazz Festival review – the musical chameleon is still searching at 79

Sebastian Scotney

When it comes to the true jazz legends capable of filling concert halls with faithful fans, whom jazz festival programmers can put on as headliners, the choice is dwindling.

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CD: Beck - Hyperspace

Owen Richards

Beck stands on the front cover of his new album Hyperspace with a vintage Toyota and Japanese text resplendent above. It’s the perfect scene setter for an album you could easily imagine soundtracking a midnight drive through Tokyo. Or if the lyrics are anything to go by, an intergalactic voyage.

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Reissue CDs Weekly: The Clash - London Calling

Kieron Tyler

In a first for this column, what’s cropping up is a cassette reissue. The Clash’s third album is so familiar, going into what it is or was in any depth is redundant but it’s worth considering what’s going on here.

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Jazz Voice, Royal Festival Hall - engulfing beauty and hidden gems

peter Quinn

Jazz Voice unfailingly supplies a gigantic sugar-rush of auditory pleasure, and this year’s edition was no exception. Arranged, scored and conducted by the brilliant Guy Barker, the evening’s opener saw rising US vocalist Judi Jackson and the EFG London Jazz Festival Orchestra transform Nirvana’s brooding “Come As You Are” into a swaggering, Vegas-style workout.

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Craig David, BBC Radio 2 review - what's your flava?

Katherine Waters

My friend, let’s call her Kit, is having a rubbish time. Kat (that’s me) is too. If life’s got a flavour, it’s a shade darker than 99% cocoa. Kit and Kat are bitter. But if life is akin to boxed chocolates (or even foil-wrapped), there’s an entire world of tastes out there. What better than to add some sweetness, stir in some sugar? That’s where Craig comes in. Oh, Craig!

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theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and more

Thomas H Green

Without further ado, slightly delayed by the sheer volume of releases at this year time of year, here is the latest edition of theartsdesk on Vinyl. You will not find a more extensive monthly report on the goodies newly available on plastic anywhere on the internet. Every conceivable genre is theartsdesk on Vinyl’s game so dive in and get involved!

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Vampire Weekend, O2 Academy, Birmingham review – clean-cut Americans fail to ignite

Guy Oddy

By the time Vampire Weekend reached Birmingham on their latest UK jaunt, they had unfortunately managed to mislay their support band, the colourful Songhoy Blues. This was a great shame, as the Malians would surely have added a bit of colour to the early part of an evening that would most certainly have benefitted from a bit of light and shade.

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