New Music Reviews
Rod Stewart, Royal Philharmonic Orchestra, O2 review - Tonight's the NightFriday, 20 December 2019
I can’t look at Rod Stewart without thinking of Barbara, one of the naughtier girls in my third-form class at East Barnet Senior High School. She was tiny, and obsessed with him, her hair cut like his. “Maggie May” was number one, playing from tinny trannies in lunchbreak. It was from Every Picture Tells a Story, the album that established Stewart’s solo career. Barbara was in seventh heaven. Read more...
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Steeleye Span, Barbican review - party like it's 1969Wednesday, 18 December 2019
The Barbican, a week before Christmas, and it’s British folk-rock legends Steeleye Span’s last gig of the year, a year in which its vigorous seven-strong line-up – featuring a new recruit in the shape of former Bellowheader Benji... Read more... |
Robbie Williams, Wembley Arena review - 12,000 people having a bawlTuesday, 17 December 2019
"The nice bloke-ness of Robbie shines through all he does,” David Baddiel commented in a tweet thanking the singer for dedicating his Wembley performance of “I Love My Life” to him. There is no denying it. Read more... |
Sinéad O'Connor, Shepherd's Bush Empire review - classics, with a hint of the newTuesday, 17 December 2019
The queues for Sinéad O’Connor’s first London show in four years curled around the outside of the Shepherd’s Bush Empire. Inside and throughout her performance, voices in the crowd shouted their love for a singer whose voice is astounding, at a point in her career when her peers’ singing quality begins to betray age. Read more... |
theartsdesk on Vinyl Christmas Special 2019Tuesday, 17 December 2019
Season’s greetings, vinyl junkies. It’s unfortunate things grew so stinky just as we headed towards the one time when Britain downs tools and disappears to the enjoy itself for a week or two. But let’s try for good will towards all. Read more... |
CD: Harry Styles - Fine LineTuesday, 17 December 2019
Not all One Direction solo albums are created equally, and after Liam Payne's public ostracization for LP1, all eyes are on Harry Styles. His self-titled debut earned some baffling comparisons to David Bowie, so what to expect next? Read more... |
Darius Brubeck, Jazz Café review – a touching celebration of 'Time Out' at 60Monday, 16 December 2019
It is a very rare thing, as Darius Brubeck reflected, to “inherit a hit.” This gig by the pianist and his quartet marked the exact day of the 60th anniversary of the launch of Time Out by his father Dave Brubeck. Time Out was the first million-selling album in jazz, reaching No 2 in the US pop charts. Read more... |
theartsdesk on Vinyl 55: Peaky Blinders, Graham Coxon, 2 Tone, Redrago, Gary Numan, The Clash and moreMonday, 16 December 2019
Britain is unpleasant to look at right now, ugly and foolish, so why not lock down with some tuneage. Below is the best plastic that’s hit theartsdesk on Vinyl over the last month, all genres, all the time. Watch out for the forthcoming Christmas Special where we’ll endeavour to find the seasonal good cheer we’re not currently feeling. VINYL OF THE MONTH Kimyan Law Yonda (Blu Mar Ten Music) Read more... |
Outer Limits, Studio 9294 review - quickfire sets and snowman dancingMonday, 16 December 2019
Whatever your office Christmas party was like, I can (almost) guarantee that it wasn’t as much fun as this Fire Records event. Read more... |
Reissue CDs Weekly: Jim SullivanSunday, 15 December 2019
Hugh Hefner established Playboy Records in 1972 as an arm of his male-targeted business empire. Amongst the singles issued in its first year were seven-inchers by jazzer Bobby Scott, proto-yacht rockers The Hudson Brothers, singer-songwriter Tim Rose, Björn & Benny (with Svenska Flicka), who were ABBA before they had a name, and Michael Jarrett, who’d written “I'm Leavin'” for Elvis Presley. Read more... |
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